This is a great thread that I mostly agree with. But I want to point out that it's important to read more than white/mainstream pubs that monopolize *impact* views (NYT, P4K, etc). XXL still has decent trend/critical writing on occasion. Here's an example. https://t.co/yxTF7xb15m
even now, I think it's under appreciated that every single year the XXL Freshman Class still manages to inflame rap fans, many of whom weren't even sentient when it first debuted, despite nobody really paying attention to XXL at any other point in the calendar
KA is one of the most unique artists I've encountered in any idiom, from his methodology and approach to his craft to his voice. His sudden passing is a stunning and tragic loss.
@caltrops_press Given that X-Raided has long argued for his innocence β and given his historical importance in regional street rap β it seems off to simply dismiss him as a "convicted murderer." That's irrespective of whether the music is good (I haven't listened yet).
Rest in peace to my friend and former Bay Guardian/Rhapsody colleague Mike McGuirk, who passed away on Wednesday, June 17. He'll be missed. https://t.co/UQvaFaLgZZ
@bencardew Nice piece. Interesting you didn't mention Kaytranada's remix of Teedra Moses' "Be My Girl," though. It wasn't a chart hit, but it had an impact.
'Dark Times' Review: Vince Staples continues to craft densely lyrical, hook-filled bangers while reaching towards new depths of understanding about his life.
More: https://t.co/XD5qAmRtME
@NewBlackMan It's remarkable how listeners such as this writer cling to outdated ideas about Drake. It seems they haven't confronted the toxic ugliness that defines his recent work, and remain dazzled by the fantasy of a light-skinned avatar of Obama-era globalism and nice-guy misogyny.