#HenningBech - Twitter Hashtag

almost 7 years ago

The homosexual, then, is close to the uneasiness that clings to modern existence in general: the impossibility of becoming one with what one is, the compulsion constantly to play a part. He is born existentialist and a practicing role-theoretician. —#HenningBech, 1987 (1997) WMM

heretikradikal's tweet photo. The homosexual, then, is close to the uneasiness that clings to modern existence in general: the impossibility of becoming one with what one is, the compulsion constantly to play a part. He is born existentialist and a practicing role-theoretician.

—#HenningBech, 1987 (1997) WMM https://t.co/BrmPhkLPk7

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heretik @heretikradikal

almost 7 years ago

As 'homosexual', one is from the outset of a specimen of a species, and thus enjoys a ready-made association with the phylum of fellow members of that species: the homosexuals. When Men Meet: Homosexuality and Modernity 1997 #HenningBech *img tfw u hot tubbin v/@archive19424198

heretikradikal's tweet photo. As 'homosexual', one is from the outset of a specimen of a species, and thus enjoys a ready-made association with the phylum of fellow members of that species: the homosexuals.

When Men Meet: Homosexuality and Modernity
1997 #HenningBech
*img tfw u hot tubbin v/@archive19424198 https://t.co/BW7oAmPwml

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heretik @heretikradikal

over 8 years ago

It is purely fetishistic. The gaze wants to caress buttocks and bulges, it wants to take its pleasure through the other person but not with him… homosexuals are virtuosos at using the gaze. 1997 #HenningBech *img #GayPulp 1966 #NedWinslow Bottoms Up / Cover art by #GeneBilbrew

heretikradikal's tweet photo. It is purely fetishistic. The gaze wants to caress buttocks and bulges, it wants to take its pleasure through the other person but not with him… homosexuals are virtuosos at using the gaze.

1997 #HenningBech
*img #GayPulp 1966 #NedWinslow Bottoms Up / Cover art by #GeneBilbrew https://t.co/mgCiLajXNS

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heretik @heretikradikal

over 8 years ago

, or is it a matter of becoming a Man, as cultural fantasy, as the sum or abstraction or epitome of masculinity of Face to Face aka San Francisco (sec) 1981 #SteveScott #HenningBech https://t.co/TJBVOHDfz8