Top Tweets for #TheWomanWhoLeft
#BiennaleArchivio “Go roll the camera and point it at the truth. Now!”: in issue 2/26 of the #BiennaleMagazine, #LavDiaz reflects on the roots of a cinema deeply connected to his country’s culture, history and identity. Winner of the 2016 Golden Lion for #TheWomanWhoLeft, the Filipino filmmaker speaks with #PaoloBertolin about his journey: a cinema shaped by memory, resistance and the voices of the marginalised, confronting authoritarianism, colonialism and injustice. For Diaz, in fact, art must “expose, educate, make people aware” and remain a tool for change. Find out more and buy your copy on #BiennaleStore → https://t.co/rhqfd6ku8F
In the meantime, let’s revisit his BiennaleCall at the #BiennaleCinema2024 for @phantosmiafilm, where he spoke about why he became a director and his relationship with black-and-white images from an early age.
Waiting for the #BiennaleCinema2026 | #VeniceOpen #OutOfCompetition
After winning the Golden Lion for #TheWomanWhoLeft in 2016, the #Orizzonti Award for Best Film in 2008 for #Melancholia, and the Orizzonti Award for Best Director in 2020 for #Lahi, director #LavDiaz returns to #Venice Out of Competition with #LetUsThroughDearAncestors, a film set between the late 16th and early 17th centuries, during the period of Spanish colonial expansion in the Philippines → https://t.co/5dkCnhxGDt
Aspettando la #BiennaleCinema2026 | #VeniceOpen #FuoriConcorso
Dopo aver vinto il Leone d’Oro con #TheWomanWhoLeft nel 2016, il premio #Orizzonti per il miglior film nel 2008 con #Melancholia e il premio Orizzonti per la migliore regia nel 2020 con #Lahi, il regista #LavDiaz torna a Venezia Fuori Concorso con #MakikiraanPo, un film ambientato tra la fine del XVI secolo e l’inizio del XVII, durante il periodo di espansione della colonizzazione spagnola nelle Filippine → https://t.co/67n7QXXjM1
FikriSinema yazarları olarak yılın en uzun gecesine yakışan filmleri seçtik. 🎬
#magnolia #dune #thewomanwholeft #mandelsdestinies #victoria #thewailing #coldfish #satantango #sevensamurai #danceswithwolves #wildtales #jeannedielman #theelephantsittingstill #onebattleafteranother
We had recently aired our @MergingArts conversation with Filipina Sound Designer #CorinneDeSanJose on our @RadioPacifica #SpoilerAlertRadio on: #NorteTheEndOfHistory #TheWomanWhoLeft #OnTheJob @RespetoMovie @halimawfilm @LeonorWillNever archived @Libsyn. https://t.co/VMZtyemnvB
#Venezia74
ha vinto: #TheShapeofWater
doveva vincere: #FirstReformed
#Venezia73
ha vinto: #TheWomanWhoLeft
doveva vincere: #TheWomanWhoLeft
#Venezia72
ha vinto: #DesdeAllá
doveva vincere: #RabinTheLastDay
#kostenlos #streamen: https://t.co/4Jz2WUiRSn #thewomanwholeft
Eine Frau sitzt 30 Jahre unschuldig im Gefängnis. Ihr Umfeld, die soziale, politische Lage der Philippinen hat sich drastisch geändert. Sie sinnt nach Rache, muss sich zuerst in den neuen Verhältnissen zurechtfinden.
Mica vorrete andare a dormire dopo #ungiornoinpretura ?
Giammai! Dopo arriva il breve film di Lav Diaz: #TheWomanWhoLeft
Lav Diaz es capaz de visibilizar lo que oculta un manto de falsa justicia y de poner en duda lo que el tiempo ha convertido en Historia.
#TheWomanWhoLeft
En @Filmin
https://t.co/1mTh9FFshh
Continuamos el repaso a lo último de Lav Diaz, ahora en @Filmin, con este análsis de la prodigiosa THE WOMAN WHO LEFT, por Eduardo Martínez
➡️ Especial #LavDiaz.
#TheWomanWhoLeft
https://t.co/1mTh9FFshh
#FilmSulDivano Dopo il passaggio a #FuoriOrario .@RaiTre, #TheWomanWhoLeft di #LavDiaz è in streaming legale e gratis .@RaiPlay.
Film Leone d'Oro a #Venezia 2016, mai distribuito nei cinema italiani.
Trama, trailer e voti, su #NientePopcorn 👉https://t.co/mQ5j6XneQE
Recent Black & White Films -Trailers - Frances Ha, The Woman Who Left, Lover for a Day, Season Of The Devil, Roma, Werewolf Ninja Philosopher, Cold War #francesha #thewomanwholeft #loverforaday #seasonofthedevil #werewolfninjaphilosopher #roma #ColdWar - https://t.co/kCGEbOsv1R
FOLGORANTE 😍
The Woman Who Left: in DVD il capolavoro di Lav Diaz, Leone d’Oro a Venezia 👉 https://t.co/9v0TIhz7Wn
#cinema #thewomanwholeft #moviereview #4aprile
#TheWomanWhoLeft, di #LavDiaz è ora in #dvd! https://t.co/0w7vNvZppY 😀: https://t.co/FDs1zSrVTy tramite @YouTube
#Museo con @GaelGarciaB, guida al Trieste Science+Fiction Festival, intervista a Kiernan Shipka (#Sabrina), #TheOtherSideoftheWind, #Millennium, #TheWomanWhoLeft e per i campeggiatori camperisti e campanari in regalo la locandina di #RicomincioDaCapo!
TOP CORN | Poetico, duro, illuminante: in esclusiva su #CHILI il film di #LavDiaz Leone d’oro a Venezia con #TheWomanWhoLeft 🎞️https://t.co/ZPLYFw8fm7
Libertà. Verità. Giustizia: #TheWomanWhoLeft. Vincitore del Leone D'Oro alla 73^ edizione del #FestivaldelCinemadiVenezia, in anteprima esclusiva solo su #CHILI.
https://t.co/kE1z7uG40s
I'm calling it, THE WOMAN WHO LEFT is your best bet for immersive, four-hour-long, black & white, slow-cinema Filipino indie film revenge thriller. My review @zekefilm of the stunning new Blu-Ray:
#TheWomanWhoLeft @KinoLorber https://t.co/9drdeAqbbf
.@nytimes' DVD review of #LavDiaz's #TheWomanWhoLeft (#Philippines) & #PedroCosta's #CasaDeLava (#Portugal) praises both #directors as masters of slow #cinema. J. Hoberman hails Diaz's #film as "at once stately and unassuming, austere and raunchy."
https://t.co/wK42MgiIyF
Am Sonntag (25.2.) ist bei uns nochmal epischer Lav Diaz Tag: mit #Norte & #TheWomanWhoLeft
#allyouneedislav #slowcinema https://t.co/YkxQ1rERps
https://t.co/8KKwYrh87l
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