Gregory Sylvester

Creative Director

[Gregory Sylvester @gsylvester]

No other monuments to classic Hollywood mean more to me than the @ArcLightCinemas Cinerama Dome and the @MussoFrankGrill. Heartbreaking to think I'll never see a film inside the dome again. #SaveTheCineramaDome

[Gregory Sylvester @gsylvester]

@elcush I just finished this piece. Beautifully written.

[Gregory Sylvester @gsylvester]

Spectacular.

[Noirchick In Old Hollywood @Noirchick1]

One of the most inventive and fun scenes in 1930s film... Ruby Keeler and Lee Dixon dancing upon the giant typewriter in "Ready, Willing, and Able" (1937)

[Gregory Sylvester @gsylvester]

Always nice to see an understated, thoughtful brand activation that lives in harmony with its setting. It’s lovely to see the simple visual language of @NatGeo in one of my favorite Los Angeles natural history destinations. @labreatarpits

[Gregory Sylvester @gsylvester]

@letterboxd Ask and ye shall receive. My #LetterboxdFriday #LastFourWatched 📺

[Gregory Sylvester @gsylvester]

@mcten This is like the confounding logic of Michael Jordan in the 90s getting upset that people were following him while he drove around in luxury cars with variations of “Air” and “Jumpman 23” on the Illinois plates.

[Gregory Sylvester @gsylvester]

A wonderful screening on Friday night. The French certainly have a lock on beautifully conceptual movie posters.

[New Beverly Cinema @newbeverly]

Final showings! THE GRADUATE (1967) screens tonight, Sunday August 10th, at 6:30pm paired with HAROLD AND MAUDE (1971) at 8:45pm.

[Gregory Sylvester @gsylvester]

@Variety As always, looking for a sartorial critique of Stanley's three-piece from @dieworkwear

[Gregory Sylvester @gsylvester]

.@ChrisRyan77 your attention paid to Sam Phillips is appreciated. She is one of my favorite artists of all time, but not a country artist by a mile. Do yourself a favor and listen to this album at full volume. You will thank me. https://t.co/gmJ0NyEbW1

[Gregory Sylvester @gsylvester]

@CohenSite Perfect timing. Because of course all the existing soundstages are overbooked. Safe to assume this developer is including landlines, as well as stables for the care and feeding of horses?

[Gregory Sylvester @gsylvester]

@am_cinematheque Wonderful evening at The Egyptian. Thank you for hosting.

[Gregory Sylvester @gsylvester]

I would gladly save him a seat at @newbeverly where such actions have lethal consequences.

[DiscussingFilm @DiscussingFilm]

Martin Scorsese doesn’t watch movies in public movie theaters anymore.

Peter Travers says Scorsese told him that audiences talk and go on their phones too much during films now.

(via: https://t.co/S05GrNFnGn)

[Gregory Sylvester @gsylvester]

@aherman2006 @StreamOnMax This is incredible. I suppose it's flattering to know that, in the event of ChatGPT being down, the HBO interns running social are directed to your Twitter feed as an information repository?

[Gregory Sylvester @gsylvester]

Adding to the noise. Another Substack. At least it's free... Thanks to @michaeljoel for inviting me to write this for @MusebyClio when the pandemic was in full display. https://t.co/VMZW2SkgTs

[Gregory Sylvester @gsylvester]

I always enjoy your insights on men’s proper suiting and tailoring. Watching THE BRUTALIST tonight felt like your Twitter feed brought vividly to life. I’m eager to hear your thoughts on the film’s wardrobe. @dieworkwear

[Gregory Sylvester @gsylvester]

Listening to today's pod, right now, standing right here, I'm not sure whether to feel seen or embarrassed. @MattBelloni @Lucas_Shaw @craighorlbeck #vistatheatre

[Gregory Sylvester @gsylvester]

@OfficialNBARefs @WindhorstESPN This looks incredible. Thanks for sharing @WindhorstESPN

[Gregory Sylvester @gsylvester]

@loudmouthjulia Wowza is right. It's amazing how easy it is to become numb to these large fees. Oddly, the one that bothers me the most is paying the additional $2.99 a month for Amazon Prime to be commercial free. For some reason, that feels the most superfluous.

[Gregory Sylvester @gsylvester]

@CohenSite The cherry on top were the phone calls, post-appointments where humans in offshore call-centers inquired if I would like to go forward and apply. It was clear their call script had no contingency for my experience. They only repeated, "This is the last unit left in LA! Act now!"