Top Tweets for #penteractchat

almost 5 years ago

#penteractchat: Thank you, everyone, for your graciousness. I hope that you enjoy these books from the summer launch of Penteract Press.

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almost 5 years ago

We’re going to wrap things up here. Thanks to everyone who participated, especially those who’ve asked questions & our 3 authors – we’ve had a blast! Their books are available now in our store. Whatever you’re up to now, have a great day! https://t.co/fPctUFVTCJ #PenteractChat

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almost 5 years ago

@theapetrou @Anthony_Etherin @maryfrancesness #penteractchat: I always hope that the outcome of the process allows the reader to take more pleasure from reading the work than the hardship felt by me from writing the work.

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almost 5 years ago

Excerpt from UNTRAVELLING by Mary Frances—(#penteractchat): https://t.co/2JJK8pa6Fv

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Marian Christie @marian_v_o

almost 5 years ago

A short anagrammed lines poem from SLATE PETALS by @Anthony_Etherin: There's magic in blood: A sober, demonic light directs haemoglobin — This iron became gold. #penteractchat https://t.co/VHt1nt3ALz

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almost 5 years ago

@PenteractPress @maryfrancesness Such rhythm and musicality in this #penteractchat

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Thea Petrou @TheaPetrou

almost 5 years ago

All three books were produced with fascinating constraints and detailed processes - do these become absorbing for you as poet-artists / are you often thinking of the effect of these on the reader too? #penteractchat @christianbok @Anthony_Etherin @maryfrancesness

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almost 5 years ago

@LauraKerrArt #penteractchat: Often the idea that, I think, is going to prove "easy" turns out to be fiendishly burdensome. As my friend, the painter Franck Gohier, says: "there needs to be some unease at the easel for the artwork to work."

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almost 5 years ago

Another from UNTRAVELLING by @maryfrancesness. #penteractchat

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almost 5 years ago

@LauraKerrArt #penteractchat: I now have much more appreciation for the merits of abstracted, minimalist paintings by the "colourists" throughout the history of art, since the apparent "easiness" of these simple images can disguise a lot of technical precision in their execution.

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almost 5 years ago

From the DMs for @maryfrancesness: You say that you snap the photos & they are tiny fragments but they seem massive in terms of time & space. How can a fragment snapped in a second appear infinite in scale? And what does that say about our relationship to nature? #PenteractChat

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almost 5 years ago

Excerpt from UNTRAVELLING by Mary Frances—(#penteractchat): https://t.co/2JJK8pa6Fv

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almost 5 years ago

A page from UNTRAVELLING by @maryfrancesness. Available here: https://t.co/MKGRYhi3JD #PenteractChat

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Marian Christie @marian_v_o

almost 5 years ago

#penteractchat: Please purchase a copy of SLATE PETALS by Anthony Etherin, who dazzles the reader with the legerdemain of his linguistic acrobatics—"Deft,/ I saw a crow,/ over us,/ a sure vow or caw/ as it fed" (#palindrome): https://t.co/QRxJ8gWIEg

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almost 5 years ago

#penteractchat @Anthony_Etherin The poems in 'Slate Petals' are grouped in various 'scapes' - Landscapes, Skyscapes, Mindscapes and so on. Did you create the poems with these groupings in mind, or did you structure the book this way as you were putting it together?

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almost 5 years ago

As we pass the hour mark in our #PenteractChat, here's "Moon Ray on Frosted Window" from THE KAZIMIR EFFECT by @christianbok. Available here: https://t.co/g2ZOPqFik8

PenteractPress's tweet photo. As we pass the hour mark in our #PenteractChat, here's "Moon Ray on Frosted Window" from THE KAZIMIR EFFECT by @christianbok. Available here: https://t.co/g2ZOPqFik8 https://t.co/wQMafwusPP

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