Fleming's approach as a coach maybe outdated, but he's still the best man-manager I have seen...
There's a reason why CSK's dressing room was never toxic like MI despite the poor performances
Farewell 💛
Thanks for everything from 2009 - 2023 @SPFleming7. Great man manager and played a nice second fiddle to the great man. Nothing but respect at the end.
OFFICIAL ANNOUNCEMENT
The Super Kings and Head Coach Stephen Fleming have mutually decided to part ways.
Together, we shared one of the most successful and enduring partnerships in IPL history. The legacy you've built will continue to inspire us.
With immense respect and gratitude, Thank you, Stephen. 💛
More details: 🔗 https://t.co/o36a2ozbuy
Warning: animation wonk post ahead…
In animation, camera placement/movement and much of cinematography is traditionally handled by a department called Layout. The title comes from the old Disney days when they would lay out the 2D backgrounds and the characters/props in the transition from storyboards to final shots. But in the world of CG animation, the term is confusing. The job is analogous to a live-action camera department: you’re picking lenses, designing shots in a virtual space. Many talented young tech-savvy filmmakers or cinematographers might like the opportunity to work on the camera team of an animated film and get experience telling story with camera, but don’t even know the job exists - and the term “Layout” isn’t helping: it sounds like you’re doing spreadsheets or something, not essential creative work.
Because of this, on Spider-Verse, we have changed the name to the Camera Department. I encourage other films and studios to do the same. It’s more respectful of the talented people who do this work and lets them say to their friends that they’re part of the camera team on a movie rather than the layout team, which means nothing to an outsider.