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[/J\ @_joulian_]

"Le livre de chevet", 1956 by Leonora Carrington

[blabla @goumiboy]

#SondageIsabelleHuppert @merlinpapin3
Madame Bovary
La Cérémonie
Une Affaire de femmes

[Forever Louise Brooks @ForeverLouiseB1]

Louise by Elmer Fryer for God’s Gift to Women (1931).

[Vampyr Vlad (☥𝐃𝐁) @ImmortalBitesDB]

Only awesome people love Vincent Price.

The Master of the Macabre

[Mordecai @MenschOhneMusil]

Heinrich Böhler - Two Young Ladies, 1925.

[Classic Horror Films @HorrorHammer1]

Lon Chaney in Phantom Of the Opera (Universal 1925)

[𝐂𝐢𝐧𝐞𝐦𝐚 𝐨𝐟 𝐭𝐡𝐞 𝐔𝐧𝐬𝐞𝐭𝐭𝐥𝐢𝐧𝐠 @HauntedMovies]

Satan’s Rhapsody (1917) dir. Nino Oxilia

[blabla @goumiboy]

🖤

[X-Ray Eyes  @fearofyou]

Claudia Cardinale in I Delfini, Citto Maselli (1960)

[Pierre X. Garnier @pierrexgarnier]

En ce dimanche, je vous propose de revoir l'une des plus grandes séquences du cinéma français selon moi.

Séquence de fin de Mr Klein (1976) de Joseph Losey avec Alain Delon au sommet.

Ce film est à voir et à revoir et repasse au cinéma régulièrement dans les salles parisiennes

[X-Ray Eyes  @fearofyou]

Černý Petr, Miloš Forman (1964)

[DepressedBergman @DannyDrinksWine]

"I love dreams, even when they're nightmares, which is usually the case"

--- Luis Buñuel

The Discreet Charm of the Bourgeoisie (1972)
Director: Luis Buñuel

[daveglass @equipe86d]

Él (1953) Dir. Luis Buñuel

[𝐂𝐢𝐧𝐞𝐦𝐚 𝐀𝐧𝐝 𝐌𝐢𝐬𝐝𝐞𝐦𝐞𝐚𝐧𝐨𝐫𝐬 @CinemaCrimes]

DAY DREAMS
Buster Keaton | 1922

[blabla @goumiboy]

#SondageJackNicholson @merlinpapin3
Chinatown
Profession : reporter
Shining

[𝐂𝐢𝐧𝐞𝐦𝐚 𝐀𝐧𝐝 𝐌𝐢𝐬𝐝𝐞𝐦𝐞𝐚𝐧𝐨𝐫𝐬 @CinemaCrimes]

VIY (ВИЙ)
Konstantin Yershov, Georgi Kropachyov | 1967

[Rainy Movies @RaininMovie]

Floating Weeds (1959)
dir. Yasujirō Ozu

[Noirchick In Old Hollywood @Noirchick1]

Hazel Brooks -known as the "Human Heatwave", had a short film career of 10 years and 15 films between 1943 and 1953 - but her iconic beauty steamed up the screen, most famously in the noir "Body and Soul" (1947)..

[Eva Arriaga Durán @EvaArriagaD]

🎥 'Dreams' (Akira Kurosawa, 1990).

[Lost In Film @LostInFilm]

One of Lillian Gish’s best performances was in ‘The Wind’ (1928), where Victor Sjöström makes the wind a constant presence that slowly wears her down, and she doesn’t need a single line of dialogue to show it, because her eyes say it all. A masterpiece of silent cinema.