![Alan__Rickman__'s tweet photo. “During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)](https://pbs.twimg.com/media/GYywUCyWIAIRzNI.jpg)
![Alan__Rickman__'s tweet photo. “During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)](https://pbs.twimg.com/media/GYywUCxWoAA9npx.jpg)
![Alan__Rickman__'s tweet photo. “During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)](https://pbs.twimg.com/media/GYywUCwXEAUEq2Y.jpg)
Olivia
Online
mila_mclennon46
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In this life my dreams, The Beatles, Harry Potter, Alan Rickman, Colin Firth and VR|46. Bassist. In love with Liverpool and The Cavern Club.
El Puerto (ES)/Liverpool (UK)
Joined November 2012
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10 years...
Alan Rickman a champion for creativity. A legend to never be forgotten. He brought wonder and magic to so many through the screen and on the stage. His work, his characters, and his caring heart will be remembered - Always.
Feb 21st 1946 - Jan 14th 2016
#AlanRickman
‼️SORTEO‼️ ¿Quieres este cartel y postales de #Anthology?
Solo tienes que:
1️⃣ Seguirnos (Instagram/Facebook/X/Spotify)
2️⃣ Comentar tu canción favorita de los 4 volumentes de Anthology y/o tu momento favorito de la serie documental
3️⃣ Etiquetar a otro/a fan
#TheBeatles
Oops, merry Christmas. Everybody merry Christmas. Have a great time. Have a great life. Have a great evening peace and love peace and love so this is Christmas.😎✌️🌟❤️🌈🥦🍒🎶🌈🌻☮️
Who to follow
Beatles-A-Rama 
@BeatlesKingdom
https://t.co/z07gZLR4w6 24/8 Days a week Internet Radio Station. The Beatles and a whole lot more! Etsy Shop: https://t.co/e3FUKCUTM1
MeliJay AKA BeatlesLover🎶
@MeliMando_24
2/14/15 Sir Ringo⭐WAVED AT ME! In My Life, we all live in a Yellow Submarine & it’s been A Hard Day’s Night! MLB Fan ⚾️,WWE Fan, Anime, I tweet about novelas.
Angélica Pimienta
@AnglicaPimienta
Sueños de una familia Beatle. Todo sobre el buen rock de todos los tiempos en Lucy in the Blog / Dreams of a Beatles fan family. All about all-time best rock
🌻🫶🏻
#alanrickman
happy birthday love♥️
Happy Birthday, dear Alan!
🎂 𝑻𝒉𝒆𝒚 𝒔𝒂𝒚 𝒊𝒕'𝒔 𝒚𝒐𝒖𝒓 𝒃𝒊𝒓𝒕𝒉𝒅𝒂𝒚
🥳 Hoy cumple 92 años Yoko Ono. La artista conceptual nació en Tokyo, Japón, #UnDíaComoHoy en 1933. Estuvo casada con #johnLennon desde 1969 hasta su asesinato en 1980. Tuvieron un hijo juntos, Sean Ono Lennon.
#YokoOno
What’s happening how great octopus’s garden. Has streamed over 100 million streams I gotta tell you that’s a lot so thank you everybody. I send you peace and love 😎✌️🌟❤️🌈🎶🍒🌻🥦☮️
🛍 Bolsas, camisetas, sudaderas, tazas, pegatinas, gorras, posters, cuadernos... Echa un vistazo en nuestra 𝐍𝐔𝐄𝐕𝐀 𝐓𝐈𝐄𝐍𝐃𝐀 con diseños exlusivos de la gira #PaulMcCartneyGotBack
👕 AYER Y HOY 1: https://t.co/I5puW9wkEo
🎸 AYER Y HOY 2: https://t.co/A5DNHIscBp
The charity Saving Faces, of which Alan was a patron, have established a professorship in his name. The Alan Rickman Professorship of Facial Surgery.
Lindsay Duncan, Ruby Wax, Beatie Edney, Mike Newell and Miriam Margolyes supported this initiative.
All videos are from the Saving Faces channel on YouTube.
♥️🙏🏼😘
HAPPY BIRTHDAY JOHN!
HAPPY BIRTHDAY SEAN!
Today, we remember the legendary John Lennon on what would have been his 84th birthday.
Happy Birthday, John 🕊️
Un día para ver a Dios Paul McCartney.
“During a costume consultation between Alan Rickman and Judianna Makovsky, had two firm requests-the sleeves should be tight, and there should be lots of buttons
"I wanted great care taken in every aspect of the character, both psychological and practical," Rickman explains. "The cut of the hair, the length of the dress robes, the makeup." Rickman considers that his costume is an important part of the very focused life that Snape has led.
"You know that he lives a solitary kind of existence, you're not quite sure what the details of that are. He doesn't have much of a social life, and clearly, he's only got one set of clothes," he ends with a laugh. "The costume helped me to understand somebody who lives absolutely alone Whereas the different costume designers made all sorts of changes through the films to the characters, my costume stayed exactly the same for all eight films. And it helped me thinking that's the only thing hanging in his wardrobe."
Judianna Makovsky decided that while Dumbledore was very medieval, Snape would follow the Dickensian style. His severe gown is made from traditional academic fabric, ironed until it develops an unusual shine; it is actually a dark blue, which photographs black on film. Buttons run up to his neck, up his long sleeves, and even on his pants over his boots. Snape's robes showcase one very unique element. *We lengthened and split the train so that when he walks, you see these two little tongues that come out, like a snake's forked tongue," she explains. "So in a way, he literally slithers out of a room."
The costume designer Jany Temime started on Harry Potter and the Prisoner of Azkaban and worked all the way through Harry Potter and the Deathly Hallows – Part 2. She calls the design of Snape's outfit "a winner. He's a man who never explodes out of his clothes, so he must wear something extremely strict and precise." Rickman concurs. "He lives within very tight confines— physically as well as emotionally." He also offers a practical appreciation for his wardrobe.
"Leavesden Studios didn't have the best heating system in the world, so I was more fortunate than others with my costume, which was always pretty warm." Alan Rickman would arrive on set in full costume and makeup. "I was very aware that the kids were confronted by the Snape-ness of me," Rickman explains, "so it took a while for them to know that there was somebody else underneath it all."
(The book ‘Harry Potter : the character vault’, 2015)
Jany Temime: “I never changed Professor Snape. I used the Professor Snape costume and I remade it. I made another cape. I always kept Professor Snape [as he was], because I thought it was a great costume.
I will always remember, we were shooting in a bathroom and [Malfoy] is on the floor,” Temime continued, presumably referring to when Malfoy and Harry faced off in Harry Potter and the Half-Blood Prince. “Then, Alan runs with the cape on top of his costume. He crawls on the floor and he leans next to the shape on the ground. He did that 20 times, and 20 times the cape was exactly, precisely draped on the floor in a perfect position. I think you have to be a Shakespearean actor to do that.”
(‘HelloGiggles’, 2017)
My sister Mary has been such a great supporter of me and my music, here I am performing a bit of "Nothing" 🎶
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