mundim

i wanna defined by the things that i love, not the things i hate or the things i'm afraid of.

[isabela @isabelinhos]

fala meu patrao jogador caro quebrador de cama box e nao vou nem falar da modelo capa de revista toda trabalhada na beleza natural sorriso de bruna marquezine

[blank neto* ☁️ @folkloration]

4 AOTYs
14 grammys
tem doutorado
dona da maior turnê da história
(3x) todo o top 10 da hot 100
artista mais escutada do spotify
compositora induzida ao songwriters hall of fame

[matheus @theusfork]

queria saber o salário e benefícios de todas as pessoas

[𝓓𝓸𝓬_𝔃𝓮𝓮 ✧ @doc_zee7]

Me refusing to sleep because i didn't get enough time to feel like human after work

[maria @falecidamaria]

eu genuinamente nao entendo como as pessoas conseguem criar musicas novas vsf pra mim é tipo tentar criar uma cor nova ja existem todas nao faz sentido nao é possivel q ja nao fizeram todas as musicas existentes

[ACERVO @AcervoCharts]

Cachorro é alimentado por funcionária e no dia seguinte leva o amigo na loja para comer também.

[miya @miyarah_]

cuando pasa la policía y tengo que actuar como si no hubiera hecho nada (no he hecho nada)

[mafy @mafyfy25]

Amo gastar vinte reais, a quantia ideal de dinheiro pra se abrir mão

[The Husky @Mr_Husky1]

It was a Monday in early August 2023. The exhausted truck drivers of Taylor Swift's Eras Tour thought they were heading to a routine production meeting before the Los Angeles shows.
They had no idea what was coming.
Scott Swift walked in. Taylor's father didn't say much—he just began handing out envelopes. When the drivers finally peeked inside, some thought the check said $1,000. Others read $10,000. The third driver stared at his and said out loud: "This has to be a joke."
It wasn't.
$100,000.
Each driver. Nearly 50 of them. The industry standard bonus from the biggest stars? $5,000 to $10,000. Taylor had given them more than ten times that.
But here's what made it matter most: these drivers weren't wealthy. They lived in truck cabs. They hadn't seen their families in 24 weeks. They were people who would never own homes—until now. Until that envelope.
That moment of shock and tears? It was just the beginning.
Across the entire Eras Tour, Taylor quietly handed out $197 million in bonuses. The dancers. The band. The riggers. The lighting and sound technicians. The caterers. Every single person who built the show—they got bonuses, handwritten notes, and wax-sealed letters. When dancers opened theirs on camera in her docuseries, they broke down crying. Some couldn't believe she was real.
"If the tour grosses more, they get more," she explained simply. These people work hard. They deserve it.
But the crew bonuses weren't the only quiet revolution happening.
Starting in March 2023, in every city where the tour touched down, a call came to local food banks. Taylor wanted to donate. No press conference. No announcement. No photo op. One donation fed 75,000 meals. Another provided hundreds of thousands of pounds of fresh produce. Across the tour, the total reached millions of meals—possibly more—all delivered in silence.
She never posted about a single one.
And it wasn't new for her.
In March 2020, when the pandemic locked down the world, Taylor scrolled through social media posts from fans who were breaking. A photographer about to lose everything. A person staring down eviction. She sent direct messages with rent money—$3,000 here, $13,000 there. Some fans got enough for months of bills. She read the Washington Post. She noticed the names. She helped.
She never announced it.
Years later, in October 2025, a two-year-old named Lilah—fighting a cancer so rare that only 58 families in America had ever known it—was filmed by her mother dancing to a Taylor Swift song. Lilah called Taylor her friend. A few days later, the GoFundMe received a $100,000 donation.
The note said: "Sending the biggest hug to my friend, Lilah! Love, Taylor."
Mike Scherkenbach has worked with the wealthiest people in music. He's seen the bonuses. He's seen the behavior. He's watched billionaires guard their money jealously.
What he saw with Taylor was different.
The biggest tour in history grossed $2 billion. The artist behind it became a billionaire from her own songwriting. And then she signed her name onto hundreds of envelopes by hand and sent enough money back to the people who built her dream that they cried opening their letters.
That isn't strategy. That isn't a publicity stunt.
That's what happens when someone, somewhere along the way, remembered what matters.

[mundim @hardercabeyo]

eu to rindo tantokkkkkk

[Paramore Brasil @paramorebrasil]

Gente 🫢

Hayley deu um grito "acústico" durante a performance de Mirtazapine no iHeart Radio!

[laís. @heswiftz]

- alô?
- quem é?
- é a taylor mulher… a cantora

[run dedé run @andrestadler]

essa """trend""" de se colocar no estádio com IA é top 3 maiores fubanguices já feitas de acordo com a escala wepink

[Babylon by let ☭ @LeFreit4s]

vc correria uma maratona se n pudesse postar no Instagram print do strava sim ou não

[barbarinha @barbaradjavana]

gente quando eu morrer por favor falem o motivo n precisa deixar as pessoas curiosas pode botar nos comentários

[mundim @hardercabeyo]

meu deus agora o spotify mostra quem seguiu minha playlist AAAAAAAA AMEI

[Ivy⸆⸉ @idkwahatimdoing]

idk how to tell you this but

[daviiii @steImas]

hayley williams podia fazer uma pre venda so pra quem ouviu o ego death quando ele ainda nem existia e era so arquivos espalhados no site dela

[i- @spnwthu]

que que houve hayley williams não quer pegar um plane for rio?

[mundim @hardercabeyo]

ai gente eu meio que vou desmaiar

[Paramore Brasil @paramorebrasil]

🚨 CONFIRMADO: Hayley Williams se apresentará no Brasil, no Espaço Unimed, com vendas pela @30ebr!