島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀.

⸻ minors please do not interact. I would rather be dead than dishonored.

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

https://t.co/flZy3N7Sbb

I’ll make a proper pinned tweet when I’ve time ! Now, this is a placeholder for my obsession of Last Samurai movie & heavy Bushido concept ! 😤😤 it’s a shame that I’m an Asian but I don’t have Asian muse to write.

Also. MDNI. Mutual only RP account.

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

It had been awhile since he actually checked himself in the mirror so his current appearances nearly freaked him out.

A lot of wrinkles. The dark bags under his eyes a light stubble on his chin. Hmm—

[່ @rottedoeism]

the anatomy of
melancholy —

and it is me

[Earth @earthcurated]

The ocean doesn’t apologise for its depth, and mountains never shrink to make us comfortable

[Eva Arriaga Durán @EvaArriagaD]

🎥 'Dreams' (Akira Kurosawa, 1990).

[OpticNoir @OpticNoir]

Bravery cannot exist without fear

[ヴェサ @tsukironin]

keda Terukata (池田輝方, 1883-1921)

Wisteria Blossoms, from the series Brocades of Edo (Edo no nishiki)

「江戸の錦」『藤の花』

circa 1910

[Masterpieces of Japan @JapanTraCul]

Mount Fuji by Tani Buncho, 1802

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

+ everything.

“Who sent you to me?”

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

As Hanzo was a well-trained warrior. His ignorance was fake when he obviously noticed his presence since the beginning, but sometimes—he was just testing the waters before broke his own focus for someone for real.

Of course. He intentionally kept his hands in the same position +

[𝐵𝐿𝐴𝐶𝐾𝐵𝐼𝑅𝐷 . @neverm0urn]

unaware of the archer's presence, the raven had been testing its abilities . counting how long it took to get from here to there, how long recoil stressed the body before it returned to something more stable .

only finding out about the dragon when he appeared next to it . +

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

+ Because of his unpleasant experience with this villainous organisation.

He clearly had a horrible with whoever worked for it whether they meant no harm to him or not ; besides, the horrible news about the Reaper’s presence always failed to impress him since the beginning of +

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

https://t.co/flZy3N7Sbb

MY HANZO IN TALON AU. He literally gives me a yakuza boss vibe.

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

( @VAR0lTUS

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

“Even the strongest sake cannot drown the bitterness of regret.”

The Japanese archer spoke to ( the reader ) after he immediately noticed their unexpected presence. Though his facial expression looked moody as usual, he seemed to be too tired to start the fight with them.

[島田 半蔵 — 𝐇𝐀𝐍𝐙𝐎 𝐒𝐇𝐈𝐌𝐀𝐃𝐀. @honourofbushido]

ᅠᅠ ᅠᅠ ᅠᅠᅠᅠ ᅠᅠ

ᅠᅠ ᅠᅠ ᅠᅠᅠᅠ

ᅠᅠ ᅠᅠᅠᅠᅠᅠ

ᅠᅠ ᅠᅠ ᅠᅠᅠᅠ

[ヴェサ @tsukironin]

Hashimoto Okiie (橋本興家, 1899 - 1993)

A Garden with Stepping Stones (Tobi ishi no aru niwa)

1959

[ヴェサ @tsukironin]

Attributed to: Kawanabe Kyosai (河鍋暁斎, 1831–1889)
After: Katsukawa Shunshō (勝川春章, 1726–1792)

Painting, originally hanging scroll, now mounted on panel. Young man composing poem beneath cherry blossoms; assistant kneeling and holding writing-box and sword.

1868

[ヴェサ @tsukironin]

Ikeda Terukata (池田輝方, 1883-1921)

Young Woman at the Sakura Bathhouse, from the series Brocade of Edo (Edo no nishiki)

「江戸の錦」より『さくら湯』

circa 1910

[ヴェサ @tsukironin]

Itō Shinsui (伊東深水,1898 – 1972)

Early-summer Rain

May 1931