Top Tweets for #MFJ77
"Rekveld creates universes which enable artificial life to grow outside of his control. He calls this process of reciprocal transformation a dialog with machines" — Megan Phipps on Joost Rekveld's "#43.6" (2013) in our current issue #MFJ77
"... Tscherkassky has subjected found footage to every form of manipulation imaginable, including looping, fragmentation, and pseudo-solarization." — Justin Remes interviews Austrian avant-gardist Peter Tscherkassky in #MFJ77
📸: Peter Tscherkassky, Dream Work (2001)
"His filmmaking fed off theorisations without being determined by them." — Arindam Sen reviews the 2021 book ‘The Author as Producer of Nothing’ by Peter Gidal and edited by Sezgin Boynik and Diego Bruno, published by RAB-RAB Press, in our current issue #MFJ77
"In Echmiadzin, Armenia, stands an abandoned 1960s-era diving tower... In its current dilapidated state, a once utopian vision now resembles an urban wasteland." — Elizabeth Lowe on Andrew Demirjian's film "We Send Our Signal" (2021) in our current issue #MFJ77 available now.
"The film is built on written memory and is translated into echoes of it, forming images that are as tenuous as they are powerful."
— @BorjaCastillejo on Nina Danino’s film "Solitude" (2022) featuring footage from Philippe Garrel’s Les Hautes Solitudes (1974) in #MFJ77
"You Are Another Me is a manifesto for societal and political transformation that rethinks gender, sexuality, and ableism, as well as our relationship to ourselves."
— Kamila Kuc reviews the work of Adina Pintilie at the Romanian Pavilion at the 59th Venice Biennale in #MFJ77
🎬 Next Tuesday 4/25 in NYC we're launching #MFJ77 with a screening at SVA!
Included is Sylvia Schedelbauer's "In The Beginning Woman Was the Sun" (2022) reviewed by Lana Lin in "Currents Program 8: Time Out of Mind".
Reserve your seat now via our 🔗 in bio!
🪐 #MFJ77 ‘RIFTS’ (Spring 2023) is available now via our website!
🔗 in bio for print, PDF, eBook, PDF+print, or eBook+print.
📸 Cover Image: Riccardo Giacconi, Diteggiatura (Fingerpicking) (2021), frame enlargement. Courtesy the artist.
🎞️ In #MFJ77 launching April 15 we are especially pleased to include artist pages by Cathy Rogers @extendedcinema
offering insight into her unique process mixing organic and synthetic material, capturing plants with celluloid film.
🍰 Just a few days before #MFJ77 arrives April 15!
The issue's centerpiece is a lengthy dossier on the 60th annual New York Film Festival's experimental sidebar, Currents, gathering contributions from the MFJ Editorial and Advisory Board members.
📸: Eva Giolo
🪐 #MFJ77 will be released April 15! 🎉
Oversized and ambitious, MFJ 77 RIFTS maps the evolving terrain of the moving image, whose branching paths diverge, merge, and reform, cutting through old boundaries while charting new territory. – Kim Knowles
📸: Riccardo Giacconi
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