As someone who works backstage: it is lame because itβs just another workplace. Itβs mostly just crew moving gear and instruments.
Bands and artists arenβt doing crazy shit backstage like in the 70s and 80s because everyone has a recording device in their back pocket.
Hey.
Let me mix your shit.
Seriously.
Do you want a polished sound?
I can do that.
Do you want an unpolished, raw sounding track?
I can do that.
Everyone charges up the ass, I don't.
Everybody wants to do business, I want to make art.
Hit me tf up.
i'm seeing more and more arguments from millennial touring guitarists and bassists scott how cabs are still pivotal for the sonic experience in a concert setting and that modelers aren't enough.
bro, i'm sorry, every band i've seen modelers versus cabs, modelers sound cleaner-
Objectively, those shows have had better mixes. Thornhill was one of the best mixed acts i've seen. Same for Silent Planet, Bad Omens, and Erra.
Cabs are cool. They have that analog warmth, i get it. But y'all sound like the boomers talking about tape vs digital recording
Hey so professionally, I think i'm gonna go by G.W.
I'm tired of getting weird reactions just because of my first and last name relating to a deplorable figure so
It's G.W. now. Thanks guys
to those close to me that know me aidan, i don't care which name you use, but for new people, clients, and how my close people present me to others, let's stick to g.w.
No one talks about the level of chud happening every time anyone puts out a metal song of any kind ohhhh my god. Literal chud uprising comment sections.
@hansel_mp3 this was me the past year. i only recently started writing heavy shit again the past month or so. it just gets exhausting because it all feels like it's been done before and the unique voice gets lost and it just kills the love for writing. knowing you, you'll recover that spark