"Aussi faut-il dire du peintre qu’il n’est pas hystérique, au sens d’une négation dans la Théologie négative. L’abjection devient splendeur, l’horreur de la vie devient vie très pure et très intense." What is the connection between these two sentences?
I also recall very intensely the tone and timbre of the others, a feeling of continually decomposing in them sliding between their own colours sounds populations and sweetnesses. Though I felt tangled up by a few of them, others had a free air.
Dreamt of the plateaus, dreamt of a new one which was very large, and concerned something to do with monetary semiotics and small scale organization. The word "architectural" or "structural", as well as images of the edges of grey walls, and the feeling of striated money flows.
Dreamt of the plateaus, dreamt of a new one which was very large, and concerned something to do with monetary semiotics and small scale organization. The word "architectural" or "structural", as well as images of the edges of grey walls, and the feeling of striated money flows.
@crypsis000@diotimacorina Philosophy for Plato has a necessarily dialogic component, even thinking alone is an internal dialogue (The. 189e), and this passage as well as Diotima's speech emphasises the role of τὸ καλόν in the ascent of thought to the Good, which concerns philosophy. Cf. Hp. Ma. 297b.
@crypsis000@diotimacorina The speech from 244a-257b concerns this, especially towards the end. 251c is probably the most explicit moment where the boy is included as part of the soul's movement: