🍉KAI | 🐿️🎀

#ATEEZ #에이티즈 #홍중 #FREEPALESTINE

[🩶.✦ ݁˖ @puddingimnida]

what’s even more sinister about this is that when adrenaline came out and we were all happy with Yeosang’s lines and screen time and we finally felt like he was shining and there was the preview of bad at the end of the MV, KQ knew this was what they were handing over next 😵‍💫

[🍉KAI | 🐿️🎀 @hongjongmann]

@1024updates @ammmmo1900 @ATEEZofficial reminds me that i have to do my duo today

[riri `︵´ @atzpocket]

and if ys gets no schedules during this comeback can yall finally see that the company is mistreating him and speak tf up?

[YEOSANG GLOBAL @YeosangGlobal]

Yeosang's situation is especially frustrating because he's not limited to just one role in ATEEZ. He's officially a main dancer, vocalist, and visual, and he was even added to the "rapper line" a while ago, which makes him one of the group's most versatile members and an ace.

As the official visual, his screentime shouldn't even be a discussion. As a main dancer, he should be getting dance highlights and dance breaks. As a vocalist and rapper, he should be getting meaningful lines and parts. We shouldn't still be arguing about whether Yeosang deserves these basic things in the group's eighth year.

That's what makes his mistreatment feel so targeted too. It's not just one area, it's every area. He's not a member who gets fewer lines but is compensated with solo schedules, dance projects and parts, or other individual opportunities. Instead, he's consistently the member with the fewest lines, the least screentime, no dance breaks, no performance spotlights, and no solo schedules or schedules in general. And Yeosang has everything needed to thrive in individual activities. He's talented enough to fit fashion, dance, vocals, or variety content, and his fun, charming personality is exactly why he successfully worked as an MC for years. Yet despite all of that, he can go an entire year with only one solo schedule, which is genuinely hard to understand.

Then, on top of everything else, another song is released where he once again gets less than seven seconds of screentime, not just the least lines, but an incredibly small amount overall, with no dance highlight moment to make up for it. After eight years, fans shouldn't still have to ask for the bare minimum. Only the true Yeosang lovers will understand what it feels because we literally have nothing. @kqent

[—͟͞͞★ ᒍ𝕠𝕠ꪦ𝐠ꫜ𝒶ოı ★ @Hongjoongisnm]

Hell yeahhh 😭

[🍉KAI | 🐿️🎀 @hongjongmann]

facts ! Jongho been saying he enjoys singing in lower register and even HJ has said he’s always amazed at the range he has (during that program they did in Germany) Yeosang has such a melodic deep register that is soothing yet exciting. YET it’s been 7 years and nothing

[shun MINGI JEONG MONTH!!!!! @mingimangimong]

next ed3n4ry defender gets jumped idgaf why are u defending a mf who does not know how to use atz’s potential to the max and shove SELECTED members to the back of the spotlight

[shun MINGI JEONG MONTH!!!!! @mingimangimong]

next ed3n4ry defender gets jumped idgaf why are u defending a mf who does not know how to use atz’s potential to the max and shove SELECTED members to the back of the spotlight

[slow 딱스 @sandeog87335]

에 그러고 보니까 뮤비에 이거 왜 안 나옴?..

[daily jongho. @jonghoping]

Please i need you to drop the “i miss old ateez music” narrative it’s so annoying. Let them explore different genres, let them experiment. You can’t expect a group to stick to one concept for over 7 years. No one is forcing you to like every song.

[shun MINGI JEONG MONTH!!!!! @mingimangimong]

never thought i had to worry about my main vocalist’s lines too but here we are

i know it’s a rap focused song and i get that but stop trapping them in a box.. all of them can do so much altogether 🫩🫩🫩🫩

jongho can 100% do rap too 🫩🫩🫩

[ATEEZ BR WINS ⏳ - Vote & Stream @ateezbrwins]

[📢] Amamos nossos 8 meninos mais do que tudo

Mas sabemos que todos mereciam um pouco mais de imparcialidade

Yeosang e Jongho serão sempre nossas joias que merecem tanto quanto entregam de talento!

BAD IS HERE
#ATEEZ #에이티즈 #GOLDENHOUR
#GOLDENHOUR_Part5 #BAD @ATEEZofficial

[super ultra doberman @bol4carrot]

#YeosangDeservesBetter

[｡°🎧ྀི Marxz ! ☆༄⋆ ˚‧꒰ა YEO ໒꒱ ˚ !𓏲🪽˚. is FALLIN @Marx_1117]

Look I’m not saying I didn’t like the mv or the song but I’m not gonna try and hide my disappointment over Yeosang’s cut, he got 7 SECONDS, it’s been the same for years and I’m tired of this. He got barely any lines, as soon as I finished the mv my smile dropped +

[yeo @ConceptOfYeo]

kq fully knowing they have an ace in their group, whose able to pull insane vocals and has a truly unique vocal tone, yet this is what he gets? a one line chorus? it’s so hard to stay positive when I see his work and talent blatantly disregarded

#YeosangDeservesBetter

[reem⋆𓊝⋆ @prnc_Mingi]

AND I BETTER NOT SEE ANYONE SAY YEONDOGIES AND RIBOS ARE “RUINING” THE COMEBACK!! THE ONLY ONES AT FAULT ARE KQ AND EDEN

[🍉KAI | 🐿️🎀 @hongjongmann]

@prnc_Mingi was going on about “wheres Jongho, and then i went wheres Yeosang” and then the song ended…

[reem⋆𓊝⋆ @prnc_Mingi]

can we address the fact that both yeosang and jongho barely got any screen time??? complete bullshit

[eda @yeosangtic]

HOW CAN HIS LINES AND SCREENTIME GET EVEN LESS THAN WHAT HE HAD IN LEMON DROP IM SO DONE

[🍉KAI | 🐿️🎀 @hongjongmann]

ATEEZ always push out bangers. but it’s a shame they don’t create opportunities for two specific members to explore other ranges , low register singing, rapping, screen time…if you’re already gonna write a banger, write all eight members into the banger ?