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@SECO_CH @Graubunden @POTUS @poutus ich vermisse prof. dr. dr. @derrothdotcom
https://t.co/9bbKGhVy83 🍄🤖🖐️
#TVRCM #TheVeryRealCryptoMovement
(work within a tendency)

#TVRCM #TheVeryRealCryptoMovement 16./22. März 2026
https://t.co/YMlxV9j4SC 🍄🤖🖐
The series “From Commons to NFTs” has so far brought together seven smart voices from art, theory, and crypto culture. It examines the transformation of “digital culture” from commons-based forms toward tokenized forms of ownership.
After reading it, one thing above all stays with me: the debate moves within the space of objects, images, tokens, titles of ownership, and markets. That reminds me of important elements of the cultural form of modernity. A form toward which I feel as intensely repulsed as I learned from the Jewish arch-prophet Isaiah in his “Zaw La Zaw” (Isaiah 28:10). What interests me is something else entirely: not the object, but the infrastructure.
And yet this is precisely something that can indeed be read out of, and taken from, the seven contributions so far:
Commons are infrastructure.
NFTs are titles of ownership.
Net culture is abundance.
NFTs enable scarcity.
Blockchain is infrastructure.
NFTs are market products.
The art market tests tokens.
Commons are rights of use.
The open question is not NFT.
The open question is how free and open infrastructure can be designed.
This is a stimulating and suggestive approach, and one I would like to build on…

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