Top Tweets for #Sab22
Commissioned by Sonic Acts, Tomoko Sauvage‘s installation Buloklok is a sonorous timepiece, a poly-pulsating metronome in which underwater glass sculptures emit ringing air bubbles. After it’s #SAB22 premiere last month, find it at @The5thFloor2 in Tokyo 11 Nov – 4 Dec 🫧
“Inequality and injustice in relation to climate and the environment – or in one word: climate injustice – are still too much of a blind spot.”
Read the full interview with @Dr_Misiedjan, one of the panelists at our Leaving Traces symposium → https://t.co/mvSaFaxrOp
#SAB22
PHOTOS
DAY II of the 6th Broadcast and Digital Media Convention Africa 2022. #SAB22
VIDEO
The 6th Broadcast and Digital Media Convention Africa 2022 kicked off in Kigali. #SAB22
#Sab22 En pleno desarrollo acto de instalación de la Conferencia Regional del PCV en Carabobo, rumbo al XVI Congreso Nacional del PCV; con la presencia de sus Delegad@s y de personalidades amigas de la UC, de la CRPP y de la Corrección Lucha de Clases.
This is your last weekend to catch the one sun after another exhibition at @W139, along with John Grzinich’s 'Powerless Flight' installation at Het HEM, both ending this Sunday.
Get your tickets here → https://t.co/WM8zvwenbH
#SAB22 #onesunafteranother
On 14 October, open-weather, the project of r @sophiecdyer and @sashacakes, led a one-day DIY Satellite Ground Station workshop at Likeminds.
→ Explore the photos on our Sonic Acts flickr page: https://t.co/SxoQQDn5BX
📸Amie Galbraith
#SAB22 #Practicum
Photos from Breathtune, our 16 October evening programme at Singelkerk, are now available to view on our flickr! We would like to extend a warm thank you to everyone who attended.
Browse the photos here → https://t.co/SxoQQD4WnP
Photos by Pieter Kers
#SAB22 #LeavingTraces
Exploring loitering as both pollution and excess, @angelikidia takes workshop participants on a night walk through Amsterdam
Join BUZZWA(O)L(R)K(D) on 20 Oct, from 20:30 → https://t.co/WhZnVkUzRK
#SAB22 #Practicum
‘Could one also see "climate control" as a metaphor for the exclusions of the tropics from within the confines of the museum?’ Kent Chan
Find out more → https://t.co/1Gm2i7YjA9
#SAB22 #LeavingTraces
'The use of scanning technologies have shifted emphasis in mapping from surfaces to volumes. In such a context what would a critical practice of mapping look like?' @nish_aat
For those outside NL, join our livestream here → https://t.co/WM8zvwenbH
#SAB22 #LeavingTraces
Kent Chan is an artist, curator and filmmaker. He is interested in the tropical imagination, past and future relationships between heat and art, and contestations to legacies of modernity.
Explore his work → https://t.co/0veRhvcGuD
#SAB22 #LeavingTraces
‘When confronted by lives so affected by violence, how do you look beyond? This is not to elide the violence of borders, but to seek to give precedence to other practices.’ @nish_aat
Explore the project → https://t.co/xP1j3DJpDo
#SAB22 #LeavingTraces
'If we keep moving through these questions of situatedness I want to always highlight the geographies of the discomfort that I carry with architecture.' Ola Hassanain
Find out more → https://t.co/1Gm2i7YjA9
#SAB22 #LeavingTraces
‘Matter, Moisture, Heat: What We Do While We Wait’ is moderated by @Amna_solati, her research explores subjects such as domesticity, displacement, environmental violence, geopolitics, and trauma inheritance.
Find out more → https://t.co/1Gm2i8gsOh
#SAB22 #LeavingTraces
Ola Hassanain is a visual artist and trained architect. In her work, she focuses on the politics of space – namely, how built spaces react to and reinforce violence from state entities.
Explore her bio here → https://t.co/UgXnzQf0bi
#SAB22 #LeavingTraces
At 16:00 the final panel, ‘Matter, Moisture, Heat: What We Do While We Wait’ begins! Welcoming talks and performances by Ola Hassanain, @nish_aat and Kent Chan and moderation by @Amna_solati.
Find out more → https://t.co/1Gm2i7YjA9
📷 @nish_aat
#SAB22 #LeavingTraces
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