Top Tweets for #ObscurityKnown
#ObscurityKnown
🎵 “A Way” — The Bolshoi
🎧https://t.co/ERqgdSh8Ms
#TheBolshoi #80sAlternative #FORKSTER #postpunk #gothpop #gothrock
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi
#ObscurityKnown
🎵 “Disappointed” — PUBLIC IMAGE LTD
🌍 Single / "9" album era, 1989
⚡ STATUS: MISFIT CLASSIC // POST-PUNK SHIMMER
🧠 THE SYMPTOMS: Jangling synth-guitars. Driving, rhythmic pop pulse. John Lydon's biting, melodically swirling and twirling vocal sneers.
🕯️ WHY IT STILL HAUNTS: "Disappointed" is the absolute peak of PiL's late-80s alternative pop mastery. Guitarist John McGeoch delivers a dazzling, pristine guitar hook, while John Lydon injects it with pure, cynical vocal venom about betrayal and friendship. It proves that even when the band made music you could dance to, they never lost their razor-sharp edge or their ability to completely subvert the mainstream.
🧩 THE RELIC: Co-written by producer Stephen Hague, the track went on to hit number one on the US Modern Rock Tracks chart, showing how far Lydon had traveled from the raw noise of Metal Box into a sophisticated alternative power player.
🎧 ENTER THE JUKEBOX: https://t.co/DNc3DaFdQ6
💬 Does this one still pull you into its strange little orbit?
#PublicImageLtd #JohnLydon #PostPunk #AlternativeMusic #80sAlternative #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi @pilofficial
#ObscurityKnown
🎵 “Charlotte Sometimes” — THE CURE
🌍 Single Standalone / Fiction Records, 1981
⚡ STATUS: MISFIT CLASSIC // GOTHIC CHILL
🧠 THE SYMPTOMS: Melancholic fog. Shimmering synth-drizzle. Ghostly, weeping guitar lines.
🕯️ WHY IT STILL HAUNTS: "Charlotte Sometimes" is the ultimate transition point where Robert Smith traded raw post-punk aggression for pure, cinematic atmospheric dread. It sounds like a cold, wet autumn afternoon captured on tape— beautifully haunting, and deeply isolated.
🧩 THE RELIC: Based on Penelope Farmer's 1969 children's time-travel novel, the song brilliantly captures the book's eerie sense of identity loss and displacement, serving as the perfect bridge between Faith and Pornography.
🎧 ENTER THE JUKEBOX: https://t.co/6HpXCS5AUR
💬 Does this one still pull you into its strange little orbit?
#TheCure #RobertSmith #GothRock #PostPunk #AlternativeMusic #80sAlternative #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi @TheCureForever_ @thecure
#ObscurityKnown
🎵 “Thunder Kiss ’65” — WHITE ZOMBIE
💿 La Sexorcisto era / Single, 1992
⚡ STATUS:
MISFIT CLASSIC // GRINDHOUSE ALT-METAL
🧠 THE SYMPTOMS:
Chrome-plated riffs. B-movie sleaze. Desert-road chaos. Monster-truck groove.
🕯️ WHY IT STILL HAUNTS:
“Thunder Kiss ’65” sounds like a drive-in horror flick crashing into a biker rally at full volume. White Zombie took metal, punk trash, sci-fi samples and sleazy groove, then turned it into one of the dirtiest alt-rock detonations of the early ’90s.
🧩 THE RELIC:
Its heavy MTV rotation helped push White Zombie from cult underground freaks into one of the strangest mainstream breakthroughs of the 90s alternative explosion.
🎧 ENTER THE JUKEBOX:
https://t.co/BIEMpp3dY9
💬 Is this one of the most gloriously filthy riffs of the 90s?
#WhiteZombie #RobZombie #AlternativeMetal #IndustrialRock #90sAlternative #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi @bnbwhitezombie @RobZombie
#ObscurityKnown
🎵 “Yin and Yang (The Flowerpot Man)” — LOVE AND ROCKETS
💿 Express / Single, 1986
⚡ STATUS:
MISFIT CLASSIC // PSYCHEDELIC ALT SWIRL
🧠 THE SYMPTOMS:
Snake-hip rhythm. Neon mysticism. Post-Bauhaus shimmer.
🕯️ WHY IT STILL HAUNTS:
“Yin and Yang” sounds like goth stepping out of the shadows and finding a strange, glittering dancefloor. The groove is loose, hypnotic and sly, with Love and Rockets turning post-punk darkness into something more psychedelic, playful and dangerously cool.
🧩 THE RELIC:
Released as a Beggars Banquet single in 1986, it helped show how far Daniel Ash, David J and Kevin Haskins had travelled from Bauhaus into their own alt-psych universe.
🎧 ENTER THE JUKEBOX:
https://t.co/3ojdtOgyb9
💬 Does this one still pull you into its strange little orbit?
#LoveAndRockets #Bauhaus #PostPunk #AlternativeMusic #80sAlternative #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi @newtalestotell
#ObscurityKnown
🎵 “Cut The Tree” — THE WOLFGANG PRESS
💿 Lonely Is An Eyesore, 1987 / 4AD compilation
⚡ STATUS:
LOST SIGNAL // 4AD SHADOW-FUNK
🧠 THE SYMPTOMS:
Dubbed-out dread. Post-punk muscle. Crooked rhythm. Smoke-room menace.
