Top Tweets for #GradCenteratCAA
"What if, instead of intervening in a monument to address its shortcomings, we make the monument itself mobile...?"--Mya Dosch #teachablemonuments #CAALA #CAA2018 #GradCenteratCAA [pictured: Ximena Labra, Tlatelolco 1968/2008, Mexico City, 2008, courtesy of the artist]
![GCArtHistory's tweet photo. "What if, instead of intervening in a monument to address its shortcomings, we make the monument itself mobile...?"--Mya Dosch #teachablemonuments #CAALA #CAA2018 #GradCenteratCAA [pictured: Ximena Labra, Tlatelolco 1968/2008, Mexico City, 2008, courtesy of the artist] https://t.co/HISfcldSIf](https://pbs.twimg.com/media/DW2XSJHV4AAKQrh.jpg)
"In order to survive and evade repressive government measures...these artists appropriated & recontextualized Euro-American forms of avant-garde art as a mechanism of subterfuge..." @GC_CUNY doctoral candidate Sooran Choi on Fluxus in South Korea #CAA2018 #GradCenteratCAA #CAALA
"There was much more to silent movie viewing than just looking"-- @GC_CUNY professor Katherine Manthorne on “Bodily Engagement with Early Cinema: The Moviegoer & the American Artist” at #CAA2018 [pictured: John Sloan, Movies 5 Cents, 1907] #CAALA #gradcenteratcaa @collegeart
![GCArtHistory's tweet photo. "There was much more to silent movie viewing than just looking"-- @GC_CUNY professor Katherine Manthorne on “Bodily Engagement with Early Cinema: The Moviegoer & the American Artist” at #CAA2018 [pictured: John Sloan, Movies 5 Cents, 1907] #CAALA #gradcenteratcaa @collegeart https://t.co/n7L8MwPOmk](https://pbs.twimg.com/media/DW1a2gWUQAA7nut.jpg)
"How can we reimagine #Gauguin for the present moment?" @GC_CUNY doctoral candidate @aaronslodounik explores the critical exchange between Gauguin and symbolist poet Alfred Jarry #CAA2018 #CAALA #GradCenteratCAA
Lovell Darling's tax-law artworks "followed the rules while avoiding compliance," argues @GC_CUNY alumna & @USC postdoc Monica Steinberg in her #CAA2018 talk, “Rule Following: Lowell Darling and Uncivil Obedience” @collegeart #GradCenteratCAA
“an aberrant, dangerous, working class, non-white identity” -Anna Indych-López and Judy Baca on the figure of La Pachuca [pictured: Judy Baca, As a Pachuca, 1973] @collegeart #caa2018 #caala #gradcenteratcaa
![GCArtHistory's tweet photo. “an aberrant, dangerous, working class, non-white identity” -Anna Indych-López and Judy Baca on the figure of La Pachuca [pictured: Judy Baca, As a Pachuca, 1973] @collegeart #caa2018 #caala #gradcenteratcaa https://t.co/hAR4AFe6tD](https://pbs.twimg.com/media/DWw2pbZVQAAgGVW.jpg)
"We could create a space that would be away from male domination, we could create a space for public art." #JudyBaca interviewed by @GCArtHistory's Anna Indych-López at #caa2018 #CAALA #GradCenteratCAA @collegeart
. @GC_CUNY alumnae Jeehey Kim and Midori Yamamura and doctoral candidate Haeyun Park discuss "Art and the Cold War in East Asia: The Long 1970s" [also pictured, Yijing Wang, University of Pittsburgh] @collegeart #caala #caa2018 #gradcenteratcaa
![GCArtHistory's tweet photo. . @GC_CUNY alumnae Jeehey Kim and Midori Yamamura and doctoral candidate Haeyun Park discuss "Art and the Cold War in East Asia: The Long 1970s" [also pictured, Yijing Wang, University of Pittsburgh] @collegeart #caala #caa2018 #gradcenteratcaa https://t.co/RXqjztnAUn](https://pbs.twimg.com/media/DWwnd1xU8AA9IZs.jpg)
. @GC_CUNY alumna Jeehey Kim giving her paper “Cold War and Photography in the 1970’s East Asia” at the session “Art and the Cold War in East Asia: The Long Seventies” @collegeart #caala #caa2018 #gradcenteratcaa
. @GC_CUNY alumna Midori Yamamura giving her paper "'Delicious Life': The Cold War and Saison Culture at Japan’s Turn towards the Tertiary Industry" at the session “Art and the Cold War in East Asia: The Long Seventies" @collegeart #CAA2018 #CAALA #GradCenteratCAA
. @GC_CUNY doctoral candidate Haeyun Park giving her paper “After Dansaekhwa: Early Video Art in the 1970s” at the session “Art and the Cold War in East Asia: The Long Seventies" @collegeart #CAA2018 #CAALA #GradCenteratCAA
Natalie Musteata (@GC_CUNY): "In If You Lived Here...", Rosler, more often than not, opted to display cultural productions by activists, rather than socially-engaged artworks by artists."@collegeart #CAA2018 #CAALA #MarthaRosler #GradCenteratCAA
"Reagan’s greatest offense, however, was his response—or lack thereof—to the AIDS crisis, a growing epidemic he did not publicly address until 1986, six years after the virus was first identified." Natalie Musteata @collegeart #CAA2018 #CAALA #GradCenteratCAA
"The acceleration of inequality during Reagan's administration wasn't an unintended consequence, but a policy objective driven by ideological conviction." @GC_CUNY candidate Natalie Musteata on the #eighties @collegeart #CAA2018 #CAALA #GradCenteratCAA
.@GC_CUNY doctoral candidate Saisha Grayson @Saishasays giving her paper “The Work-Concept from Classical Music to Cagean Performance” at the session “Autonomy and the 1960s” @collegeart #CAA2018 #CAALA #GradCenteratCAA
Mona Hadler: “How can class be inscribed into the works and practices themselves rather than remain sidelined to biography?” #CAA2018 #CAALA #GradCenteratCAA
“While neoliberalism attempted to render class invisible in western democracies, it remained the elephant on the room.” @GC_CUNY and @BklynCollege411 professor Mona Hadler introduces the session “Pop Art and Class” @collegeart #CAA2018 #CAALA #gradcenteratcaa
"I propose that it is not only cut and pasted images that should be counted as collage.” @GC_CUNY Professor Emerita Patricia Mainardi on “Drawing Manuals, Albums, Medleys” at the session "Collecting, Cutting, and Collaging" @collegeart #CAA2018 #CAALA #GradCenteratCAA
"Fontana’s postwar work was especially successful because it made it possible for his public to stare back at the Fascist past with comfort through a protective screen."-- @GC_CUNY alum & @cooperunion prof. Raffaele Bedarida on #LucioFontana #CAA2018 #CAALA #GradCenteratCAA
Natalie Musteata presenting “We’re Living in Dangerous Times: How Dia Joined Forces with Group Material and Martha Rosler to Combat the Decline of American Democracy” #CA2018 #CAALA #GradCenteratCAA #MarthaRosler #GroupMaterial @DiaArtFndn @collegeart
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