Top Tweets for #flexfutureTBMA
Excited to have taken part in #flexfutureTBMA at The @ArtGalleryofNSW this morning, discussing digital material on physical carriers; obsolescence, risk and mitigation. Slides available here: https://t.co/bHJhkxBa9J #digipres #DigitalPreservation #AusPreserves
What would happen if all the AV technicians didn’t come to work indefinitely? Good question from Mark Brown @MCA_Australia. Often overlooked unbelievable expertise, #flexfuturetbma
final panel of the symposium of #flexfuturetbma
Berenice Murphy making the point that private collectors are becoming more and more important in the art/financial ecosystem, as in the combo of arms, drugs and art. Does this mean institutions need to have a different role? #flexfuturetbma
Artist panel giving us an insight into artists’ perspectives on acquisition and collection processes #flexfuturetbma
Agatha Gothe Snape asking some big questions: how do we deal with art that is ideologically and materially resistant to collection? #flexfutureTBMA
And from electronics expert and artist to av preservationist, real labour of love also out of necessity! How lucky is it to have that expertise and building this bridge to the present and the future. #flexfutureTBMA
Stephen now focusing on digitisation of video art, showing his lab for digitising soon-to-be-obsolete formats #FlexFutureTBMA
Stephen Jones talking about his involvement in constructing Nam June Paik’s TV Buddha in 1976 #flexfuturetbma
Stephen Jones speaking about building and installing Nam June Paik works at AGNSW #FlexFutureTBMA
Great first person account of installing paik’s tv cello and tv buda in the 1970’s by Stephen Jones. #flexfuturetbma @ArtGalleryofNSW
Murphy: We need to consider the ecology of relationships – we're not just acquiring a work, we need to recognise the wider eco-system. How does the artwork fit within networks of ideas and wider relationships? #flexfutureTBMA
@lawsonlouise1 and Tony Conrad’s Ten Years Alice on the Infinite plain @tateliverpool #reshapingthecollectible #flexfutureTBMA
The nineties bring Steve McQueen Bear, an increase in acquisition of tibm artworks and the first conservator for that media @PipLaurenson #flexfutureTBMA
Now @lawsonlouise1 is discussing changing artistic practice and the establishment of a time-based art conservation programme at @Tate #flexfutureTBMA
Discussing the "arrogance of the idea of permanence". Contemporary art is forcing us to challenge this concept and the rapid expansion of collections #flexfutureTBMA
And now a curator’s view from Justin Paton. Taking a “masochistic pleasure in thinking of all the art that didn’t make it” #flexfutureTBMA
We are moving from documenting a one-off artwork to an ongoing relationship between the collecting institution and the artist, where the work develops with each display #flexfutureTBMA
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