harmonybench

Assoc. Prof. Ohio State. screendance, digital humanities, performance studies.

[harmonybench @harmonybench]

Excited to share the cover of Archival Entanglements, edited with Puja Batra-Wells, forthcoming with @ohiostatepress! Cover by Adam Bohannon (https://t.co/MlcopAEBII). The contributors are an amazing group of artists and scholars. More soon! (https://t.co/V1eJ8OlMdr)

[harmonybench @harmonybench]

Really excited to be digging into this work!

[OSU Dance @osudance]

https://t.co/DHdnzmXn5j @harmonybench

[harmonybench @harmonybench]

@somethingmodern and I are delighted that the portfolios from Dunham’s Data are here!! These limited-edition books (including a gorgeous visual essay) represent key datasets, essays, and visualizations from our AHRC-funded born-digital research project. https://t.co/IMd50f8kik

[harmonybench @harmonybench]

Excited that @TiaMoniqueUzor's essay “Tidalectic Un/mapping and the Performance of African Diasporic Imagination in the Repertory of Katherine Dunham” has been shortlisted for the Lynette Goddard Award for Research Excellence! https://t.co/YfcbiLhN4x @somethingmodern #DunhamsData

[harmonybench @harmonybench]

@somethingmodern and I had a great conversation with Seika Boye about graphic recordings in research. Seika has been interested in what else oral histories can look like, and Kate and I have been curious about what else data visualizations can look like. https://t.co/pa8vkQ8jXf

[harmonybench @harmonybench]

@OSUDance is really showing up at this year's Dance Studies Association. Congrats to all this year's @DanceStudies award winners, and a special shout out to the 3 OSU graduate student Selma Jean Cohen Award winners: https://t.co/Oy07SgCCvs

[harmonybench @harmonybench]

Thanks to #ReviewsInDH for including #DunhamsData in the most recent issue! And thanks to Sydney Skybetter for the review!

[Roopika Risam @roopikarisam]

@jimccasey1 * Dunham's Data, a data curation and visualization project on dancer Katherine Dunham, led by Kate Elswit and Harmony Bench, and reviewed by Sydney Skybetter https://t.co/2fpDsYyHe2 #ReviewsInDH @somethingmodern @harmonybench @mavillard @TiaMoniqueUzor

[harmonybench @harmonybench]

Excited that my conversation « La danse n’est pas une image ». Repenser nos méthodologies à l’ère des réseaux sociaux with Elina Djebbari, Mahalia Lassibille, and Laura Steil is now online open access!: https://t.co/WEGHlFcf08

[DBDEproject @DBDEproject]

📢 Excited to announce Session 3 of our Early Career Mentorship Programme!

🎯 Topic: Your First Book Proposal & the Publication Process
📚 Led by Dr. Melissa Blanco Borelli
🗓 14 Jan 2025 | ⏰ 17:30–19:00 GMT | 💻 Free online event

🔗 Register ➡️https://t.co/eeEeVBwtSA

[harmonybench @harmonybench]

Excited that my interview of @TiaMoniqueUzor about her film The Noise My Leaves Make is now online with the International Journal of Screendance. https://t.co/DEp8Tx7Aik

[harmonybench @harmonybench]

Tomorrow: Digital Histories of Alvin Ailey American Dance Theater: Radical Accounting in Dance’s Archives. 10/30 at 5pm ET (online) @MHS_Research Digital History Seminar with @somethingmodern and @profwernimont responding. Register: https://t.co/P4ZkljceCw

[OSU Dance @osudance]

Radical Accounting Visualizations open at the Whitney Museum of American Art

https://t.co/0Hm9bA8fqN

@harmonybench

[harmonybench @harmonybench]

"The three animations of visualized data charting Ailey’s impact on dance throughout time and space are an unexpected delight. [...] The animations are fascinating, quite beautiful and worth a view." @somethingmodern https://t.co/aYZB1QvmpQ

[MHS Research @MHS_Research]

Join us for a virtual seminar in our #DigitalHistory series on Wed, 30 October, @ 5:00 pm (EDT). @harmonybench & @somethingmodern present, "Digital Histories of Alvin Ailey American #DanceTheater: Radical Accounting in Dance's Archives."

Register here: https://t.co/a9kHyVOJwj

[harmonybench @harmonybench]

Excited to present work in progress at the @MHS1791 Digital History Seminar with @somethingmodern on 10/30 at 5pm ET (online). @profwernimont responding. Digital Histories of Alvin Ailey American Dance Theater: Radical Accounting in Dance’s Archives. https://t.co/P4ZkljceCw

[harmonybench @harmonybench]

In addition to funding from the Whitney, we received further support from @ahrcpress, @CSSDLondon, @ArtsTheme, and @ASCatOSU. Full info and credits on the Moving Data Studio website: https://t.co/SijpH5bili

[harmonybench @harmonybench]

It has been a couple of weeks since Edges of Ailey opened at @whitneymuseum
https://t.co/3ej4NJRgYR. @somethingmodern and I are so excited about our Radical Accounting series of dance data visualizations being included in this beautiful exhibition, open thru February 9, 2025.

[harmonybench @harmonybench]

And it helps us understand the importance of Alvin Ailey not only as a choreographer but also as someone who shared a living history of dance with audiences around the world. Radical Accounting develops the model that we established during #dunhamsdata for museum publics.