Top Tweets for #JM2016
βTurning a page, like turning a corner, can be constructive. Likewise, by an act of rotation the structures in a picture show themselves - if you are lucky - in a better light.'
Notebook Architecture, oil on aluminum, 21x13 cm by Tim Renshaw from #JM2016 π

"These paintings embrace multiple forms of representation, moving between mimesis and abstraction - things to hold onto amongst the uncertainties."
Freeloader
Acrylic on panel, 40x40cm by Ben Cove (1974-2016) from #JM2016

"A painting, like a chosen subject, should innately, subconsciously and instantly seize my attention." π
Round Tables (2)
by George Lloyd-Jones from #JM2016

"My paintings contain references derived from early 20th century avant-garde movements...it balances the rigour of modernism with the seductiveness and frivoloties of luxury packaging"
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Acrylic on industrial aluminium foil by Lizi Sanchez from #JM2016

"The act of painting to me feels paradoxical - material is added in order to uncover. In my own work, I address these notions - that a painting may be at once a process, a reveal and a sign."
Foster
Oil on Canvas, 230.4cm x 174.3cm by Shaan Syed from #JM2016

"My practice is to construct paintings that fix colour and form in various, tense economies. My work reflects the influence of colour field painting, pop art and gestural abstraction." π₯π¨β¬
Untitled
Oil on Board, 52 x 42cm by Nancy Milner from #JM2016

"The telling of stories and hurt and struggle and love will always sit higher in my priorities above technique and highbrow conceptual theory". π
It's a Circus Out There
Oil, acrylic and spray paint, pencil and ink on canvas by Thom Trojanowski Hobson from #JM2016

'My mind meanders to a scene from my childhood home of a humble landscape painting made by my mother shortly after she fled Poland, around the time of the Warsaw uprising.'
A Fairytale of Gdansk π΅π±
Acrylic on linen, 60.1cm x 60.3cm by Julian Brown from #JM2016

"Outcome unpredictable, shifting, never fixed."
Field Myth
Acrylic and Spray Paint on canvas, 139.3x101.6cm by Frank Minoprio from #JM2016

"Working from photographs, drawings and recalled social observations, I try to depict fleeting interactions or moments of failed intimacy"
Birthyard
Oil on canvas, 167.8 x 152.4cm by #JM2016 prize winner Gabriella Boyd

Where do we come from? Where are we going?
Acrylic and pencil on canvas, 156x156cm by Julia Warr from #JM2016
#painting #johnmoorespaintingprize

If I called this painting 'List' would you read it as such?
Acrylic on polyester on board, 74 x 57.5cm from #JM2016 by @stevemoberly π§

Double Science Fiction
Spray paint on canvas, 127cm x 127cm by playpaint from #JM2016 @_playpaint_ π½βοΈ

"Him & Her is a psychological portrait of a couple's relationship. The nuances and undercurrents in their life together are explored" π¨π©
Him & Her
Acrylic on canvas, 71 x 91.3cm from #JM2016 by Sneh Mehta

"Flicker 3 describes an image of a form set in a landscape of green puddles and an encroaching dark sky" π©π«οΈ
Flicker 3
Pencil, pen, ink, tempera and gouache on paper, 158.8 x 148.2cm by Benjamin Jenner from #JM2016

'Totem is one of a series of paintings exploring notions of population growth and societal shift.'
'The result is an abstract calligraphical language, reminiscent of cave paintings, graffiti - even barcodes'
Totem, Oil on linen, 150.2x210.5cm by @alexrennieart #JM2016 π₯β¬οΈ

π Photographic reproductions of abstract painting often include the contextual space of the gallery - 'One, The Side-ness of In-Out' draws on this convention to place abstract shapes in a 'room'
One, The Side-ness of In-Out
Oil on linen, 61x51cm by #JM2016 winner Selma Parlour

'Untitled', Oil on board, 52 x 42 cm by Nancy Milner from #JM2016

βIllumination by an X-ray machine reflects strongly the special personal information about a living individual, presenting a textural transparency of what they contain.β
Visualization by Bian Shaozhi was one of the JM China prize winners that was displayed in #JM2016
πππΌπ

βThis painting is based on fragments of my own dreams. Shapes open out, scenes are formed and snippets of texts provide an account of the non-linear narratives that occupy my unconscious thoughts.β
You Come To Me In A Dream, acrylic on canvas, from #JM2016 by Emma Talbot β¨

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