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Top Tweets for #MuLiYan

tiff_ilosophy's profile image
tiff ☕ Verified account @tiff_ilosophy
đŸȘ· ji’an — associated with granny cui (#MuLiyan) in #Blossom granny cui, dou zhao (#MengZiyi)’s grandmother, is depicted as a native of ji’an, a region renowned for producing the highest number of top scholars (‘zhuangyuan’) in the imperial examinations during the ming dynasty. this detail fits well with the family’s scholarly lineage and their exceptional level of literacy, which extends to the women of the household. the drama also incorporates regional culinary traditions to enhance its historical authenticity. in a heartwarming scene, dou zhao and zhao zhangru (#LiuMeitong) prepare ‘ou jiao,’ lotus root dumplings, for granny cui and reminisce about making the dish, albeit mushily 😂, in their childhood. lotus root dumplings are a regional delicacy from ji’an, known for its use of lotus in cuisine. these thoughtful little details not only enrich the cultural realism of《blossom》but also add warmth to the familial bond between the characters đŸ„Ÿ #CDrama
tiff_ilosophy's tweet photo. đŸȘ· ji’an — associated with granny cui (#MuLiyan) in #Blossom granny cui, dou zhao (#MengZiyi)’s grandmother, is depicted as a native of ji’an, a region renowned for producing the highest number of top scholars (‘zhuangyuan’) in the imperial examinations during the ming dynasty. this detail fits well with the family’s scholarly lineage and their exceptional level of literacy, which extends to the women of the household. the drama also incorporates regional culinary traditions to enhance its historical authenticity. in a heartwarming scene, dou zhao and zhao zhangru (#LiuMeitong) prepare ‘ou jiao,’ lotus root dumplings, for granny cui and reminisce about making the dish, albeit mushily 😂, in their childhood. lotus root dumplings are a regional delicacy from ji’an, known for its use of lotus in cuisine. these thoughtful little details not only enrich the cultural realism of《blossom》but also add warmth to the familial bond between the characters đŸ„Ÿ #CDrama
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tiff_ilosophy's profile image
tiff ☕ Verified account @tiff_ilosophy
đŸ«…ă€diji】wig bun headpiece — seen on empress wan (#YumikoCheng), elder princess (#ZengYongti), crown princess (#WangPeiran), granny cui (#MuLiyan), and palace women in #Blossom the diji is a covering worn over hair buns by married women in the ming dynasty, who styled their hair in updos. this versatile headpiece served as a base for securing hairpins and ornaments, which were inserted into the framework to suit different occasions. while the diji was considered an essential part of formal attire for married noblewomen in the ming dynasty, it was not limited to ceremonial dress. women also wore it as part of their everyday attire, whether at home or when visiting friends and relatives, as seen in the drama《blossom》. the diji was influenced by the guan (crowns) and wig bun hairpieces known as ‘jiaji,’ meaning ‘fake buns,’ worn by women in the song dynasty, as well as the ‘baoji*’* (‘covered bun’ or ‘wrapped bun’) hairstyle, where hair was wrapped in fabric. the baoji was spotted in last year’s hit revenge drama《the double》starring #WuJinyan and #WangXingyue — you can read more about that in my thread: historical costuming, art & cultural influences in #TheDouble on my profile. with the era’s advancements in metalwork, ming dynasty headwear became more elaborate than in previous eras, leading to the rise of the diji, which developed into a solid, structured, hat-like shell worn over a hair bun, creating a refined silhouette while keeping the hairstyle securely in place. ming dynasty diji were typically crafted from gold or silver metal wire, onto which horsehair or human hair was woven, and often covered with black gauze, giving it a conical shape. the diji provided a supportive framework, allowing hairpins to become increasingly elaborate. wearers could insert long, delicate hairpins through the metal framework at any position. the most important hairpin was placed at the center of the diji, serving as both a striking focal point and a practical anchor to keep the headpiece securely in place. once secured, additional hairpins and ornaments were arranged around the bun. these accessories formed a headdress set collectively known as ‘tou mian,’ each named according to its placement and function within the overall hairstyle. beyond their aesthetic appeal, the diji symbolized status and refined artistic taste. by the mid-to-late ming dynasty, artisans began incorporating embellishments directly onto the diji. #CDrama
