Top Tweets for #tweview
Across the Spider-Verse. Bloated, frenetic, and overlong, sure! but there is no denying the sheer invention and artistry of it all. A mind-blowing technical feat that does what any good sequel should: goes deeper, gets meaner, and expands the world in surprising ways. #tweview
Onward. A strong, imaginative concept and heartstring-pulling premise are all there – it's the lackluster writing that lets it down. Something you’d expect from Dreamworks in 2010. #tweview
The Hunt. As an incisive social satire, it’s over the top and politically muddled, but as a frothy B-movie bloodfest, it has flashes of dumb fun. Betty Gilpin is a star. #tweview
The Invisible Man. Modernizes a classic in genuinely effective and chilling ways, using silence and creative camera work to ratchet up the tension. As usual, Moss is extraordinary. #tweview
Birds of Prey. An undeniable confetti blast of a movie, embracing HQ's messy & manic brand of super bad. Robbie & director Yan deliver, extending a middle finger to recent DC duds. #tweview
1917. Technically, it's remarkable — immersive and immense, putting us on the frontlines of war. But character & story take a backseat to technique, muddying much of its emotional heft. #tweview
#tweview Just finished #SomethingDeeply by @seanmcarroll. The book solidified and extended my knowledge of quantum field theory, blew my mind with new facts and possibilities, and introduced me to cutting edge research on fundamental nature of our reality. https://t.co/Wuqx7N1O5Z
Cats. The absurdity of it is fun for about 10 mins, then the reality of its incoherent, sloppily rendered, bafflingly misjudged execution sets in. Not only nightmarish, but boring. #tweview
Uncut Gems. The world the Safdies build is an engrossing one – frantic, brutal, and nerve-shredding – but it’s also an exhausting experience, teetering on shrill. Should’ve been shorter. #tweview
Bombshell. Can’t decide if it wants to be a biting satire or an earnest rallying cry so instead, ends up acting as more of a voyeur, never digging in or adding to the conversation. #tweview
Waves. Shultz’s bold artistry elevates this two-act domestic drama beyond its narrative shortcomings – the first half’s chaos & crescendo leading to a more human & haunting second. #tweview
Little Women. At times, Gerwig’s playful use of structure can get a bit fussy, but when it works, the movie is euphoric – sweeping and warm, rich in feeling, and bursting with life. #tweview
Star Wars: Rise of Skywalker. Like bad fan fiction, it’s desperate to please, insisting on connecting every dot in the SW universe, resulting in a hurried, soulless, and pandering finale. #tweview
Frozen II. Attempts to add to the lore of the first, but somehow manages to be both predictable & overplotted. The animation is breathtaking but the storytelling is missing its magic. #tweview
Portrait of a Lady on Fire. Simply perfect. An intoxicating, incendiary piece of art and masterclass in acting, cinematography, and storytelling. A movie that belongs in a museum. #tweview
Dark Waters. Frustratingly mediocre. Haynes misses the mark here, borrowing heavily from better legal thrillers and lacking the urgency or nuance needed to do such a story justice. #tweview
Honey Boy. Like an act of healing, LaBeouf’s script is specific and introspective, but it’s Har'el’s delicate touch that breathes life into it, helping it rise above standard sob story. #tweview
Marriage Story. A painful, cathartic confessional, Baumbach’s knack for naturalism adding such weight to every moment of ugly rage, and clarity to the calm that follows. #tweview
A Beautiful Day in the Neighborhood. In less empathetic hands, the film could’ve easily spiraled into sentimentality. Instead, Heller simplifies, proving a little goes a long way. #tweview
The Irishman. Told through long, often bruising rises and sudden bursts of violence, the movie feels monumental, a meta-commentary mining new emotions from a familiar genre. #tweview
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