This is what the 4:3 shots look like out of the camera (down-rezzed here for Twitter from 6K to 1080.)
I suppose I *also* could output this whole edit as a 4:3 version.
Here's the vertical edit, which actually shows some extra vertical resolution that's missing in the 16:9 version.
This mode maxes out at 29.97p frames per second—so knowing I didn't need slow motion for the edit—made this mode ideal.
I like to race the Great Western Half Marathon—but this year I brought my camera, gimbal and drone instead.
First time shooting in 6K anamorphic mode on the Lumix GH5M2—the 4:3 aspect ratio gave me extra height to crop vertically for the Instagram/TikTok edit.
The craziness of filming U.S. Election Night drama
*and earning a DP credit on premium cable TV!
Watch—https://t.co/zJFK8P3LLR
Listen—https://t.co/UpvoyOZaPW
Yes, this is the PC you helped me spec out and build senior year of high school.
We were very excited about its state-of-the-art Matrox video capture card.
Pictured: my video editing rig from 2002, freshman year of college.
I had a FLATSCREEN LCD monitor!!
Live preview via Tube TV, because interlacing & pixel aspect ratio looked wrong on a computer's square pixels. VCR to rip clips from MOVIES!
Winamp to play my cool MP3s.
Last night—we livestreamed our podcast recording for the first time, reacting to the launch of the #GH6 camera.
We'll upload a cleaner version shortly, but you can find the streamed copy here—https://t.co/cYMbd7mYpx
And the audio podcast is online now—https://t.co/W5LNgrkpiG
I tried to keep Jeff Goldblum a secret, but you all figured it out immediately!
Props to you geniuses in my latest @heyfilmpodcast episode—https://t.co/8QzOpdnlqm