🕯️ WHY IT STILL HAUNTS:
“Cut The Tree” feels like 4AD’s dream-pop cathedral suddenly discovering a locked basement. The Wolfgang Press drag post-punk into something heavier, stranger and more physical — all bass pressure, nervous space, and beautiful unease.
🧩 THE RELIC:
Released on 4AD’s 1987 label showcase Lonely Is An Eyesore, “Cut The Tree” sat alongside Cocteau Twins, Dead Can Dance, This Mortal Coil, Throwing Muses and Clan of Xymox.
🎧 ENTER THE JUKEBOX:
https://t.co/UQRyx72eXA
💬 Is this one of 4AD’s most underrated deep-cut moments?
#TheWolfgangPress #4AD #PostPunk #Darkwave #80sAlternative #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi
#ObscurityKnown
🎵 “Renée” — TALK TALK
💿 It’s My Life, 1984
⚡ STATUS:
LOST SIGNAL // BLUE-HOUR ELEGY
🧠 THE SYMPTOMS:
Velvet melancholy. Fretless-bass ache. Late-night synth drift. Ghost-trumpet longing.
🕯️ WHY IT STILL HAUNTS:
Before Talk Talk fully vanished into the sacred silence of their later work, “Renée” already feels like a doorway opening. It is tender, bruised, and beautifully suspended — Mark Hollis singing like regret has learned to breathe.
🧩 THE RELIC:
At over six minutes, “Renée” is the longest track on It’s My Life — a slow-blooming album cut hiding between the bigger 1984 singles.
🎧 ENTER THE JUKEBOX:
https://t.co/yIu5v22RFq
💬 Is “Renée” one of Talk Talk’s most overlooked beautiful moments?
#TalkTalk #MarkHollis #NewWave #ArtPop #SophistiPop #80sAlternative #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi
#ObscurityKnown
🎵 “Release The Bats” — THE BIRTHDAY PARTY
🌍 4AD single, 1981 / Junkyard-era chaos
⚡ STATUS:
MISFIT CLASSIC // AVANT-GARDE TERROR
🧠 THE SYMPTOMS:
Goth-punk hysteria. Razor-wire guitar. Shamanic shrieks. Bassline in a panic room.
🕯️ WHY IT STILL HAUNTS:
This is not just dark alternative music — it’s a beautiful nervous breakdown with fangs. Nick Cave sounds possessed, Rowland S. Howard’s guitar cuts like broken glass, and the whole thing lurches forward like a vampire cabaret collapsing into a bar fight.
🧩 THE RELIC:
Released through 4AD in 1981, “Release The Bats” was partly born as a grotesque wink at gothic excess — then accidentally became one of the movement’s great unholy anthems.
🎧 ENTER THE JUKEBOX:
https://t.co/YdKMvhfGRG
💬 Is this the most brilliantly chaotic slice of post-punk ever pressed to vinyl?
#TheBirthdayParty #NickCave #PostPunk #GothRock #80sAlternative #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @sadgirlcassi @nickcave
Much appreciated — “Goo Goo Muck” is exactly the kind of misfit classic that belongs in FORKSTER Alt Music Asylum. 🖤🎧 #ObscurityKnown
#ObscurityKnown
🎵 “Goo Goo Muck” — THE CRAMPS
💿 Psychedelic Jungle, 1981
⚡ STATUS:
MISFIT CLASSIC
🧠 THE SYMPTOMS:
Graveyard rockabilly. B-movie sleaze. Swamp-stomp menace.
🕯️ WHY IT STILL HAUNTS:
This is rock ’n’ roll dragged through a midnight monster flick — trashy, twitchy, dangerous, and weirdly irresistible. The Cramps made it sound like the jukebox had been possessed.
🧩 THE RELIC:
Before The Cramps warped it into a psychobilly cult weapon, “Goo Goo Muck” was first released by Ronnie Cook and The Gaylads in 1962.
🎧 ENTER THE JUKEBOX:
https://t.co/JrZYAI6Bp3
💬 Is this The Cramps at their most gloriously unhinged?
#TheCramps #Psychobilly #GaragePunk #PunkRock #AlternativeMusic #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @thecramps
#ObscurityKnown
🎵 “Goo Goo Muck” — THE CRAMPS
💿 Psychedelic Jungle, 1981
⚡ STATUS:
MISFIT CLASSIC
🧠 THE SYMPTOMS:
Graveyard rockabilly. B-movie sleaze. Swamp-stomp menace.
🕯️ WHY IT STILL HAUNTS:
This is rock ’n’ roll dragged through a midnight monster flick — trashy, twitchy, dangerous, and weirdly irresistible. The Cramps made it sound like the jukebox had been possessed.
🧩 THE RELIC:
Before The Cramps warped it into a psychobilly cult weapon, “Goo Goo Muck” was first released by Ronnie Cook and The Gaylads in 1962.
🎧 ENTER THE JUKEBOX:
https://t.co/JrZYAI6Bp3
💬 Is this The Cramps at their most gloriously unhinged?
#TheCramps #Psychobilly #GaragePunk #PunkRock #AlternativeMusic #FORKSTER
@NewWaveAndPunk @Stow6524 @clairywairy88 @lee0969 @Fred_Baliad2 @Wrix2 @TraceMess_469 @Albums200 @FromTheWoods79 @Motobec810 @wthballs @thecramps
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