Hi! Hope you're all keeping well. House Letters is still here, but prioritising other things at the moment (namely working full time).
Keep an eye out for developments that will be posted here and on Instagram. Until then, all our issues are available at https://t.co/hkyjltPp0c
Thanks to everyone who submitted to Issue 3! We are currently working through each and every submission and will get back to you with an update as soon as possible ✉️
#opencall#zine#publishing#artzine
We’re extending love, appreciation, and birthday wishes to bell hooks - writer, black feminist, and cultural critic 🎉
bell taught us that a movement, a life, devoid of love and pleasure, is a movement devoid of meaning.
(Alt: image of bell hooks)
No image copyright intended
In the hope of collecting more submissions (particularly written work), the open call for House Letters Issue 3 has been extended to Sunday 27 September 📬
Follow the link for more details, and get in touch with any queries!
https://t.co/GYmVuXac7N
#zine#publishing#opencall
🚨We are pleased to announce that the open call for Issue 3 is now live!🚨
Issue 3 will explore the theme ‘Build and Dismantle’, and we are looking for visual art and literary responses to this topic.
The deadline… https://t.co/W1qrph8dMl
Transcendence, 2020, by Anna Mays. Digital print on perspex; 80 x 90 cm.
‘Absence and presence work paradoxically in this piece. As the lungs enter the digital realm, they transform into an infinite and timeless… https://t.co/UPJxf3ZMGL
The Local, 2020. A performance piece by Martina Morger.
‘This work explores the presence of space. It had been performed right before lockdown in Paris; the visibility of the script suggests execution by… https://t.co/SJdWXy5TUv
Less is Moor, 2020, by Claudia Platzer. Acrylic on canvas; 45.72 x 45.72 cm. This painting forms part of a larger series, including a poem and sculptural clay buoys.
‘The pontoon at the end of my parents’ house sees… https://t.co/QZf9NT5mJV