tiff_ilosophy's tweet photo. đŸ«…ă€diji】wig bun headpiece — seen on empress wan (#YumikoCheng), elder princess (#ZengYongti), crown princess (#WangPeiran), granny cui (#MuLiyan), and palace women in #Blossom the diji is a covering worn over hair buns by married women in the ming dynasty, who styled their hair in updos. this versatile headpiece served as a base for securing hairpins and ornaments, which were inserted into the framework to suit different occasions. while the diji was considered an essential part of formal attire for married noblewomen in the ming dynasty, it was not limited to ceremonial dress. women also wore it as part of their everyday attire, whether at home or when visiting friends and relatives, as seen in the drama《blossom》. the diji was influenced by the guan (crowns) and wig bun hairpieces known as ‘jiaji,’ meaning ‘fake buns,’ worn by women in the song dynasty, as well as the ‘baoji*’* (‘covered bun’ or ‘wrapped bun’) hairstyle, where hair was wrapped in fabric. the baoji was spotted in last year’s hit revenge drama《the double》starring #WuJinyan and #WangXingyue — you can read more about that in my thread: historical costuming, art & cultural influences in #TheDouble on my profile. with the era’s advancements in metalwork, ming dynasty headwear became more elaborate than in previous eras, leading to the rise of the diji, which developed into a solid, structured, hat-like shell worn over a hair bun, creating a refined silhouette while keeping the hairstyle securely in place. ming dynasty diji were typically crafted from gold or silver metal wire, onto which horsehair or human hair was woven, and often covered with black gauze, giving it a conical shape. the diji provided a supportive framework, allowing hairpins to become increasingly elaborate. wearers could insert long, delicate hairpins through the metal framework at any position. the most important hairpin was placed at the center of the diji, serving as both a striking focal point and a practical anchor to keep the headpiece securely in place. once secured, additional hairpins and ornaments were arranged around the bun. these accessories formed a headdress set collectively known as ‘tou mian,’ each named according to its placement and function within the overall hairstyle. beyond their aesthetic appeal, the diji symbolized status and refined artistic taste. by the mid-to-late ming dynasty, artisans began incorporating embellishments directly onto the diji. #CDrama
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tiff_ilosophy's profile image
tiff ☕ Verified account @tiff_ilosophy
👘【pifeng】outer garment — seen on dou zhao (#MengZiyi), wang yingxue (#ZhangMeng), granny cui (#MuLiyan), wei tingzhen (#BaiQinglin), dou ming (#LiBaihui), miao ansu (#KongXueer), and men and women in #Blossom a pifeng is a long outer garment designed for protection against the wind, as its name suggests. it typically features a straight collar (‘zhiling’) with parallel lapels (‘duijin’) in a wide, front-opening design, fastened at the front with a metal clasp button or fabric ties, allowing the buttons on the collar of the garment underneath to remain prominently visible. the pifeng usually has large, open sleeves (‘daxiu changkou’), side slits (‘liangce kaicha’) for ease of movement, and separate front and back panels. these characteristics, particularly the sleeves and slits on both sides, distinguish the pifeng from the doupeng (cloak), which it is sometimes conflated with. ming dynasty portraits and historical records show that the pifeng was a popular garment of the time, versatile enough to be worn both indoors and outdoors as part of everyday attire. in the late-ming text《yun jian ju mu chao》(‘recorded observations from yunjiang’), the pifeng is specifically described as everyday clothing (‘bianfu’). notably, the pifeng is repeatedly mentioned in the classic novel《dream of the red chamber》 (‘hong lou meng’), which was a significant source of inspiration for《blossom》. you can read more about the parallels and shared imagery between《dream of the red chamber》and《blossom》in my previous thread on my profile đŸ„€â†”ïžđŸȘ» in the encyclopedic text《sancai tuhui》 (‘collected illustrations of the three realms’), ming dynasty scholar wang qi wrote: “the beizi is what we now call the pifeng.” in other words, the pifeng of the ming and qing dynasties is believed to have evolved from the beizi of the song dynasty — another loose outer garment with wide, long sleeves. #CDrama
