Slow practice is often criticised but it is one of the best practice techniques there is. It encourages good technique, strengthens memory, conditions muscles, increases confidence - all of which leads to less effort, and less effort means speed increases naturally.
I never trusted slow practice. It was always a case of opening my music and trying to play it at the suggested tempo.
Over the years I've learnt that increasing tempo comes last.
Get fingering, notes, rhythms, articulation, pedalling and phrasing first. Tempo last.
@AdcoakerC I've often thought that too, I was lucky to have had a primary school without a head teacher where the top teachers were musicians and we sang/danced every single day without fail. Not only was it emotionally uplifting but it was great for learning music and rhythm.
Huge opportunity for bass and tenor singers! Join award-winning choir TENEBRAE on stage to perform at Wiltshire Music Centre as part of the WMC Chorus. All abilities welcome. https://t.co/OXUNiN81WA ๐ถ @celebratevoice @WiltsHub @WiltsCreative@TenebraeChoir
Reminderโ Clara Schumann was the youngest EVER to compose, perform, and publish a piano concerto.
She premiered it at the Gewandhaus with Mendelssohn conductingโone month after her 16th birthday.
Younger than Mozart.
Link to the map of female composers translated:
(There's actually language selection to the left side)
See if you can find a composer near you!
https://t.co/PCJltW5PWa