Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿

SCOTTISH 3D ARTISTS
Prompt engineer for natural intelligence
📺 Youtube: Blender Market:

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

love the #apple itoast

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

@andrewpprice https://t.co/rxqIjVy3T3 watch this fmx presentation on splats

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

the gatekeeper of interesting...

[Is this a 3D model? @IsThisA3DModel]

unfortunately yes but this is certainly not interesting. you're skipping all the actually interesting parts.

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

thank you @rendernetwork and thank you @JulesUrbach for hosting rendercon - most epic event in LA

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

This was part of my presentation in LA regarding Ai / Blender - the main focus was on creating tools like the glass shatter and not the final output #b3d #ai

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

This is not a win.

[Is this a 3D model? @IsThisA3DModel]

Meshy also got kicked off the Blender corporate sponsor page LMAO

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

This is how to paint yourself into a corner.

[Mioo - @mymiws]

Yeah ok then ig I'll stick with 5.0 till the ai part goes away

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

@SpallBag @DavidAriew @rendernetwork

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

@DavidAriew the android version I built has a smoothing modifier slider to reduce that, you can also do it via keyframes however my version has the livelink and offsite recording, exports out the json, so you can mount it to a DSLR

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

@SpallBag @DavidAriew @rendernetwork you mean like this ?

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

I find it funny that all the anti AI people on twitter have never rendered an image in their puff

[Trinumedia @Trinumedia]

🎨 For the first time in the series of Being an Artists, we played teams, where we passed one blend file to another every 8 minutes or so, and tag teamed some art! We had an hour - and this was the result!

"Jungle"

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

@kushirosea @andrewpprice yeah, this crosses the line for me, it's poor form and bellow the belt...

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

twitter be like

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

it's been an interesting few days watching the drama unfold between prominent and fellow 3D artists regarding Ai, it's somewhat embarrassing watching fellow peers rip each other apart for social media clout
#originalityisundetectedplagiarism

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

@DavidAriew @rendernetwork Cheers for coming to my talk ...paper planes ftw

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

if you know ya know

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

I made something for #b3d

[Anish Moonka @anishmoonka]

Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him.

In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world.

Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters.

Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out.

Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.

[Online Render 🏴󠁧󠁢󠁳󠁣󠁴󠁿 @IdoineTutorials]

Cheers to everyone at #rendr #belfast @RendrFestival this is the way