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#ACArchive: Photographed by Brian Probyn, the sports drama Downhill Racer (1969) stars Robert Redford and was directed by Michael Ritchie, who was impressed by the British cinematographer’s semi-documentary camerawork in the crime film Poor Cow (1967).
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THIS DAY, THIS MONTH / 100 YEARS AGO
Change of the mag from a semi-monthly to a monthly!
American Cinematographer @AmericanCine
March 1, 1922 - Vol. 2 No. 28
https://t.co/CQEqMFPJyH
#ACArchive: The cast and crew of the TV movie Alien Nation: Dark Horizon (1994) set up a shot with a full-scale prop spaceship while filming at the famed Vasquez Rocks, located outside of Los Angeles.
#ACArchive: From a crane, Richard H. Kline, ASC’s camera crew films a chilling execution scene for the Western Hang 'Em High (1968), directed by Ted Post and starring Clint Eastwood. The film was the first picture made by The Malpaso Company, the actor’s production entity.
#ACArchive: At the time, the sci-fi series Space: 1999 (1975-’77) was the most ambitious TV program ever produced in England. Working at @PinewoodStudios, DoP Frank Watts, BSC set the tone with crisp, clean lighting. Here, cast and crew set up a scene on the Moon Base Alpha set.
#ACArchive: We're sorry to hear of the passing of Sidney Poitier at the age of 94. He earned an Academy Award for Best Actor for his performance in Lilies of the Field (1963), an intimate drama artfully photographed by Ernest Haller, ASC on location outside Tucson, Arizona.
#ACArchive: We were sorry to hear of the passing of Peter Bogdanovich on Jan. 6. Here, the director (left) and cinematographer László Kovács, ASC engage in some impromptu comedy during the production of their Depression Era classic Paper Moon (1973).
#ACArchive: Director Douglas Sirk’s Technicolor drama Magnificent Obsession (1954), starring Rock Hudson and Jane Wyman (center), was photographed by Russell Metty, ASC. He was credited with more than 160 feature films, beginning in 1934.
#ACArchive: In this photo by unit photographer Peter Sorel, DoP Darius Khondji, ASC, AFC adds bit of light to a handheld shot on actor Brad Pitt while filming the stylish serial killer drama Seven (1995), directed by David Fincher.
#ACArchive: Working on location, DoP Leon Shamroy, ASC (in dark jacket) and director Franklin J. Schaffner (white jacket) watch costars Linda Harrison and Charlton Heston rehearse a scene while shooting the sci-fi classic Planet of the Apes (1968).
#ACArchive: In this shot taken by still photographer Dave Friedman in Hong Kong during the production of the kung fu action classic Enter the Dragon (1973), DoP and future ASC member Gil Hubbs cradles his Arri 35-2C while seated behind star and fight choreographer Bruce Lee.
#ACArchive: Actors Charles Bronson (far left) and Phyllis Kirk (foreground) are positioned for a take during the production of House of Wax (1953), one of the most popular of the stereoscopic films made during the 3D craze of the 1950s.
#ACArchive: Rookie director Orson Welles wanted the best cinematographer in Hollywood to shoot his debut feature, Citizen Kane (1941) — specifically Gregg Toland, ASC. But Welles never thought he would get the veteran to take the assignment.
#ACArchive: Here’s future ASC great Owen Roizman (left) and his operator, Enrique Bravo, posing with a three-strip Technicolor camera while working at the NYC-based TV commercial production house MPO Videotronics in the 1960s.
#ACArchive: Using his finder, Ernest Dickerson, ASC seeks the perfect frame as director Spike Lee suggests a composition during the filming of their historical drama Malcolm X (1992), detailing the life of the slain civil right leader.
#ACArchive: Aboard the famed 50' “Broadway” camera crane, Arthur Edeson, ASC (leaning over) checks his frame on costars Lew Ayres and Raymond Griffith while shooting the anti-war classic All Quiet on the Western Front (1930), directed by Lewis Milestone.
#ACArchive: The production team is dwarfed by the immense “secret volcano lair” set built at Pinewood Studio for the outlandish 007 spy yarn You Only Live Twice (1967), directed by Lewis Gilbert and shot by Freddie Young, BSC.
#ACArchive: Under the direction of series creator Kenneth Johnson, star Bill Bixby reaches out to actress Laurie Prange while filming a scene for the superhero show The Incredible Hulk (1977-’82), shot by John McPherson, ASC, Eddie Rotunno and Vincent A. Martinelli, ASC.
#ACArchive: Here’s the cast and crew of the detective series Charlie’s Angels (1976-’81), with costars (from left) Cheryl Ladd, Jaclyn Smith, Tanya Roberts and David Doyle (standing on right, with script) taking a meeting poolside.
#ACArchive: This behind-the-scenes shot, taken during production of the 1987 pilot for the hit sci-fi series @StarTrek: The Next Generation, shows A-camera operator (and future ASC member) Lowell Peterson standing behind his @Panavision unit...
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