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TuneLab Q 1.1.0 — Update Patch Notes GD: https://t.co/duzPZ0PUer TG: https://t.co/SXY59RRY8V Next update: TLQ x DiffSinger native support. ✨ Major new features ⚪️Parametric pitch — Manual / Draw system A new way to shape pitch note-by-note. — Pitch toggle (Manual/Draw) on the function bar, where quantization used to sit (quant moved next to “Go to End”, now labeled Snap). — Draw mode: the familiar pen/anchors, pitch presets, and full Simplify. — Manual mode: two parametric cards: —— Pitch Curve: Timing, Glide In, Glide Out, In Bend, Out Bend, plus a new transition-shape dropdown (Smooth / Linear / Lean-In / Lean-Out). —— Vibrato Tune: Delay, Fade In, Fade Out, Amount, Rate, Phase Shift. Every note stores its own parameters (they survive save / reload / undo). How to use: flip the Pitch toggle to Manual → select notes → move the card sliders. The curve rebakes automatically. If you switch to "Draw mode", your curve settings will convert into pitch anchors. Switching again will erase everything, so you need to star tuning anew. ⚪️Post-Render Enhancer — audio processing after synthesis Post-render audio processing (DSP applied after synthesis): — Cleanup —— Clean — base noise/harshness reduction; smooths the signal. —— Denoise — noise reduction; removes background hiss/noise. —— Air - — cuts excess highs/"air" (sibilance, hiss) for a softer top. —— De-harsh — tames harsh upper-mid resonances (shrillness). —— Leveler — evens out dynamics/loudness (gentle leveling/compression). — Tone & Body —— Body — adds low-mid warmth/fullness. —— Detail — presence/clarity (upper-mid detail). —— Air Recovery — restores/adds high-end sparkle lost after cleanup. —— Soft Saturation — gentle harmonic saturation for warmth/glue. — Output —— Output Gain — final output level (dB); applied last in the chain. ⚪️XSY → Q-morph Q-morph lets you blend your main singer with any other voice — even from a different engine. This update makes morphing sound like one singer changing character, not two singers at once like in previous version. — Q-morph now has two engines. Pick one in the new Engine dropdown: —— Internal Morph — the classic engine from previous versions. It mixes the audio of both voices. Kept for compatibility with old projects. —— Spectral Morph (new, recommended) — instead of mixing two voices, it keeps your main singer and repaints their tone color with the second voice. Timing, consonants and dynamics always stay with your main singer, so there's no "duet effect". — Spectral Morph modes (the Mode dropdown changes depending on the engine): —— Natural — the default. Balanced, clean color blending. Use this 90% of the time. —— Deep Morph — a stronger, more dramatic morph that also carries over some of the second voice's dynamics and low end. Use when Natural feels too subtle and you want the second voice's character to really push through. —— Voice Color — takes only the vowel sound of the second voice and leaves all consonants untouched. Great when the second voicebank has messy or differently-timed consonants. Works better for same characters with different voice banks (appends, extends and etc.) —— Dual Cross — blend with two voices at once (a second "Cross Voice 2" dropdown appears). The colors of both voices are averaged. Try it for unique "in-between" characters that no single voicebank has. — New toggles (Spectral Morph only): —— Pitch Fusion — normally your main singer's vibrato and pitch expression stay untouched. Turn this on and the vibrato/portamento also becomes a blend of both singers. This is the closest thing to a true "average singer". Note: rendering takes a bit longer with this on. —— Formant Morph — shifts the vocal "resonance" (formants) toward the second voice instead of just adjusting brightness. Makes 50/50 blends sound like a genuinely different person rather than an EQ'd version of your main singer. Try it when morphing voices with very different characters (e.g. deep + light voices). ⚪️ Interface & themes — New "Dawn" light theme alongside the original dark "Dusk" (Settings → Theme; applied after restart). — Unified “mono-chip” styling & flat design throughout: no shadows/borders, flat section headers. — Sidebar and cards are reshaped to stable and unified design. — Interface scale (Resolution): Settings → Resolution: 50–200%. — New track-head layout: —— a track-colored side strip with a three-dot context-menu —— new "set color" and "delete" icons —— microphone icon: click to choose and set a singer. Singer now displays under the track's title ⚪️ Flexible layout (drag & drop) + hints — Sidebar can be dragged to the opposite window edge (grab the empty area of the tab panel). A hint bar now appears at the screen edge while dragging so you can see where it will land. — Track head column flips to the other side by dragging a track’s colored strip, same as Sidebar. — Automation block can sit in 3 positions (above the tracks / between the function bar and the piano roll / below the piano roll). — Automatization block & cards: —— each card has a left drag handle strip with three dots; —— grab the strip — the card fades to semi-transparent and follows the cursor; —— inside the block — reordering shows a drop hint and the neighbouring cards slide out of the way; —— you can pull a card out anywhere (over the piano roll / tracks) and it stays floating there; —— double-click the strip to send it back home; —— Sides/positions are remembered in settings (floating-card positions are per-session). ⚙️ Small stuff & polish — The Settings icon moved to the bottom of the sidebar column (where the old visualizer “eye” was). — Note-focused Auto Scroll is smoother now. — XSY is Q-morph now. Q-morph is not an original V4 cross-synthesis and never was. It uses original (and simpler) algoritm to mix rendered output.