Top Tweets for #VerveCinemaIssue
For the #VerveCinemaIssue, our first all-digital edition, graphic designer Harshal Duddalwar and web developer Ravi Motasra combined their expertise and eye for detail to execute editorial concepts in a novel visual format
https://t.co/bcKKQMMfuR
We are #Parsonsproud of Shradha Kochhar (MFA Textiles '21), who recently worked with @vervemagazine to design a custom piece worn by @AnjaliPOfficial for the #VerveCinemaIssue ✨
See more of Shradha's stunning design here: https://t.co/UwupcmPh4R
A seasoned critic and the hosts of a Bollywood podcast consider the shape-shifting nature of talking about movies as new digital forums for expressing opinions continue to open up
https://t.co/xuIIcJXZgu
#VerveCinemaIssue #SeeingIsBelieving
In this exclusive short, the presence of the camera provides performance artist Ankit Verma the opportunity to further blur the lines between art and life, fact and fiction, and the real and imagined selves
https://t.co/nk4Nllu675
#VerveCinemaIssue #SeeingIsBelieving
Five people share their individual experience of watching a film that portrays the mental illness they each live with
https://t.co/OG6fJEppY7
#VerveCinemaIssue #SeeingIsBelieving
Artist Veer Misra reflects on how the visual double entendres in the song ‘Dhal Gaya Din’ from ‘Humjoli’ (1970) connect with the hidden signals of queer intimacy
https://t.co/i2dXActN0A
#VerveCinemaIssue #SeeingIsBelieving #QueerLove
In the #VerveCinemaIssue, listen to or read Trivandrum-based Akshaya Pillai’s essay on how the once-popular half sari has lost favour with young women in Kerala and is consequently making fewer appearances in Malayalam cinema
https://t.co/lDdMkGjfmP
#SeeingIsBelieving #Mollywood
Comparing ‘Andhadhun’ with ‘Parched’ and ‘Portrait of a Lady on Fire’, film-maker Bishakha Datta (@busydot) offers her take on why the male gaze is short-sighted when it comes to portrayals of women and sexual pleasure
https://t.co/GliMnc8NLb
#VerveCinemaIssue #SeeingIsBelieving
Why has the talented @AnjaliPOfficial remained on the periphery of the mainstream audience’s consciousness? @knowleena writes the cover story that the underrated actor deserves
https://t.co/gUc1XrVZTF
#VerveCinemaIssue #SeeingIsBelieving
In the #VerveCinemaIssue cover story, @knowleena scrutinises how the talented @AnjaliPOfficial's darker skin tone has determined her career path and ambitions as an actor. Read the full digital issue here
https://t.co/OFFhYTQUsp
#SeeingIsBelieving
Designed for our discerning online audience, the #VerveCinemaIssue views films as a medium for self-interrogation and personalises the ways that we engage with celluloid versions of reality. All 10 features, now available
https://t.co/OFFhYTQUsp
#SeeingIsBelieving
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