That visual communicators have nothing to say beyond their function as appendages of marketing, entertainment and the bolstering of brand image is a tragedy. That is design education.
[Chorus] This is the revolution, the sound of the new A chaotic blend, like nothing you ever knew We break the rules, shatter the status quo In this world of music, we let our true selves show
autotune gangster hyperpop drill rapper on a witch house happy hardcore mathcore with delayed lead synths distorted deep overdriven synth bass, truth, lucifer, revolution, money, proletariat, justice @suno_ai_
https://t.co/1IuG0Ye2h2
@suno_ai_ [Verse 2] Truth, Lucifer, revolution in the mix Money, proletariat, justice with a twist Delayed lead synths, distorted and turned up high Deep overdriven synth bass, make the speakers cry
@RepRubenGallego Masses of people all around the world are standing today against the ethnic cleansing. Rueben's statement shows that he is NOT for the people and serves only capital interests.
The high modern designer's primary boast is of working with brands. This is gross because it is the acquiescence of the designer's ability to corporate semiotics.
An unrestricted earnest working in the design practice is deemed unworthy of a living wage under capitalism. The designer is given no ability to contribute to society without a client's economic incentive. The designer's best work then is relegated to their off-the-clock hours.
In design, clients are to be dealt with and contract awards are not based on merit. This reality disgusts me as taking the path of maximum sociopathy leads to the highest personal returns. The bag is for who has the brownest nose.