Top Tweets for #GialloJanuary
It started out as learning to draw with my new stylus & tablet, but blew up into an Italian #Giallo poster based on the gorgeous opening credits of Mario Bava’s “Blood and Black Lace.”
#haunteddavidart #giallojanuary #horrorbeefcake #januarygiallo
Not gonna lie…this day sucked a rotten egg. So wine and giallo shall be the cure #giallojanuary #MutantFam
Awesome Q&A with director Sergio Martino, followed by a showing of his 1973 Giallo classic ‘TORSO,’ at the @musicboxtheatre
Read my review @ https://t.co/6UM5mak6eD
#musicboxtheatre #giallo #giallojanuary #sergiomartino #torso
DEEP RED (1975) • directed by Dario Argento • DoP Luigi Kuveiller • score by Goblin/Giorgio Gaslini • fun facts: co-author Zapponi previously worked w/ Fellini on Toby Dammit from Spirits of the Dead • camera operator was long-time Bava cohort Terzano • #GialloJanuary 🧵1/3
THE BIRD WITH THE CRYSTAL PLUMAGE (1970) • directed by Dario Argento • DoP Vittorio Storaro • score by Ennio Morricone • fun fact: after Probability Zero Argento & Lado collaborated on a re-working of The Screaming Mimi for which Lado remains uncredited • #GialloJanuary🧵1/2
THE GIRL WHO KNEW TOO MUCH (1963) • directed by/DoP Mario Bava • score by Roberto Nicolosi • fun facts: based on a 4-page story by Sergio Corbucci • shot under budget for 190 M lire • 2 versions—1 exclusively for AIP/export • plays on duality of Rome • #GialloJanuary 🧵1/2
THE KILLER MUST KILL AGAIN (1975) • directed by Luigi Cozzi • DoP Riccardo Pallottini • score by Nando De Luca • fun facts: inspired by Scerbanenco’s posthumous Al mare con la ragazza • theater is showing Cozzi’s debut • shot in 4 weeks in Milan & Rapallo • #GialloJanuary
THE CASE OF THE SCORPION’S TAIL (1971) • directed by Sergio Martino • DoP Emilio Foriscot • score by Bruno Nicolai • fun facts: Martino stylistically drew from Costa-Gavras’ Z • Strindberg replaced a pregnant Fenech • Martino has a cameo as the spy in 🕶 • #GialloJanuary
Happy final Sunday of this year’s Giallo January madness! May you spend some quality time with your favorite “oh 💩” moment.
#GialloJanuary #SundayFunday #ItaliansDoItBetter #OMG
🫣🧥🥃🔎👌
THE HOUSE WITH LAUGHING WINDOWS (1976) • directed by Pupi Avati • DoP Pasquale Rachini • score by Amedeo Tommasi • fun facts: inspired by a children’s fable • rushed to production after Bordella was seized for obscenity • Avati dubbed it “Po Valley Gothic” • #GialloJanuary
A QUIET PLACE IN THE COUNTRY (1968) • directed by #BOTD Elio Petri • DoP Luigi Kuveiller • score by Ennio Morricone • fun facts: based on Oliver Onions’ The Beckoning Fair One • Bava was slated to direct the 1st more gothic script in ‘62 • Calderoni's debut •#GialloJanuary
THE WEAPON, THE HOUR, THE MOTIVE (1972) • directed by Francesco Mazzei • DoP Giovanni Ciarlo • score by Francesco De Masi • fun facts: co-author & A/D Mario Bianchi claims he actually shot the film • borrows locked room trick from The clue of the New Pin • #GialloJanuary
SHORT NIGHT OF GLASS DOLLS (1971) • directed by Aldo Lado • DoP Giuseppe Ruzzolini • score by Ennio Morricone • fun facts: Lado refused to sell the script until he secured funds to direct • utilizes Zagreb & Ljubljana • only allowed 3 days to film in Prague •#GialloJanuary
THE DOUBLE (1971) • directed by Romolo Guerrieri • DoP Carlo Carlini • score by Armando Trovajoli • fun facts: based on Bigiaretti’s novel La controfigura • influenced by Nouvelle Vague • Sorel replaced Giancarlo Giannini as Giovanni • Guerrieri hated it • #GialloJanuary
BLOOD & BLACK LACE (1964) • directed by Mario Bava • DoP Ubaldo Terzano • score by Carlo Rustichelli • fun facts: Munich-based Monachia wanted color photography to compete with Rialto • cost $142 M lire • practical fx focus on female facial disfigurement • #GialloJanuary
THE CASE OF THE BLOODY IRIS (1972) • directed by Giuliano Carnimeo • DoP Stelvio Massi • score by Bruno Nicolai • fun facts: Genoa setting • downtown set pieces • re-teams golden couple Fenech/Hilton • Gastaldi’s story uses tropes of giallo rosa (comedy) • #GialloJanuary
FASHION CRIMES (1989) • directed by Bruno Gaburro • DoP Sergio Rubini • score by Filippo Trecca • fun facts: Gaburro replaced Sesani who had fallen out w/ Appignani • shot at the same villa as My Dear Killer • Gaburro called Miles O’Keefe “absolutely unfit”• #GialloJanuary
Sebastian Faena’s EYES OF LARA MARS style photoshoot featuring Linda Evangelista for V magazine, issue 52
#SebastianFaena #LindaEvangelista #GialloStyle #fashion #GialloJanuary
NIGHT OF THE SCORPION (1972) • directed by Alfonso Balcázar • DoP Jaime Deu Casas • score by Piero Piccioni • fun facts: based on a story by José Ramón Larraz • the Italian version oddly titled An Open Tomb…An Empty Coffin received less cuts • #SpanishGiallo #GialloJanuary
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