There are now cheaters in Meccha Chameleon, disgusting.
The whole point of the game is to paint yourself by hand, but cheaters are using auto-paint tools that scan the area and automatically paint their character with the right colors.
Players have shared videos of other cheats, including wallhacks that let hunters see players through walls and hacks that make it much easier to find hidden chameleons.
Developers will probably add anti-cheat because these people keep ruining the fun.
Hideo Kojima comments on the end of physical game production today in Italy:
"Today you can still download data. But at one point games will make into streaming services like Amazon or Netflix and companies will decide if you can play a game or not [...] At this point I won't have anything of my own [...] the data will be somewhere in a company and I will have the right to access it or not depending on how much this data tap is opened.
The fact that the initial data is not in my possession but is somewhere held by a private company means that I will always have that risk that for any reason, whether commercial or political, the company could prevent access to that data and therefore I will no longer be able to see that film, I will no longer be able to play that game.
This is what's happening next for the world of video games and I fear it will also happen for cinema."
I saw “Supergirl” in IMAX. It wasn’t a “superhero movie” about saving the Earth through self-sacrifice as “justice” confronts “evil.” It was a coming-of-age story about saving oneself, Kara, as she struggles with her own trauma. Structurally, it feels less like “Mad Max: Fury Road” (2015), where everyone is driven purely by survival instinct beyond notions of good and evil, and more like The Good, the Bad and the Ugly (1966), where heroes, villains, and scoundrels all converge.