apeshit

Former oilman, current signal hunter. I trade volatility, build with AI agents, collect square meters, and lift heavy things so life feels lighter. Bullish #BTC

[apeshit @gone_apeshit]

@ottleyai @trioma_ai same

[apeshit @gone_apeshit]

@trioma_ai I like that

[Trioma AI @trioma_ai]

Did you know Trioma can literally do anything? 🚀
Control your space, crush complex problems, and spawn AI agents that actually get stuff done.

Still skeptical? Watch the video below and see the magic happen in real time. 👇

[apeshit @gone_apeshit]

@trioma_ai Finally someone is fixing the workflow instead of launching another isolated model.

[Trioma AI @trioma_ai]

GPT can't make video, Flux can't write, Seedance can't think, and switching between them is hell.

Trioma brings the world’s top AI models together through multimodal orchestration.

One prompt, one shared context, every model working as one.

https://t.co/4y5lFZFkvg

[apeshit @gone_apeshit]

@techhalla I like that

[TechHalla @techhalla]

Seedance 2.5 frozen time prompt is below 👇

Photorealistic cinematic 1990s American diner, red vinyl booths, neon signs, chrome details, checkerboard floor, soft natural window light mixed with warm practicals, subtle handheld texture, rich lived-in period detail, heavy film grain. Shot with modern realism and precise temporal control.

Use the provided reference image as the exact character lock for the bald bearded man in black sunglasses and dark hoodie. Maintain perfect facial structure, beard, head shape, skin texture and clothing consistency at all times.

0-5s: [Medium Wide] The bald man sits in a red vinyl booth. He stands up, turns, and collides hard into a waitress carrying a full breakfast tray (eggs, bacon, toast, coffee pot). Impact is sudden and physical.

5-12s: [Dynamic Tracking into Super Slow-Motion] Collision detonates. Tray, plate, eggs, bacon strips and coffee pot explode upward. Coffee erupts into long liquid ribbons and perfect suspended droplets. Camera orbits smoothly around the impact. Time locks completely at the peak of the spill. Every face freezes in pure shock. Only the bald man remains free to move. He freezes for one beat with a clear “I fucked up” expression, then quickly grabs two bacon strips and a fried egg from the floating debris.

12-22s: [Tracking Shot] Still inside the frozen diner, he walks toward the exit door while taking deliberate bites of bacon then egg. All patrons, waitress and flying food stay perfectly suspended in mid-air.

22-27s: [Medium Shot] Just as he reaches the door and is about to push it open, time snaps back to normal speed. Everything that was floating crashes down at once — plates, eggs, bacon, tray and coffee slam onto the floor with a loud chaotic impact. The waitress and patrons react in sudden real-time shock.

27-30s: [Medium Close-Up] He pauses, turns slightly, raises his eyebrows and gives a small casual “it is what it is” shrug with a quiet half-smile of acceptance, still holding the remaining food.

Photorealistic, ultra-detailed fluid and object physics, perfect volume and surface tension on liquids, sharp motion blur only on moving elements, stable character, cinematic lighting, heavy natural film grain, no artifacts, movie-level temporal coherence, high rewatch value.

Enjoy! 🫡

[doodles @doodles]

you’re next ✨

[🧪J🅿️eezySats (Polite arc)💙 @JPeezySats]

I love him

He’s such a inspiration to me

[apeshit @gone_apeshit]

@JPeezySats wine shop dude

[Aina Ai | Tools & Updates @AinaAiTech]

Desert Hypercar. One prompt. Pure cinema.

I wanted to see how far Studio AI's MiniMax H3 could push a simple idea.

Starting from a single prompt, it generated a cinematic desert chase with smooth camera movement, realistic lighting, and premium automotive-commercial vibes—all in minutes.

This feels like a concept trailer you'd expect from a high-end car commercial, not an AI workflow.

Would you drive this through the dunes?

#ad #StudioAI #MiniMaxH3 #AIVideo #AIFilmmaking #CinematicAI

[apeshit @gone_apeshit]

@trioma_ai As a motion designer, this is either the best thing ever or my new addiction. Probably both.

[Trioma AI @trioma_ai]

Okay, this is actually wild
We generated a full 1-minute cartoon from one prompt today using https://t.co/yOTorAVkQN

And the crazy part? You can scale this to 30 minutes of consistent footage. From one short prompt

Dropping the exact workflow so you can try it yourself

#TextToVideo #GenerativeAI #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️

[apeshit @gone_apeshit]

@IskanderXBT @trioma_ai Great to have you back here. I suspect you have a few interesting stories from those six years.

[Iskander @IskanderXBT]

Setting up my twitter again.

Been away for a while helping scale products millions of people use every day.

Now building @trioma_ai

Good to be back...

[Trioma AI @trioma_ai]

30-second AI video is already old news 😱

Can you believe this entire cartoon was generated from one short prompt?

Same characters. Same world. One continuous story.
No scene-by-scene prompting.

See what you can create with just one prompt
https://t.co/4y5lFZFkvg

[apeshit @gone_apeshit]

@trioma_ai what about seedance 2.5?

[Trioma AI @trioma_ai]

https://t.co/C8Nku86ng4

[Branksy Editor @MAYC6601]

This is fkn insane
Probably Seedance 2.5 doesn't even know about it 🤣

[Trioma AI @trioma_ai]

Short Prompt:
Handheld horizontal phone footage, found-footage realism. Shot from the first-person POV of a bald, holds up his phone, the recording UI (red dot, timecode) faintly overlaid on screen. He's wedged in a packed, cheering crowd at the edge of a dusty outdoor arena modeled after the Hidden Leaf Village, clay-colored rooftops and ninja academy buildings in the background. On stage, Sasuke Uchiha dashes forward, a brilliant crackling orb of bright blue Chidori electricity wrapped around his hand casting a vivid neon glow across nearby faces. He strikes Itachi Uchiha in a black Akatsuki robe with embroidered red clouds; on impact Itachi bursts into thick black smoke that erupts into a massive swirling vortex of hundreds of crows. Slight camera shake, occasional autofocus hunt, lens flare from the electric glow, heads and raised phones silhouetted in the foreground. Daylight, vivid particle effects, hyper-real live-action, highly detailed, Real footage