Top Tweets for #ARRIFLEX416
BTS of the short film "Bleat" from director Yorgos Lanthimos which was commissioned as part of "The Artist on the Composer" for the Greek National Opera and NEON. DP Thodoros Mihopoulos GSC shot on the #ARRIFLEX416. Watch the trailer 👉 https://t.co/SYlQToKBzt
@ARRIChannel
On set for "The Wonderful Story of Henry Sugar," now nominated for an Oscar® at the 96th Academy Awards in the 'Live action short film' category. Robert Yeoman ASC shot on the #ARRIFLEX416, ARRI/Zeiss Ultra 16, and Master Prime lenses. Fingers crossed!
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@netflix @ARRIChannel
In an exclusive conversation with ARRI, Spanish cinematographer Valentín Álvarez AEC talks about the film "Close your eyes" ("Cerrar los ojos"), captured on #ALEXA35 and #ARRIFLEX416. Click here to watch and turn on the subtitles for English translation: https://t.co/2vYMHxS60F
"Stille Liv" (#TheQuietMigration) is a Danish film from director Malene Choi that celebrated its world premiere at #Berlinale2023. DP Louise McLaughlin DFF captured the film on 16mm film with the #ARRIFLEX416 and the help of #ARRI SkyPanels & M-Series.
📸 Christian Geisnæs
#ARRIRental Munich serviced the following analog project, “No End in Sight.” Directed by Petra and captured by Johan Munsberg with the #ARRIFLEX416 and Ultra 16 Primes. Watch the full spot on violence prevention here: https://t.co/GfndMkpQM6
#ARRIRental Munich supported director Ferdinand Feldmann and DP Tobias Blickle with a 16 mm analog camera kit comprising an #ARRIFLEX416 and #Ultra16 lenses for their short film, "The Mysterious Opacity of Other Beings." Read more here: https://t.co/4HwhezoLe4
Behind the scenes of Thibaut Grevet’s film, “Love Letter" for @RIMOWA. Captured by DP Maximilian Pittner, gaffer Thorsten Kosellek, and steadicam operator Sacha Naceri on the #ARRIFLEX416. Watch the full spot here: https://t.co/zaTVvuD2Ka
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Serviced by #ARRIRental EU.
A look behind the scenes with Pablo Larrain’s “Spencer,” captured by Claire Mathon AFC. Shot on film with the #ARRICAMLT and #ARRIFLEX416.
📷: Frederic Batier DCM, Jonas Dornbach DCM
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Serviced by #ARRIRental EU.
Stills from @Reebok's "Class of 16” campaign, shot on film with the #ARRIFLEX416 and Ultra Prime lenses. Captured by cinematographer Anthony Carella. Watch the full spot here: https://t.co/NV2QNzxDAC
🎬 #Behindthescenes of the @samfendermusic ‘Seventeen Going Under’ music video, produced by Ersan Beskardes and filmed by DOP Benjamin Wearing with an #ARRIFLEX416 and @ZEISSLenses Ultra Primes from Procam Take 2 London:
https://t.co/uTR48nHjod
Cinematographer Ruben Woodin Dechamps at our London HQ testing an #Arriflex416, @ZEISSLenses Ultra 16mm Primes + @AngenieuxLenses HR 25-250mm for a feature.
https://t.co/biibHEDB0j
#ARRIFLEX416 + #16mm Ultra Prime @ZEISSLenses prepped by AC Ernest Tu for a short with DOP Sam Finney
Set during the Great Depression, “Whelm” was shot on #ARRIFLEX416 with our Master Primes and Zooms by cinematographer Ed Herrera. The film will premiere in theater at Los Angeles’ Fine Arts Beverly Hills on 8/13 and available to stream or rent on Amazon or iTunes.
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@whelm_film
Getting steady with our #arriflex416 - a great shot of @TheSteadicamMan shooting a short on #16mm 🎞🎥 #filmisnotdead
"When every piece in the jigsaw puzzle is ARRI, you put them together and you’re ready; everything fits and just works."
"SWOOSH" is a video by DP and TRINITY operator Daniel Cawthorne, who combined two formats, using #ALEXAMiniLF and #ARRIFLEX416, both rigged on a #TRINITY.
Our forthcoming 150W Lock-on Battery Booster supplies over 6A of power @ 24V from 14.4V batteries.
#35mm #arriflex #sr3 #arriflex416 #arriflex435 #arriflexsr3 #arriflex416plus #setlife #camop #cameraoperator #cinematographer #cinematography #rencherindustries
BTS of the @greatcoatfilms @PUMA x CHARLOTTE OLYMPIA collaboration filmed with an #ARRIFLEX416 + @Cooke_Optics SK4 lenses by DoP Beatriz Sastre.
📷: Billal Taright
#pumaxcharlotteolympia
BTS of a #musicvideo filmed by DoP Owain E. Morgan and director Jay Russell with our #Arriflex416 + T1.3 @ZEISSLenses Ultra Primes + @Cooke_Optics 10.4-52mm T2.8 lens.
📷: Anastasiya Cherkasyuk
https://t.co/BF70rTQ4xO
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