Top Tweets for #ACMIvirtualcteq
That's a wrap on #ACMIvirtualcteq. We hope our movie nights with @ACMI provided some respite during Melbourne's lockdown(s).
We're optimistically preparing for 2021, and in the meantime many Virtual CTEQ programs are still available to stream for free: https://t.co/mQqzWpr3xv

"Reality provides you with the first lines of the story, but the writer... must write the rest to know what happens."
Almodóvar, subject of last week's #ACMIvirtualcteq explains how small moments in his life provide the spark for his most intense works.https://t.co/PLBv0WUCY3
Starring Penelope Cruz, Almodóvar’s touching love letter to mothers and female relationships, VOLVER (2006), finds the beloved director and his glorious heroines at the absolute height of their talents. #ACMIvirtualcteq

First up is the darkly comic and moving take on urban family life WHAT HAVE I DON’T TO DESERVE THIS (1984), Almodóvar’s fourth collaboration with the remarkable (and unrecognisable) Carmen Maura. #ACMIvirtualcteq

Born from the ashes of Franco's repressive regime, Almodóvar's cinema pushes beyond the boundaries of sexual, political and social conservatism, and at the heart of his work is his enduring love of actresses. #ACMIvirtualcteq https://t.co/qbbpgryYfW

Tonight’s #ACMIvirtualcteq features two films that span distinct periods in Spanish auteur Pedro Almodóvar’s career: the blackly comic hedonism of his 80s films through to the more mature, highly stylised narratives of the 2000s. @MelbCteq https://t.co/qbbpgryYfW

This week’s murderous #ACMIvirtualcteq double feature focuses on two works (available on @SBSOnDemand) by Spanish filmmaker Pedro Almodóvar that place leading ladies in the centre of the frame. 💃🔪
https://t.co/tst4C6YuAw
Tonight's #ACMIvirtualcteq selection is available on @SBSonDemand. Read notes on each film from ACMI TV & Special Events Curator Reece Goodwin and find where to stream:
https://t.co/iHfqnXqodW
For tonight’s #ACMIvirtualcteq we’re watching two films that were made after Paweł Pawlikowski returned to his native Poland in 2012, marking a dramatic shift in his cinematic style.
https://t.co/iHfqnXqodW
This week for #ACMIvirtualcteq we’re shining a spotlight on two works (available on @SBSOnDemand) by Polish filmmaker Paweł Pawlikowski that draw on familial experiences and are filled with a sense of swirling melancholy.
https://t.co/iHfqnXHZCw
Tonight for #ACMIvirtualcteq we celebrate the uncompromising works of Jia Zhangke, one of the leading voices to emerge from modern China’s formative years. @MelbCteq https://t.co/aa1sQypxso

This week’s #ACMIvirtualcteq transports us to the past and present of China in flux through two works by Jia Zhangke, made available by @SBSonDemand. https://t.co/wogJ57HpBM
On the flip side, his expansive body of work includes frequent forays into realism and documentary. This week, we take a peek at these many faces of Jean Epstein. #acmivirtualcteq

Tonight for #acmivirtualcteq we spotlight Jean Epstein – a key maker of French Impressionist cinema of the 1920s. Get set for superimposed shots and woozy dissolves propelling us into characters’ interiors.

Let’s celebrate! It’s been a century of subjectivity in cinema. @MelbCteq #acmivirtualcteq https://t.co/CpQKwTH1So
#acmivirtualcteq returns with five works by one of the great filmmaker-theorists, Jean Epstein, including his eerie Poe adaptation THE FALL OF THE HOUSE OF USHER (1928), co-written by Luis Buñuel. Made available by @cinemathequefr. Access details below. https://t.co/wob6Hhy50a
#ACMIvirtualcteq returns this week with one of the driving forces of the modernist cinematic avant-garde that blossomed in France in the 1920s. Join us as we traverse Jean Epstein's restless cinema through five key films made available by @cinemathequefr. https://t.co/CpQKwTYDgY
Find streaming links and much more to read on the ACMI website. Words by ACMI Director of Film Programs Kristy Matheson. #acmivirtualcteq https://t.co/JGhJi9gHmM
Followed by: THE SALESMAN (2016, pictured)
This Academy Award-winning film is an unflinching examination of a marriage under pressure and the limitations of patriarchy and gender politics. #acmivirtualcteq

First up: ABOUT ELLY (2009)
In this taut psychological drama, cracks form in the perfect veneer of a friendship group, as a seemingly harmless white lie leads each character to a reckoning that could destroy them all. #acmivirtualcteq

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