tiff_ilosophy's tweet photo. 👘【pifeng】outer garment — seen on dou zhao (#MengZiyi), wang yingxue (#ZhangMeng), granny cui (#MuLiyan), wei tingzhen (#BaiQinglin), dou ming (#LiBaihui), miao ansu (#KongXueer), and men and women in #Blossom a pifeng is a long outer garment designed for protection against the wind, as its name suggests. it typically features a straight collar (‘zhiling’) with parallel lapels (‘duijin’) in a wide, front-opening design, fastened at the front with a metal clasp button or fabric ties, allowing the buttons on the collar of the garment underneath to remain prominently visible. the pifeng usually has large, open sleeves (‘daxiu changkou’), side slits (‘liangce kaicha’) for ease of movement, and separate front and back panels. these characteristics, particularly the sleeves and slits on both sides, distinguish the pifeng from the doupeng (cloak), which it is sometimes conflated with. ming dynasty portraits and historical records show that the pifeng was a popular garment of the time, versatile enough to be worn both indoors and outdoors as part of everyday attire. in the late-ming text《yun jian ju mu chao》(‘recorded observations from yunjiang’), the pifeng is specifically described as everyday clothing (‘bianfu’). notably, the pifeng is repeatedly mentioned in the classic novel《dream of the red chamber》 (‘hong lou meng’), which was a significant source of inspiration for《blossom》. you can read more about the parallels and shared imagery between《dream of the red chamber》and《blossom》in my previous thread on my profile đŸ„€â†”ïžđŸȘ» in the encyclopedic text《sancai tuhui》 (‘collected illustrations of the three realms’), ming dynasty scholar wang qi wrote: “the beizi is what we now call the pifeng.” in other words, the pifeng of the ming and qing dynasties is believed to have evolved from the beizi of the song dynasty — another loose outer garment with wide, long sleeves. #CDrama
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tiff_ilosophy's profile image
tiff ☕ Verified account @tiff_ilosophy
đŸ”ïžă€zimu kou】metal clasp buttons — seen on dou zhao (#MengZiyi), wang yingxue (#ZhangMeng),  granny cui (#MuLiyan), dou ming (#LiBaihui), miao ansu (#KongXueer), wei tingzhen (#BaiQinglin), elder princess (#ZengYongti), dou zhao’s mother (#YouJingru), and ladies in #Blossom zimu kou, or metal clasp buttons, are a traditional clothing fastening developed in the ming dynasty, becoming an iconic accessory of the era. advancements in metalwork technology during this period refined the craft of metal button-making, allowing artisans to embed gold, silver, and precious gems, resulting in increasingly intricate and elaborate designs. featuring a unique ‘mother-child’ interlocking design, as its name suggests, these buttons were typically crafted from precious metals, and sometimes jade, or a combination of metal and gemstones. more than just functional fastenings, zimu kou were crafted as luxury accessories. intricately designed from valuable materials, they served as status symbols, much like fine jewelry. often showcased on standing collars and turned-down collars, they added an elegant finishing touch — tying back to these collar styles discussed earlier in this thread 🎀 #CDrama
tiff_ilosophy's tweet photo. đŸ”ïžă€zimu kou】metal clasp buttons — seen on dou zhao (#MengZiyi), wang yingxue (#ZhangMeng),  granny cui (#MuLiyan), dou ming (#LiBaihui), miao ansu (#KongXueer), wei tingzhen (#BaiQinglin), elder princess (#ZengYongti), dou zhao’s mother (#YouJingru), and ladies in #Blossom zimu kou, or metal clasp buttons, are a traditional clothing fastening developed in the ming dynasty, becoming an iconic accessory of the era. advancements in metalwork technology during this period refined the craft of metal button-making, allowing artisans to embed gold, silver, and precious gems, resulting in increasingly intricate and elaborate designs. featuring a unique ‘mother-child’ interlocking design, as its name suggests, these buttons were typically crafted from precious metals, and sometimes jade, or a combination of metal and gemstones. more than just functional fastenings, zimu kou were crafted as luxury accessories. intricately designed from valuable materials, they served as status symbols, much like fine jewelry. often showcased on standing collars and turned-down collars, they added an elegant finishing touch — tying back to these collar styles discussed earlier in this thread 🎀 #CDrama
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kcgoodstory's profile image
K/C Good Story @kcgoodstory
Drama #Blossom #äčé‡çŽ« Starring #UnaYou (#YouJingRu) #ZhouZhi #LiuJiaXi #MuLiYan #ZhangChengHe #TanKai (#KevinTan) #YeZuXin #ZengYongdai (#ZengYongTi) #WuQi #JiChenMu #WangTongHui #BaiQingLin releases new stills for wraps ceremony
kcgoodstory's tweet photo. Drama #Blossom #äčé‡çŽ« Starring #UnaYou (#YouJingRu) #ZhouZhi #LiuJiaXi #MuLiYan #ZhangChengHe #TanKai (#KevinTan) #YeZuXin #ZengYongdai (#ZengYongTi) #WuQi #JiChenMu #WangTongHui #BaiQingLin releases new stills for wraps ceremony https://t.co/EfIZGX0m4G
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kcgoodstory's profile image
K/C Good Story @kcgoodstory
Drama #Blossom #äčé‡çŽ« Starring #SnowKong (#KongXueEr) #XiaZhiGuang #LiuMeiTong #MuLiYan releases new stills.
