Top Tweets for #RexWerk
, which he was holding crushed, and by now numbed, against his groin; he spread the fingers, to make them /take hold of/ that flesh which the trousers so tightly clothed.
—#PierPaoloPasolini, 1975 (1997) Petrolio
*img #RexWerk, in 1980s #DrummerDaddies No 1
#lesfolliesdeshommes


This is our preferred model of love relations,
*img 1980s #RexWerk Spit me your intimacies
#LesFolliesDesHommes

One might as well say that men were to eat only when they need nourishment, as the end in view; or must not drink save when the body requires fluids;
*img early 1980s #RexWerk Untitled
#LesFolliesDesHommes

Joy is power. Real power.
—#RaneArroyo, 2010
*img 1980s #RexWerk lick [The Electronic Gloryhole]
#ThePrurientAd
![heretikradikal's tweet photo. Joy is power. Real power.
—#RaneArroyo, 2010
*img 1980s #RexWerk lick [The Electronic Gloryhole]
#ThePrurientAd https://t.co/IKvun0KxrP](https://pbs.twimg.com/media/EsawpBOXAAUaOSf.jpg)
gay male leather, a kind of concatenation of motorcycles, biker gear, homosexual masculinity and kinky sex.
—#GayleRubin, 2012
*img 1979 #RexWerk Clint's Bike. A taste of leather. Folsom SF #HomoSexEthnography


. Sinthomosexuality also speaks, as neologistic signifier, to the "sin" that continues to attach itself to "homosexuality" (a "sin," . . . that can make the sinthomosexual into something of a s[a]in[t])
—#LeeEdelman, 2004 No Future:
*img n.d. #RexWerk Untitled (spider phallos)
![heretikradikal's tweet photo. . Sinthomosexuality also speaks, as neologistic signifier, to the "sin" that continues to attach itself to "homosexuality" (a "sin," . . . that can make the sinthomosexual into something of a s[a]in[t])
—#LeeEdelman, 2004 No Future:
*img n.d. #RexWerk Untitled (spider phallos) https://t.co/QXhcmaJjAe](https://pbs.twimg.com/media/ER3NyJvXYAAjcFi.jpg)
; the revolt will have to be performed over and over again. If they inevitably run out of steam or dissipate, it is not because racism or homophobia are in retreat, but because mobilizations inevitably come to an end.
—#DidierEribon, 1999 (2004) Insult,
*img 1988 #RexWerk detail

, it's only lines and dots and black and white after all. A drawing doesn't give itself up to you like a photograph. It eludes you.
*img #RexWerk in 1977 #DrummerMag No 12
https://t.co/zVpHuSqLTQ

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