Top Tweets for #CSTConference2022
Sorry to be ducking out of the excellent final #CSTConference2022 panel - When Philosophy Invented TV Studies. It's good listening to others voice the frustrations I have as a relative newcomer to the field in relation to how it's regarded. Looking forward to catching up later.
Great panel this afternoon on Representations of Marginalised Others in TV and can't wait to catch up on some of the other recordings from #CSTConference2022
Where are the rural working-class representations of the South West of England, asks Mary Irwin. She highlights the specific aspects of exclusion that are part of this life which the comedy #ThisCountry spotlights. #CSTConference2022
AJ Walker now speaks about the erasure of black sitcoms. Representations of black lives are thereby also sidelined. Importantly, black women's stories are particularly rendered invisible. #CSTConference2022
We are already on the second panel of the day. @aorcuncan speaks about his approach to narrative analysis. #CSTConference2022
Pleasure to present on precarious archive practices in #television histories this morning at the Critical Studies in Television Slow Conference 2022. Fascinating panel! #CSTConference2022 #CSTConference @TVResearchEHU

Good morning! How is everyone? It's the penultimate day at #CSTConference2022. Katie Crosson is starting us off with a paper on sentimentality in #PlayForToday
We are talking about period drama now. Agatha Christie adaptations kick us off - Katherine Byrne talks about the 'cosy' period drama. It's about intellectual rather than empathetic engagement. #CSTConference2022
Something I've been playing with for a few days, partly inspired by conversations around televisual flow at the #CSTConference2022 roundtable on @ariel_avissar's TV Dictionary. https://t.co/xQkp50VFXz
#television, what television? That is the question that the afternoon panel of the #CSTConference2022. Katie Moylan talks about what do we actually talk about when we are teaching television.@IAmBrettMills @perebeedles
The last paper in this panel showcases a forthcoming book by @DianaSandars Jessica Balanzategui and Djoymi Baker on Netflix's dark fantasy family viewing. #CSTConference2022
Now Will Abiss is looking at Dickens Adaptations. He places adaptations within the context of #PeakTV which draws heavily on adaptations for its content. #CSTConference2022
Morning! Are we ready for more #tvtime? Today at the #CSTConference2022 we have two panels, one on adaptations and one that challenges us to look at what TV is.

Speaking this morning at the #CSTconference2022 @TVResearchEHU on adaptations and aesthetics - looking forward to the panel!
A little late to the game, but I'm catching up with the #CSTConference2022 and really enjoyed the discussion of Value and TV with @CathyJ0707, @IAmBrettMills, Gabriel Ferreirinho, and Michael Clark
Looking forward to charing the roundtable on television and Sustainability at the Critical Studies in Television conference today. Discussing what role television plays in creating sustainable futures. #CSTConference2022
Broadcasters seem to struggle to understand the relationship between algorithm and curation. In #PSB speak: Does the 'algorithm' represent a sense of universalism? How is this precisely skewed by personalisation? How is curation a continuation of paternalism? #CSTConference2022
We are back at #CSTConference2022. @jippykelly Julie Mejse Mรผnster Lassen and Jannick Kirk Sorensen are looking at how the #datafication of #TV has impacted #PublicServiceMedia
You can watch the papers presented at the #CSTConference2022 here. More to come. https://t.co/zIh6wM0GuN
My paper "โThe phrase โmissing personโ does not computeโ: Surveillance, Anonymity and โAgency Panicโ in Bird of Prey (BBC 1, 1982)" is available to watch at the start of this #CSTConference2022 panel on "The Contemporary Importance of Past Television" https://t.co/oTD0b5iVKj
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