Hello Everyone! I am starting to recruit participants to help with my Phd research. Please do get in touch if you can help and share with anyone you know who might be interested! Very excited, thank you!
Really pleased to share this new article, written with Sharon Lockyer, where we examine intersectionality in stand-up comedy. @Comedy_Studies@EJCS_Journal
Intersectionality and the Construction of Humour in Contemporary Stand-up Comedy https://t.co/hu8To1hUJB
It's interesting how I've had a few responses to this saying "class doesn't matter/I don't see class," "chav isn't a classed term," or "Polly and Holly deserve it [the abuse they're receiving]"
“Even when individuals from working-class backgrounds are successful in entering the country’s elite occupations they go on to earn, on average, 16% less than colleagues from more privileged backgrounds.” (@SamFriedmanSoc & @Daniel_Laurison 2020: 209).
Just finishing Am I Being Unreasonable? Written &Staring Selin Hizli & Daisy May Cooper. Brilliant, Funny and refreshing. Have you seen it yet? Shows what great things can happen when WC people do have the opportunity. #workingclass#britishcomedy#lookoutpoint#boffolaPictures
Huge thank you to @sophiewillan for allowing us to exhibit her script for #almasnotnirmal episode 5 Sophie says 'my love letter to care leavers'. @42ndStreetmcr is fast becoming the Sophie Willan fan club ❤
Does it matter who plays working class characters in comedy?
The answer to this might not be straight forward. Here @PoorLassZine discuss their reactions to finding out Ralf Little, Anthony from The Royle Family is not from a working-class background.
Nine of the UK’s main broadcasters and streamers, led by @BBC and @Channel4, have joined forces to launch the #TVAccessProject with a commitment to improve access for disabled talent across the TV industry. #DisabilityInclusion https://t.co/FLEAKG0rz2
Celebrating Chewing Gum today! Created, written, and staring the brilliant Michaela Coel.
"Christianity, my race, the class I was born into. These are the things that make my work. They make who I am as well.” ( Michaela in the Guardian 2017)
We think it is important that we see diversity in representations of working-class people in comedy and not just stereotypes. +always more jokes about vaginas. In this quote @caitlinmoran talks about writing Raised by Wolves explaining some of the reasons why.
#workingclasscomedy
the #panicreport found just 12.4% of people working in Film, TV and Radio were from working-class backgrounds. We would love to know how many of these are working in comedy...
#class#comedy#DiversityandInclusion
We were left heartbroken at the end of series 3 of Man Like Mobeen. @guzkhanofficial has confirmed there will be a 4th and final series. This show is a feast of funny, brilliant scrip and excellent casting.
You can watch the first 3 series of the show on BBC iPlayer or Netflix.
More evidence - if it were needed - of why we need unity in the face of the #CostOfLivingCrisis
Racism is the Tories key tool in dividing working class communities. https://t.co/siVlJsFcfl
Cultural Capital is complex. It is best to think about it within the context of the most dominant culture. Do you know the right references, do you engage in the right activities, do you watch the right films/tv?
What working-class means and what individuals understand as class can be extremely varied. As can individuals experiences or class. We define what we mean as...
Economic Capital is probably the most straight forward to understand. However the effect of lack of economic capital can be many and not always obvious, stress and anxiety connected to not having a financial safety net can be paralysing. #class#workingclass#economiccapital