Top Tweets for #Issue106
✨ BS KOL CLUB Recommend Projects #Issue106
This week’s featured projects: $XAU, $VVV, and $HYPE.
Yesterday, Trump signed an executive order requiring the government and the Federal Reserve to reassess policies regarding crypto and fintech companies’ access to the federal payment system. The market believes this move could further accelerate the integration of digital assets with traditional finance, benefiting sectors such as stablecoins, payments, RWA, and DeFi. It may also attract more traditional capital into the crypto market, strengthening the long-term adoption outlook for core assets like BTC and ETH.
On the institutional side, Goldman Sachs recently disclosed significant adjustments to its crypto ETF holdings in Q1, sparking widespread market discussion. Some XRP- and Solana-related ETF positions were fully cleared, while spot Bitcoin ETFs continued to demonstrate strong capital inflows. The market generally views this as a sign that Wall Street capital is gradually rotating back into core assets like BTC, with investment preferences shifting toward safer and more mainstream crypto exposure.
Another major market focus today is the continued rise in U.S. Treasury yields and the earnings-related risks surrounding AI tech stocks. The 30-year U.S. Treasury yield has climbed to its highest level since 2007, intensifying concerns over tightening liquidity conditions. Meanwhile, NVIDIA’s earnings report tonight is widely seen as a key indicator for global risk assets. If volatility in tech stocks increases, the crypto market will likely be impacted as well, potentially amplifying short-term fluctuations in BTC and trending sectors such as AI and DePIN.
#cryptocurrency #BTC #ETH #XAU #VVV #HYPE #AI
“Three black women of varying body types...stand at center stage in red dresses, knowing they just shocked the hell out of their audience.” - @pieceofkay discusses the ballet “Lucy Negro Redux” in this essay from #Issue106: https://t.co/XjDXv4Vyt3
Photo c/o of Nashville Ballet
This #IndigenousPeoplesDay, revisit @BoyceUpholt’s feature from #Issue106 about the Biloxi-Chitimacha-Choctaw tribe. Just as the South can be found in the world, one can find the world in the South. #ReadOA
Read more: https://t.co/qUgVXBthZV
📸 @WilliamWidmer @reduxpictures
“We feared ‘feminism’ somehow meant unfeminine: we bought the stereotypes about anger and unshaven legs. We like guys, we said.”
—@BadDebutante reflects on issues perpetuated by Greek life in “Letter Imperfect” from #Issue106.
https://t.co/OoS2d6tjZJ
📸 Adair Freeman Rutledge
“Then, just like that, she was gone. The man stood watching the spot where she had been.”
—Kevin Brockmeier writes about transitions and apparitions in “Three Ghost Variations” from #Issue106. Read the rest via the link below.
https://t.co/WexdqjU3Co
Art by: @xoAngelaDeane
@TheMagPi Completed @TheMagPi #issue106 TinyMac project with a fully working homemade soundcard, based on @adafruit "Audio for PiZero" article and it sounds juts great through headphones 🎧 and speakers 🔊 #MagPiMonday
“What often started as a kind of professional bonding became an intense emotional connection.”
—Logan Scherer on the customs of male friendships in “Bedfellows Forever,” from #Issue106. Read the full essay below.
Art: Courtesy the Library of Congress.
https://t.co/t4xUvtV4TU
“Everyone deserves to nurture their gifts without race and ethnicity being a hurdle.”
—From @pieceofkay‘s essay “A Pointe Toward Blackness.” Photo of Kayla Rowser and @NashvilleBallet performing Lucy Negro Redux, courtesy of Nashville Ballet #Issue106 https://t.co/EGyfv6gdoq
"We were nothing if not of the moment, alive to
it
declaring itself."
--From Nathaniel Mackey’s “From Double Trio” Art by @tschabalalaself #Issue106
https://t.co/o464HpDCRN
“I kept my hair high and tight or shaved. No dreads, no braids, no cornrows. Nothing to draw an officer like a kitten to catnip.”
—From @MauriceRuffin’s “The Great American Press Release.” Art by John Lucas #Issue106 https://t.co/LE7BOfi4er
“‘I felt that here was a place that I could be at home,’ she said of Mississippi, ‘that my soul could be at rest.’”
—Artist Ruth Miller, whose work is pictured below, in William Browning’s essay “A Long Yarn” from #Issue106. https://t.co/oetoIuJUM8
“I got out the mortar and pestle and fresh basil, pine nuts, and parmesan. Grind away, Maggie, grind away.”
—In “Paterfamilias,” @SarahManonCurry writes about the intimacy of a family. Read the full piece at the link below! Photo by DM Witman #Issue106
https://t.co/RAp0LPFYFB
“Being an artist, she decided, could not be more difficult than delivering mail.”
—from “A Long Yarn,” by William Browning, which traces the path of Mississippi artist Ruth Miller (art pictured below) in #Issue106. https://t.co/DE1UFEtI48
“You would never know, from here, that for most of her life a crippling shyness kept her from pursuing her artistic goals.”
—William Browning in his profile of artist Ruth Miller for #Issue106. Miller’s art is pictured below. https://t.co/VmLuUwIduM
“We stood in silence so long my cheeks started to burn under its rays. Sweat stung my eyes.”
—From “Paterfamilias,” a short story by @SarahManonCurry that delves into the intimacy as well as secrets that a family holds onto. Art by DM Witman #Issue106
https://t.co/Yjz1bJNEKt
In an excerpt from Two Dead, a forthcoming graphic novel by @Nate_Powell_Art and @van_jensen cops and the mob face off in 1940s Little Rock. Read the full excerpt before the books release next month! #Issue106
https://t.co/jIZnu6d7gF
In an excerpt from their forthcoming graphic novel, Two Dead, @Nate_Powell_Art and @van_jensen tell an exciting—but often forgotten—story of Little Rock in the 1940s. Read the full excerpt at the link below #Issue106
https://t.co/VNTfJhTv5b
“To become a ghost upon dying was one thing, but to become a ghost centuries before you were born was something else entirely...”
—From “Three Ghost Variations,“ a selection of short stories by Kevin Brockmeier. Art by @xoAngelaDeane #Issue106 https://t.co/dqnWhlFmKu
“Everyone deserves to nurture their gifts without race and ethnicity being a hurdle.”
—In “A Pointe Toward Blackness,” Kelundra Smith @pieceofkay explores the agency of black women. Photo courtesy of Nashville Ballet #Issue106
https://t.co/4ytFwXPexg
“Black women have long been America’s nurse and source of social consciousness.”
—From “A Pointe Toward Blackness,” an Omnivore essay in which Kelundra Smith explores the agency of black women. Photo courtesy of Nashville Ballet #Issue106
https://t.co/122zFX9U4k
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