kcgoodstory's tweet photo. Drama #Blossom #äčé‡çŽ« Starring #SnowKong (#KongXueEr) #XiaZhiGuang #LiuMeiTong #MuLiYan releases new stills. https://t.co/rvmRRC6iy9
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kcgoodstory's profile image
K/C Good Story @kcgoodstory
Drama #Blossom #äčé‡çŽ« Starring #MengZiYi #MuLiYan releases new stills.
kcgoodstory's tweet photo. Drama #Blossom #äčé‡çŽ« Starring #MengZiYi #MuLiYan releases new stills. https://t.co/OBnAJ7dtOQ
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xiao9jiu's profile image
xiaojiu â‹†ïœĄÂ°â€ąâ˜ïžŽ @xiao9jiu
meet the characters of jiuchongzi #mengziyi as douzhao #liyunrui as songmo #kongxueer as miao ansu #xiazhiguang as jiyong #zhangmeng as wang yingxue #quanyilun as wushan #muliyan as cui nainai #youjingru as zhao guqui — [#blossom]
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CdramaL's profile image
Cdrama Lovers @CdramaL
「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #SunHao, #LiYixiao, #TanKai, #MuLiyan e mais, lança novas Stills ❀ #æ—¶ć…‰æ­Łć„œ
CdramaL's tweet photo. 「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #SunHao, #LiYixiao, #TanKai, #MuLiyan e mais, lança novas Stills ❀ #æ—¶ć…‰æ­Łć„œ https://t.co/zZ8tWIYcIM
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CdramaL's profile image
Cdrama Lovers @CdramaL
「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #SunHao, #LiYixiao, #TanKai, #MuLiyan e mais, lança novas Stills ❀. #æ—¶ć…‰æ­Łć„œ
CdramaL's tweet photo. 「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #SunHao, #LiYixiao, #TanKai, #MuLiyan e mais, lança novas Stills ❀. #æ—¶ć…‰æ­Łć„œ https://t.co/Wt5MWVEfA3
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CdramaL's profile image
Cdrama Lovers @CdramaL
「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #ZhangTao, #SunHao, #LiYixiao, #TanKai, #MuLiyan e mais, lança novas Stills ❀ #æ—¶ć…‰æ­Łć„œ
CdramaL's tweet photo. 「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #ZhangTao, #SunHao, #LiYixiao, #TanKai, #MuLiyan e mais, lança novas Stills ❀ #æ—¶ć…‰æ­Łć„œ https://t.co/uJTlAWzo8j
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CdramaL's profile image
Cdrama Lovers @CdramaL
「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #ZhangTao, #SunHao, #LiYixiao, #TanKai e #MuLiyan, liberou novos pĂŽsteres individuais para sua estreia HOJE na Iqiyi e na MGTV 💚 #æ—¶ć…‰æ­Łć„œ
CdramaL's tweet photo. 「📾 | O drama moderno #JustInTime, estrelado por #QinHailu, #BaoJianfeng, #ZuoXiaoqing, #TianYu, #PanZhilin, #DuYuan, #JiaXiaohan, #ZhangTao, #SunHao, #LiYixiao, #TanKai e #MuLiyan, liberou novos pĂŽsteres individuais para sua estreia HOJE na Iqiyi e na MGTV 💚 #æ—¶ć…‰æ­Łć„œ https://t.co/EYKC0iEA1k
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