Top Tweets for #PlaywrightTips
Mistake 4/14: See Playwright tests fighting over data?
π Same email in all tests causes mix-ups and weird fails. Fixed data for edge cases like hacks and bad inputs. Faker.js makes fresh new data each time.
Full guide: https://t.co/gswLmxvRNs
#PlaywrightTips #QAAutomation
Simplify your #Playwright tests! Use tags like @smoke and @slow to organize and filter your test suites effortlessly. #TestAutomation #WebTesting #PlaywrightTips
test("Verify Login page", { tag: ["@smoke", "@slow"] }, async ({ page }) => {
await page.goto("https://t.co/UX4BMDXvIi");
}); #TestAutomation #WebTesting #PlaywrightTips
3/ You can refine the generated scripts to handle complex scenarios or dynamic content. Itβs the perfect way to speed up test creation while keeping control over edge cases. Looking forward to integrating it into client workflows. #WebTesting #PlaywrightTips
Difference Between .not.toBeVisible(), .toBeHidden(), and .not.toBeAttached()
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How to View Remote Playwright Trace Reports | Quick Guide
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#PlaywrightTips Final Tip: Sooner ignore any of the above advice than go against the grain of your intuition. It is YOUR play. Don't write someone else's idea of what your play should be. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 28. Choose your advisors, choose your advice. Cultivate relationships with people who understand what you are striving to accomplish with your work and who will be thorough and forthright in their evaluation. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 27. If you don't believe in your work, why should anyone else? Develop a keen sense of understanding genuine criticism, learn from it, use it. But recognise when you βget it rightβ and stand by your assessment. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 26. If you are going to get all hot and sweaty over good reviews, you have to get cold and clammy over the bad one. You can't have it both ways. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 25. Never revise when you are hungry, angry, lonely or tired. Do you do anything else well under those conditions? #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 24. How to figure out where βbeatsβ should go. Donβt bother. The dialogue will guide a good director, and if your script comes covered with βbeats,β it looks silly and detracts from the language. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 23. Never submit a play that you feel 'still needs some work'. However, stage plays are organic, and you'll make changes as you go. These are 'tweaks', but not the same as 'still needs work'. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 22. How many rejections before I should give up playwrighting? I have had scripts rejected 30 times before they were finally accepted. When rejected, I don't get up from my desk until I have re-submitted again. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 21. Study the market. Where possible, take a look at the previous yearβs finalists of a festival you are considering. Even the titles can give you some idea of their focus. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 20. Read the festival guidelines. When festivals solicit submissions, they will receive hundreds of scripts, so it is important to observe playwriting format. Your script will sound pro only if it looks pro. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 19. Be open to revisions during the rehearsal stage. I have a personal rule - if an actor stumbles on a word or phrase twice during a stage reading, talk with the director and the actor, and change it. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 17. Are laugh-leaders a good thing? There's a theory that some audience members who laugh early on prime others to follow suit, but think twice before planting friends in an audience to ramp up the chuckles. #AllstonJames #amwriting #BritishTheatreChallenge
#PlaywrightTips 16. Who's laughing? I recall the horror I felt when a comedy of mine generated lots of laughter at one performance, and was quiet as a morgue at the next. No two audiences are the same for any number of reasons.
#AllstonJames #amwriting #BritishTheatreChallenge
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