"Earns every bit of the hype...it’s impossible not to fall in love with #SingSingMovie, one of the most inspiring, moving, and crowd-pleasing movies of the year."
RSVP at the link below to claim you spot at A24’s FREE advance screenings. https://t.co/lUxoCnv135
Please consider supporting @CinemaScopeMag. It launched two years before we did, and it's going through troubles that we can relate to. To this day, it remains an invaluable source of insight and resource for cinema lovers. May it live, indeed, to see its 100th.
Kicking off tomorrow, the 60th edition of @FilmLinc's New York Film Festival is "a celebration of cinema’s limitless capacity for renewal." Check out our near-complete coverage of this year's main slate. https://t.co/ua64xfzDvp
"The films on our list prove that modern culture is currently obsessed with nostalgia, the very lifeblood of cinema." Presenting our list of the best films of 2022...so far. https://t.co/cHUJJEiRJP
David Lean's LAWRENCE OF ARABIA, one of the most beautiful and complicated films in the history of cinema, drops on 4K UHD tomorrow. Read @CoolerCinema and @ed__howard's conversation on the film. https://t.co/aG0kQL6fPW
#Men finds writer-director Alex Garland turning from science fiction to folk horror and producing a film that exemplifies his best and worst tendencies. Read @wolfmansrazor's review. https://t.co/LJrCdm6aTa
@mzspress , the bookstore director & keeper of numbers, has informed me that we have 58 copies left available of the limited-edition Deadwood Bible. It will probably be sold out in the next few days. Here’s the link if you want one. https://t.co/aLb5hDnGx8
"The film oscllates between the playfully on the nose and the existentially profound with the confidence of a volcano chaser surfing on a river of lava." Yesterday, Sara Dosa's #FireOfLove kicked off this year's @visionsdureel. https://t.co/qviBz2AU2t
We had the incredible privilege of sitting down with Jane Campion to talk about #ThePowerOfTheDog, her approach to her adaptation of Thomas Savage’s 1967 novel, her historic #Oscar nominations, and more. https://t.co/2f38mjJs5Q
As always, I'm extremely proud to be a contributor to @Slant_Magazine's year-end film list. Check it out, with words from me on EL PLANETA, AZOR, and WHAT DO WE SEE WHEN WE LOOK AT THE SKY? https://t.co/IheY2h8XW7
We had the incredible pleasure of speaking with Justin Vivian Bond and Kenny Mellman about reuniniting their indomitable cabaret duo Kiki and Herb for KIKI AND HERB SLEIGH, running @BAM_Brooklyn from November 30—December 4. https://t.co/MTmKQcBbPl
This is a surreal piece to share: on @Slant_Magazine, I interviewed Todd Haynes (!!!) about his new doc THE VELVET UNDERGROUND. He's the first person I've interviewed that I also studied in class, so this was huge for me. Love his work, love this film. https://t.co/sVrKLmufRu
Read our interview with Palme d’Or winner Julia Ducournau, who discusses her approach to filming bodies and her reimagining of foundational texts to build a modern mythology with #Titane. https://t.co/ETkUmC6tPL
The musical format proves a natural fit for Leos Carax’s love of the visual fantasies created by the cinema’s most basic means of illusion. Read @psaxt on ANNETTE. #Cannes2021 https://t.co/9VRBTD1uL1
#Cannes74 begins tomorrow. Stay tuned for event coverage coming this week, and follow our correspondent on the ground, @psaxt. What film are you most excited see?
I don’t know if I wanna wade into the latest Tarantino thing, but I articulated some adjacent concerns back in 2007 when this long conversation with Keith Uhlich was published at my first blog, The House Next Door. https://t.co/Xy6LPzTOqn