Top Tweets for #NewOnSpringback
#NewonSpringback Ariadne Mikou reviews Christos Papadopoulos' Mellowing, a choreographic orchestration for mature dancers.
@Romaeuropa
https://t.co/4G6fWpnu94
#newonspringback Elsa Vinet tells about this edition of Festival d'Automne à Paris, a Parisian melting pot ‘à consommer sans modération’.
@FESTIVALAUTOMNE
https://t.co/rGedusHjF4
#newonspringback
@EmilyJMay1996 finds that this year’s Italian and international commissions at the Venice Biennale contrast in almost every way.
https://t.co/2ShzdpC9QB
#newonspringback Ariadne Mikou reviews Dimitris Mytilinaios' Repair.
Repair was one of the pieces selected by GRAPE (Greek Agora of Performing Arts), a strand of the @aefestivalgr designed to promote Greek artists to the international scene.
https://t.co/4O2FSCZrkg
#newonspringback
Hang Huang reviews Richard Mascherin's piece Caer Caer Caer
ArtDanThé Festival Théâtre de Vanves
https://t.co/73ObnYCraT
#newonspringback @Howlett reviews Léa Tirabasso's Starving Dingoes
The bottom line: A stubborn display of the need to survive: urgent, disturbing and laughably berserk
@ThePlaceLondon
https://t.co/4jk5GQVGhY
#NewonSpringback
Kosta M. Karakashyan on the award-winning Netflix series 'Love, Death & Robots' "
READ👇🏾https://t.co/JjtaEitfSK
#NewonSpringback Georgia Howlett and @sanj0yr0y take separate routes through the @MimeLondon .
Read about their journeys 👇🏾
https://t.co/Lf7fHoz69V
#NewonSpringback Lena Megyeri's take on how the dark side of dance takes centre stage in Olivia Wilde’s Don't Worry Darling
@lena_megyeri
https://t.co/K7LThtq1DH
#NewOnSpringback
'Slow motions through climates of change' by Karina Buckley: Laughing, learning, touring and moving (slowly!) in the face of climate degradation – with Rita Marcalo’s Instant Dissidence
https://t.co/roaBHGqKsg
#NewOnSpringback
The special Springback supplement to this year's #SpringbackAssembly at Oktoberdans is here!
Within the frame of #SlowingDown, the supplement contains a collection of reviews, presentations and diaries from many Springback writers.
https://t.co/99njRgezsl
#NewOnSpringback #Review
In CoisCéim Dance Theatre's 'Go to Blazes', a mix of live and VR performance in response to Joyce’s classic novel becomes a heady, scented experience
Review by Karina Buckley
#dancewriting #dancecriticism #dancetheatre #VR
https://t.co/Ugj9yQ1bcS
#NewOnSpringback
Lydia Wharf talks to Ellie Harris of London’s @GDIFestival about the increasing challenges to international programming and co-operation.
#dancewriting #dancecriticism #contemporarydance #outdoordance #international
https://t.co/px7xtniTx6
#NewOnSpringback
In its (dis)association of word and action, Adrienn Hód's new work touches a primal fear – of the critic.
Review by @lena_megyeri
#dancewriting #dancecriticism #critic #contemporarydance #choreography
https://t.co/KtJQqkaGWJ
#newonspringback
Number-crunching dance @ #EdinburghFestivals - figure it out with @roisintobrien!
Ft Bill Coleman, Charlotte Mclean, 71BODIES, HungDance, Jamaal Burkmar, marikiscrycrycry, Jack Webb, United Fall/Emma Martin, Morag Deyes
https://t.co/XqYSPTZcqn
#NewonSpringback Emily May reflects on her childhood home while reviewing 'La Danse des Éléments, a new dance work by Argentinian-born, Paris-based choreographer Cecilia Bengolea in the small, south western Luxembourgish city of Esch.
https://t.co/b9OGe4EAXk
#NewonSpringback Jordi Ribot Thunnissen reviews Cherish Menzo's 'Darkmattter'
The bottom line: A fragment of a sci-fi movie? Rather an Afrofuturist monument to a perspective that is all too real
@FrascatiTheater
https://t.co/uI1siU7kPh
#NewonSpringback A variety of glimpses on to Brussels dance through a window in March 2022
In late March 2022, a group of 10 Springback dance writers gathered in Brussels to attend some performances from the In Movement season at @LesBrigittines
https://t.co/3o2Rnb2w45
#NewonSpringback Dance+: La Grande Bellezza
Anastasio Koukoutas dives into the the bump of lust and the grind of vacuity form ‘the great beauty’ that prefigures our times
Read here 👇
https://t.co/jAkWIF76CX
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