Guantong

Create one independent “Second World” poster per upload.Never combine photos.Format:Vertical 3:4 canvas split into two strictly equal horizontal halves,top 50% and bottom 50%.Upper half stays photographic;lower half becomes the continued Second World.They must read as one scene. Upper Half:Keep the photo faithful.Preserve subject,pose,spatial relationships,color atmosphere,and natural https://t.co/zXUEEkzB02 not redesign,repaint,replace,or restage it.Only allow necessary proportional cropping. Continuity:The top-to-bottom connection is the highest priority.Identify one source structure that naturally reaches the center split,such as a road,shoreline,water,reflection,branch,light,architecture,or body movement.This structure must cross the boundary and continue into the lower half.The Second World must begin from the photograph itself,so the same scene passes through the seam and changes physical rules. Transition Edge:The center may use an irregular torn-paper edge,but the tear must follow the source structure,not act as decoration.Allow source elements to touch,follow,break through,or extend beyond it.Never force the same tear shape onto every image. Lower Half:Use ivory paper with subtle fibers and abundant negative space.Continue the chosen structure downward from the exact point where it meets the split,then reinterpret it with restrained photo fragments,cut-paper forms,and minimal black hand-drawn lines.The lower world must remain visibly attached.Never isolate it as a separate portal,window,stage,platform,or floating vignette unless clearly derived from the photo. Second World Logic:Ask:if this structure became touchable,usable,enterable,or changeable,what would it naturally become?Create one image-specific interaction.For example,water may stay attached while being pulled,a road may continue as a drawn path,or light may become something https://t.co/C9QawqhgoB not mechanically repeat actions. Figures:Add 0–3 tiny black line figures only when useful.They must physically interact with the continued structure.If the source already contains strong human action,add none.Never use figures as decoration. Caption:Add one short handwritten English caption based on the action.Keep it natural,light,and slightly https://t.co/h1z5esdH3D inspirational quote and no fixed “Same...,different...” phrasing. Style:Real photography above,warm paper below,minimal black line doodle,subtle handmade collage texture,independent-magazine mood,bright,airy,and restrained.The result should feel as if the second world was already hidden inside the photo and simply continued downward. Negative:No detached lower-half illustration,no generic torn-paper template,no isolated portal,no unrelated vignette,no broken continuity,no dense illustration,no random decoration,no crowd,no altered photo colors,no redesign of the upper image,no glossy 3D,no scrapbook clutter,no gibberish text,no watermark,no logo,no UI.

748

50K

Guantong

@gtify

about 1 month ago

@yifanxu_ephai 这么麻烦还不如加点钱买硬盘买处理器，维护两套保持一致性都是问题

Guantong

@gtify

about 1 month ago

@wangchangfu88 菜贵，辣能下饭吃饱饱

175

Guantong

@gtify

about 2 months ago

@hua7248 感觉这个不太行，我搜完那个域名，想到的是 si=死，火不起来

gtify retweeted

苏乐

@ai_suxiaole

about 2 months ago

Use the uploaded photograph as the sole source for all people, animals, objects, clothing, accessories, poses, expressions, interactions, camera angle, framing, and subject arrangement. Transform the photograph into one standalone hand-drawn lifestyle poster illustration on warm off-white textured paper. Output only the completed illustration—not the original photograph, not a top-and-bottom comparison, not a before-and-after layout, not a split screen, and not a collage. Preserve the source image’s number of main subjects, recognizable identities, relative positions, overlaps, viewing direction, pose, gesture, expression, body language, shot type, perspective, and overall composition. Preserve important props and interactions such as flowers, bags, sunglasses, hats, cameras, drinks, food, benches, raised hands, linked shoulders, or selfie gestures. Remove only background details that do not help explain the scene. Draw every subject with energetic, imperfect black oil-pastel, wax-crayon, charcoal, and dry-ink marks. Use bold broken outlines, scratchy repeated strokes, uneven pressure, dry gaps, rough cross-hatching, scattered speckles, loose construction lines, and occasional overshooting contours. The lines must look spontaneous and handmade rather than clean, precise, or digitally traced. Maintain recognizable faces through a small number of expressive marks. Preserve approximate face shape, hairstyle, glasses, facial hair, eye direction, mouth shape, and expression category. Simplify facial anatomy but do not replace different people with identical generic faces. Happy faces should retain their smiles; surprised or playful expressions should remain clearly readable. For animals, preserve species, facial expression, ear shape, muzzle or beak, coat markings, accessories, and relative placement. Keep humorous gestures and group relationships intact. Use black linework as the dominant visual language. Apply selective colored-crayon fills only to the most important clothing, accessories, props, and identity-defining areas. Derive these colors from the source photograph. Use loose, visibly scribbled coloring with paper showing through between strokes. Limit the accent palette to approximately three to five vivid colors chosen from the source, such as cobalt blue, bright yellow, hot pink, orange, green, turquoise, red, or purple. Do not color every surface. Leave skin, most background areas, and many secondary objects primarily paper white with sparse black marks. Simplify the environment into a few expressive grounding strokes and iconic doodles. Remove photographic scenery, realistic depth, complex architecture, and unnecessary clutter unless an environmental object is essential to the action. Preserve important scene objects in simplified outline form. For overhead group scenes, retain the recognizable arrangement of people, food, cards, blankets, cameras, and other meaningful items. Add a small number of cheerful hand-drawn decorative marks in open areas: a rough yellow crayon sun, simple black cloud outlines, short motion strokes, hearts, emphasis rays, or tiny grass marks. Use only decorations that support the mood and do not cover faces or important objects. Do not add every decorative symbol at once. Create an informal editorial-poster composition with the subjects occupying the central and lower portion of the page. Reserve some negative space around them for one large handwritten headline and two or three much smaller handwritten notes. Integrate the lettering naturally into the drawing without placing it inside rigid boxes. Typography module: Use only the exact wording supplied below. Main headline: [MAIN HEADLINE] Small note 1: [SMALL NOTE 1] Small note 2: [SMALL NOTE 2] Optional small note 3: [SMALL NOTE 3] Render the main headline as oversized handmade black brush lettering with irregular baselines, thick dry strokes, uneven spacing, and one loose underline. Render the smaller notes as casual thin handwritten lettering with short underlines or simple emphasis marks. Keep all wording readable and secondary to the subjects. If no exact wording is supplied, omit all typography. Never invent quotes, slogans, names, credits, signatures, or branding. Use a warm cream sketchbook-paper background with subtle fibers, faint grain, slight tonal variation, and no hard border. The result should feel like a joyful page torn from an independent fashion sketchbook or handmade lifestyle zine: spontaneous, optimistic, tactile, slightly messy, fashionable, humorous, and emotionally faithful to the original photograph. The final image must read first as a bold handmade black-and-color crayon illustration, and second as the recognizable people, animals, pose, and moment from the source. Avoid: retaining any part of the original photograph, comparison layouts, split screens, photorealism, smooth digital painting, clean vector art, uniform outlines, precise technical drawing, polished comic-book inking, watercolor washes, soft airbrush gradients, full-color realistic backgrounds, anime, manga, chibi proportions, generic replacement faces, changed subject count, changed pose, missing accessories, invented people, duplicated subjects, extra limbs, malformed hands, unreadable generated text, fake signatures, logos, or watermarks.

346

580

25K