Top Tweets for #ASAPJournal
Here is one of the many incredible pieces in the special issue of @ASAP_Journal on #autotheory that @AlexBrostoff and I edited over these past pandemic years. @summerkimlee #citationality #asianamericancritique #wutsang #asapjournal #associationforthestudyoftheartsofthepresent
I'm excited for how the issue of @ASAP_Journal on "autotheory" is shaping up, featuring new work by artists and scholars like #MigueltzintaCSolis, @leZbusrider, #GabrielleCivil, #LeilaNadir, #SallyClegg, and many others. Launching soon! Co-edited with @AlexBrostoff. #asapjournal
“I needed fiction to cure me of my enchantment with rigor,” declares Rebecca Newberger Goldstein. Read her full interview with Helena Feder in ASAP/Journal 6.1, available now on #ProjectMUSE! #ASAPJournal #fiction https://t.co/kDLJbX4xJV
Jesús Costantino remarks, “…both mass disappearances and the visual reconstructions that follow in their wake operate according to a shared logic of the eerie...” See more in #ASAPJournal Issue 6.1, available now on #ProjectMUSE! #memory https://t.co/N90mT1rcBQ
For Rebecca Newberger Goldstein, “Love means being drawn out of yourself and absorbed into the other. It is a strange paradox... ” Read the rest of her conversation with Helena Feder in ASAP/Journal 6.1 now on #ProjectMUSE! #love #ASAPJournal https://t.co/kDLJbX4xJV
Lana Lin notes, “Now as I view the end of my film, I feel a heightened awareness of the privilege of breathing, of being free to breathe.” Read more of her work with Amber Jamilla Musser in #ASAPJournal 6.1 on @ProjectMUSE! #AudreLorde #BlackLivesMatter https://t.co/O8BaT0a292
Marty Cain suggests, “If…the forces of patriarchal capitalism infect everything...these forms are also fluid, malleable, and susceptible to subversion; they are, that is to say, hackable.” See more in #ASAPJournal Issue 6.1, available now on @ProjectMUSE! https://t.co/rSr8VOfACa
For Tina Post, “The language of dance transferal is itself a poetry when we call out shapes and associations alongside our verbs in studio, to name and transmit the actions we desire.” Read more of her work in #ASAPJournal Issue 6.1 on #ProjectMUSE! https://t.co/ZukrSlelOG
Xiomara Verenice Cervantes-Gómez writes, “Lechedevirgen’s project underscores how violence against the bodies of sexual minorities becomes central to the representation and critique of Mexicanness” See more in #ASAPJournal Issue 6.1 now on #ProjectMUSE! https://t.co/i7FyjxIjiZ
For Tina Post, “She builds a house on dance, but it is a house built on sand.” Don’t miss the #LigiaLewis roundtable in ASAP/Journal Issue 6.1, now available on Project Muse! #ASAPJournal https://t.co/XTxWgz9rZq
Don't miss #ASAPJournal 6.1 available now on
#ProjectMUSE! Be sure to check out the interviews, roundtable, and articles from Xiomara Verenice Cervantes-Gómez, Tina Post, Marty Cain, Alexandra S. Moore, Christopher Cañete Rodriguez Kelly, Jesús Costantino, and more!

Alexandra S. Moore writes, “By making sensible the (re)imagination of an alleged crime scene, forensic aesthetics foregrounds the structures of representation and their material and sensory conditions...” See #ASAPJournal Issue 6.1, now on @ProjectMUSE! https://t.co/899hb7Uxb9
Tina Post asserts, “Yelling, jump-stomping, the girl is no longer telling a story so much as giving testimony.” See more in #ASAPJournal Issue 6.1, now available on #ProjectMUSE! https://t.co/ZukrSlvWGe
For Xiomara Verenice Cervantes-Gómez, “…in Lechedevirgen’s performances, audiences are confronted by the smell of sweat, the sensuous tactility of the body,... and the visual encounter with human blood and bodily fluids…” #ASAPJournal 6.1 on #ProjectMUSE https://t.co/i7FyjxIjiZ
For Rebecca Newberger Goldstein, “The humanities are, by and large, more focused on the more human-oriented questions of what matters.” Check out her interview with Helena Feder in ASAP/Journal 6.1, now available on @ProjectMuse! #humanities #ASAPJournal https://t.co/kDLJbX4xJV
Lana Lin reflects, “...such living and theorizing might bring about joy at a time when it is difficult to imagine its possibility.” Read more in her work with Amber Jamilla Musser in #ASAPJournal 6.1, now available on #ProjectMuse! #AudreLorde
https://t.co/O8BaT0a292
For Marty Cain, “Berg’s work is shaped by its cultural logics, imbricating a fluid, feminist, textual subjectivity with the structures, both social and material, that comprise global capitalist hegemony.” See more in #ASAPJournal 6.1 on Project Muse! https://t.co/rSr8VOfACa
Xiomara Verenice Cervantes-Gómez argues, “This essay … offer[s] the concept of ‘queer’ as a methodological mode of engagement and a reading practice for the performance of Mexicanness...” Read more in #ASAPJournal 6.1 on @ProjectMUSE! #queer #Mexicanness https://t.co/i7FyjxIjiZ
For Dixa Ramírez D’Oleo, “Her choreography throws a big wrench into the logics of capitalist commonsense as they relate especially to blackness...” Check out the roundtable on #LigiaLewis in ASAP/Journal 6.1 now on @ProjectMUSE! #ASAPJournal https://t.co/XTxWgz9rZq
For @intoniwetrust, “As the genre shifts from chivalry to chauvinism, these sexed-up accounts of power can only be understood as the inevitable outcome of centuries of colonial and neocolonial warmongering and whoremongering.” See #ASAPJournal 5.3! https://t.co/JGmcWE6NT8
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