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fangirling and fanworks • yaps about the most random things in threads • this acc has a faulty notification

[🫥 @heysaym_]

Thread of Contents

[UNIS OFFICIAL JP @UNIS_offcl_JP]

[🎬]

#ギミサマチャ��ンジ 🪄
みんなも踊ってみてね💫
https://t.co/JD2xWXNQ9y

#UNIS #유니스
#ギミサマ #GimmeSummer
#UNISparkle

[🫥 @heysaym_]

summer concept #unis

https://t.co/g1NgIQjJIV

[🫥 @heysaym_]

first take

[포피! 🐶 @PoppiPoppi28]

Finally Done the Anime Intro

UNIS " GimmeSummer☆"
Anime Title:
"Kuno won't le me be invisible "

Edited by Me 😁✌
#UNIS #ユニス #GimmeSummer

[Ria S. SPARKLE / VELVET SUMMER 🫶🏻💫 - RV 🪅 UNIS @RV_UNIS_Ria]

[📊📺] YouTube GIMME SUMMER☆ MV Reaction Update

As of July 19, UNIS' "GIMME SUMMER☆" has 14 and counting reaction videos in YouTube only, with more creators continuing to share their reactions.

It's always encouraging to see creators from different parts of the world taking the time to watch the MV.

If you have a few minutes to spare, consider dropping by their videos and leaving a positive comment or a like. A simple message of appreciation goes a long way and lets the creators know their support for UNIS is valued.

Full MV list are shared on the comment section👇:

[🫥 @heysaym_]

updated #unis' intro carrd 😊

link: https://t.co/iIICHV2cGa

[VeAble @VeAble_Tokyo]

【DIRECTION WORKS】
UNIS - ギミサマ☆(GimmeSummer☆)
https://t.co/OJoOgTIqrg

Director : MONA (VeAble)

[FULL CREDIT]
Director : MONA （VeAble）

Director of Photographer : Yasutomo Kevin Yoshida（THE ONE.）
1st AC : Ryoutarou Ishihara (85mm inc.)
3rd AC : Lil Nacho Supreme
Drone Operator : OKINAWAN FPV

Gaffer : Naoyuki Katagi（THE ONE.）
Lighting Chief : Taiga Isshiki
Local Lighting Assistant : Shiraku Kinjo

Choreography : Saco Makita

Stylist : Misa Ishibashi
Stylist Assistant : Ruka Nakamura
Hair & Make up : Kana Mizuno
Hair & Make up Assistant : Rina Inoue, Izumi Uchida, Sua Yang

Colorist : Hisashi Nemoto (KASSEN)
Online editer : Kousei Nozaki （ICHIZIKU）
2D Moiton Design : SHUNRI (VeAble)

Art Direction : Sedona Ono (ABEMA)
Marketing Producer : Misuzu Kobayashi (ABEMA)
Creative Produce : ABEMA

Photographer : Toshiaki Kitaoka
Photographer Assistant : Kazuki Matsumoto

Location Coordinater : Kiyohito Nagai（Okinawa Location Service）
Driver : Tetsuya Kouno（Okinawa Location Service）, Takayuki Tamaki, Yoshiaki Kamisato
Location Support : The Grand Hotel Ginowan, Depot Island

Production Assistant : Yuki Miyamoto(isai Inc.), Maki Shinjo, Ryosuke Hino
Production Manager : Marei Uto (isai Inc.), Haru Oyabu (isai Inc.)
Producer : Keita Watanabe (isai Inc.)
Production : isai Inc.

[🫥 @heysaym_]

in hollywood this is like gorillaz or melanie martinez, mitski and max martin worked on the same album

[🫥 @heysaym_]

UNIS's first Japanese mini album and the legendary people behind it.

fun fact: this is the first time these 3 were in the same project #unis

https://t.co/BlUPoxyGQl

[🫥 @heysaym_]

i wonder if they're planning for unis to have winter and autumn songs too? unis already have spring anthem: spring rain, and summer anthem: gimme summer.

[Sparkle GMA Artist Center @Sparkle_GMA]

Meet Thirdy Dangca, “Ang Makulit na Rockstar ng Las Pinas.”

