Tener 50's es raro.
Todos viven una línea temporal distinta.
Algunos son abuelos, otros están cambiando pañales a las 3 am, otros salen con personas de 25 , otros celebran 20 años de casados.
La mitad parecen de 33 y la otra: mitad parece haber luchado en la 2 Guerra Mundial.
☎️Según me confirman, Julián está destruido psicológicamente. La situación ha traspasado lo deportivo y le afecta de lleno en lo personal: en Madrid, varios aficionados insultaron a su familia al grito de «ratas», ofendiendo a su mujer y haciendo llorar a su hijo.
➡️ Esto provocó un giro en Simeone y Mateu Alemany. Al ver que la situación impacta a este punto la vida privada de Julián, entendieron que se habían cruzado todos los límites y aceptaron abrirle la puerta para cumplir su sueño de ir al Barça.
❌ Sin embargo, en la reunión de ayer, a Gil Marín le dio exactamente igual. Mantiene su postura inflexible sin importarle el impacto personal en el argentino.
Christopher Nolan's The Odyssey may be the most pro-Western civilization film Hollywood has made in decades - not because it flatters the Greeks, but because it understands civilization as a moral achievement rather than an ethnic possession.
The identitarian far-left and far-right share a premise: that the Western canon is ethnic property. One side condemns it on that basis; the other guards it on the same basis. Nolan refuses the premise, populating Homer's world with various identities while treating the story with absolute seriousness. That’s not a repudiation of the canon but evidence of its triumph: Homer can be inhabited by, and speak to, anyone.
The film’s deepest commitment is to individual moral agency. Odysseus cannot hide behind Greece, military orders, or victory. His choices are his own, and so is his guilt. No collective cause dissolves individual moral responsibility; his final heroism lies not in conquest, but atonement.
That principle extends to hospitality: treat the stranger as you would wish to be treated. When the Greeks violate it, they become the barbarians they fear. Penelope's devastating realization - "You're the people from the sea" - underscores that the enemies of civilization are sometimes its self-appointed defenders, exempting themselves from the principles they claim to uphold.
This is Western civilization at its best - not an ethnicity or a triumphalist myth, but a tradition built around the dignity of the individual, moral responsibility, and atonement. And a civilization strong enough to preserve stories that judge its own heroes remains a civilization worth defending.