Um grande dia para o Cinema Brasileiro feito na Realidade do Trabalho árduo. Bacurau e seu orçamento de 7,5 milhões R$ também tem sido citado. A lista de filmes lembrada pela imprensa deve incluir mais títulos para definir ainda mais o que significa um orçamento de cinema feito com honestidade no Brasil, país que tem na sua Constituição o apoio à expressão artística.
For more than 50 years, my Dad dreamed of a day when every frame of a major Hollywood film would be captured with IMAX cameras.
Tonight, Christopher Nolan spoke beautifully about his friendship with my Dad - and the new Keighley IMAX camera - on The Late Show w/ Colbert.
Denis Villeneuve talks about his desire to direct RENDEZVOUS WITH RAMA:
“There's a possibility of adapting an Arthur C. Clarke novel, ‘RENDEZVOUS WITH RAMA’. Like ‘2001: A Space Odyssey’ it’s about astronauts coming into contact with another civilization. It’s an exploration where we engage with technology that could realistically exist in the future, unlike ‘DUNE’, which leans more toward fantasy. For the first time, I’d be able to work on hard science fiction. I’d love to do that at least once in my life.”
(via @KonbiniFr)
‘I’M STILL HERE’ has been nominated for 3 #Oscars
• Best Picture
• Best Actress
• Best International Film
See the full nominees list: https://t.co/OKiP9PBUtq
2025 #Oscars Shortlist
Best International Film
Brazil, “I’m Still Here”
Canada, “Universal Language”
Czech Republic, “Waves”
Denmark, “The Girl with the Needle”
France, “Emilia Pérez”
Germany, “The Seed of the Sacred Fig”
Iceland, “Touch”
Ireland, “Kneecap”
Italy, “Vermiglio”
Latvia, “Flow”
Norway, “Armand”
Palestine, “From Ground Zero”
Senegal, “Dahomey”
Thailand, “How to Make Millions before Grandma Dies”
United Kingdom, “Santosh”
The official trailer for ‘I’M STILL HERE’ starring Fernanda Torres, Selton Mello and Fernanda Montenegro.
In theaters January 17 in New York & Los Angeles.
@cinetecabologna In your films (e.g., Black Swan, Mother!) allegory plays a significant role. How do you perceive the role and importance of allegory in your filmmaking? Could you elaborate on how the subtext permeates the text in your works, such as the environmental allegory in Mother!