Abangan sila sa bagong season ng #SparkleCampusCutie

Special thanks to:
📸: Studio Who?
👕: MESMYRRHIZED
💁🏻‍♂️: Nix Institute of Beauty

#CampusCutie2

[🫥 @heysaym_]

UNIS's first Japanese mini album and the legendary people behind it.

fun fact: this is the first time these 3 were in the same project #unis

https://t.co/BlUPoxyGQl

[🫥 @heysaym_]

composer and one of the lyricists for gimmesummer is kanata okajima and she is a multi-awarded songwriter who have worked with the likes of baby metal, snow man, le sserafim, twice, bts, ive, txt, shinee, &team etc. and have had made over 170 #1 hit songs #unis

[🫥 @heysaym_]

composer and one of the lyricists for gimmesummer is kanata okajima and she is a multi-awarded songwriter who have worked with the likes of baby metal, snow man, le sserafim, twice, bts, ive, txt, shinee, &team etc. and have had made over 170 #1 hit songs #unis

[🫥 @heysaym_]

gehlee liked and reposted 🤣🤣🤣

link: https://t.co/yeRox43k2v

[🫥 @heysaym_]

eli loves the foreign line 🥹❤️

link: https://t.co/BkEr8pfwCV

[🫥 @heysaym_]

in global pop terms this is like seeing demi lovato and selena gomez perform one and the same live in 2026.

[Sel (´‘▽‘｀) loving yambo disease @amachocolatta]

Seishun Amigo sung by the actual Shuji and Akira in 2026!!?!,!!?!

[🫥 @heysaym_]

ps. do not blame the fandoms or the groups. this is just the billionaires playing chess.

[🫥 @heysaym_]

i feel like i need to be private for this.

basically this is saying unis will serve as a cash cow (global profits) as they are growing ahof's fandom and they are hoping for ahof to pull through while unis shoulders financial side after a turnaround because boy groups sells+

[AHOF NEWS @ahofnews]

[📰] Kim Changsoo Entertainment venture faces a high wall: F&F’s boy group 'AHOF' builds a fandom, but monetization question marks remain.

Kim Chang-soo, CEO of F&F, is facing a steep barrier in the entertainment business, a sector he has been nurturing as a growth engine outside of fashion. F&F’s entertainment subsidiary, F&F Entertainment, is expanding its footprint into a comprehensive entertainment company.

It has consecutively debuted the girl group 'UNIS' and the boy group 'AHOF,' alongside building an actor management lineup. However, despite AHOF achieving meaningful fandom metrics, the financial strain persists. Analysts suggest that converting an expanded artist lineup into actual profit still has a long way to go.

According to a comprehensive look at F&F Entertainment's situation on the 2nd, the current entertainment business is being restructured primarily around its idol ventures, specifically centering on AHOF and UNIS. AHOF is set to release its third mini-album on the 8th. This marks a new release about eight months after dropping their second mini-album in November last year. UNIS will also launch Japanese activities by releasing their first Japanese mini-album on the 31st. While their scope of activity is widening, it is difficult to say that F&F Entertainment has secured a definitive stream of revenue.

The entertainment industry is structured in a way that takes time to monetize after an artist's debut. Expenses for album production, music videos, choreography, styling, content creation, global promotions, fan meetings, and staff operations occur repeatedly. Therefore, even if a fandom is established, it is difficult to guarantee profitability based on album sales alone. In fact, industry insiders commonly note that companies must endure at least two to three years of losses before turning a profit in the entertainment sector.

F&F Entertainment has also recorded continuous losses since its establishment in 2023. The operating losses stood at 7.3 billion KRW in 2023, 14.1 billion KRW in 2024, 8.7 billion KRW in 2025, and 1.3 billion KRW in the first quarter of 2026. As of the first quarter of 2026, its total equity is -26.5 billion KRW, leaving the company in a state of complete capital impairment.

An official from F&F Entertainment explained, "We are expecting a turnaround in the first half of next year. Since our spending volume is not as massive compared to major entertainment agencies, we believe turning a profit in the first half of next year is highly achievable. "The difference in operational models between the fashion and entertainment sectors is cited as the reason F&F is struggling in the entertainment industry.

CEO Kim Chang-soo has historically grown F&F by acquiring established external brands and combining them with product planning, distribution networks, and marketing capabilities. Representative examples include F&F's flagship brands, MLB and Discovery. Conversely, the entertainment business requires discovering new artists from scratch to build music, content, and a fandom together. It is a completely different formula for success compared to the core business that CEO Kim has always operated.

In the entertainment sector, once an artist's fandom grows sufficiently large, there is room to expand the business into collaborative products, advertisements, and global marketing tied to F&F’s fashion brands. However, for this vision to materialize, the artists must first secure mass public recognition and fandom purchasing power.

In this regard, AHOF appears to be the card that F&F Entertainment is currently pinning its highest hopes on.

🔗 https://t.co/VkIGbNYdsU

#AHOF #아홉 @AHOF_official

[🫥 @heysaym_]

stadiums and whatnot. so they are depending on unis to pull them through this financial hurdle right now since ahof is still growing. and when ahof do grow, they are expecting that they will be bringing the domestic financial profit and getting them out of the 26B won debt.

[AHOF @AHOF_official]

AHOF The 3rd Mini Album
[RUN TO YOU]

Highlight Medley
🖇 https://t.co/9yyYohKGUr

2026.07.08. 6PM [KST]

#AHOF #아홉
#RUN_TO_YOU