My prediction is that by September a lot of the VFX in Hope will be redone and the cut with the original janky effects will go down as one of those elusive Cannes exclusives like the WIP You Were Never Really Here etc.
Say what U want about the movie but Kane Parsons reaching out to Warp for that song presumably just to hear the new BoC album early is a baller ass move
@irltechnogatsby I’d assume they did since I can’t see how not filming one would be financially worthwhile for Criterion, maybe Rough Trade are holding the files hostage