gianfranco galanti

here i am

[gianfranco galanti @igiga80]

@SusannaCeccardi Siete voi al governooooooooooooooooooooooooooooooooooooooo svegliaaaaaaaaaaaaaaaaaaaaaa

[gianfranco galanti @igiga80]

@Italo_Bocchino Dopo che ci avete tolto “Forza Italia” e pure l’inno… Italo sei meglio di così. Anzi, eri…

[gianfranco galanti @igiga80]

@fdragoni Per me uno spritz. Liscio.

[gianfranco galanti @igiga80]

@JamesLucasIT Ma esisteva un codice della strada?? Sembra tutto molto ordinato…

[gianfranco galanti @igiga80]

@Vincentand2 @matteorenzi Hai ragione. Per te non c’è speranza.

[gianfranco galanti @igiga80]

@Vincentand2 @matteorenzi Dai non dire baggianate… anzi, non dire ulteriori baggianate e almeno salva la grammatica. Quale pelo nell’uovo: salva l’Italiano prima della nazione triste e antistorica che volete fare… dai su…

[Johnn @john_my07]

Seedance 2.0 on OpenArt AI

Prompt:
Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.
Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity.
Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.
Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.
00:00–00:02
Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus.
00:02–00:04
The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up.
00:04–00:06
She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead.
00:06–00:08
Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead.
00:08–00:10
On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift.
00:10–00:12
Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late.
00:12–00:15
Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.

Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on concrete, fabric moving on clotheslines, subtle residential ambience. No music. No sound design. No narration.

Goal: Authentic Korean neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.

[Censored Tube @CensoredTube]

That humiliation can never be erased

[Akhilesh Mishra @livingdevops]

Vibe coders everyday struggle in 15 seconds.

[gianfranco galanti @igiga80]

@ClaudioBorghi Se nella NL parla della lira del nord e del sud sottoscrivo anch’io… mi sembra il migliore dei suoi argomenti, fin qui.

[gianfranco galanti @igiga80]

@Vincentand2 @matteorenzi Il problema è scrivere qual è con l’apostrofo…

[Boring_Business @BoringBiz_]

Japan and Germany eliminated on the same day

Last time this happened was 1945

[それエグいてぇ！ @seisaku_tyosaku]

【驚愕】マイク・タイソン氏、現役時代に「1日500回」こなしていた地獄の筋トレがこちら。

[Pierrick Chevallier | IA @CharaspowerAI]

When Seedance 2 drops badass renders just how I like them 🔥
A powerful Valkyrie descending from the sky and single-handedly destroying an entire army of undead… the energy, fluidity, and scale are monstrous. Made in Hailuo

PROMPT
A fearsome female valkyrie with long white hair whipping through the wind, weathered silver armor A fearsome female valkyrie with long white hair whipping through the wind, weathered silver armor engraved with ancient runes, piercing blue eyes, massive winged spear glowing with divine energy
- Descends from storm clouds onto a battlefield where thousands of undead warriors overwhelm a kingdom’s last defenders, camera diving with her through rain and lightning before she crashes into the center of the chaos;
- Charges through the undead horde with savage precision, spear impaling multiple enemies, divine shockwaves ripping through ranks of skeletons, horses and warriors colliding around her, whip pans following brutal impacts and bodies thrown through mud and fire;
- Launches high into the sky and hurls her spear like a thunderbolt, obliterating the undead king in a colossal explosion of light, ending with the remaining undead collapsing lifeless while the camera rises above the battlefield revealing her standing victorious among thousands of fallen enemies
Ultra-realistic heroic fantasy, brutal warfare, divine VFX, realistic armor physics, stormy daylight, cinematic IMAX scale

The render is cinematic and brutally satisfying.
Do you like this Valkyrie / heroic fantasy style or want me to make more in this vibe?
Tell me in the comments!

[TechHalla @techhalla]

Seedance 2.0 + cinematic tutorial below 👇

[gianfranco galanti @igiga80]

@Italo_Bocchino Ma pure dalla discoteca…

[gianfranco galanti @igiga80]

@ClaudioBorghi Illustrissimo, come mai ha abbandonato queste tematiche così ad alto tasso di consenso 😂?

https://t.co/HFHtaGQmDU

[Beginnersblog @beginnersblog1]

Cinematographers learn 12 camera moves in film school.

Most AI creators don't know a single one. Because nobody told the camera what to do.

Here they are:

→ Push-in — moves toward the subject
Builds tension. Creates intimacy. Use it slowly.

→ Pull-back — retreats to reveal
Isolation. Scale. Endings. The reveal shot.

→ Pan — horizontal rotation, camera stays fixed
Suspense lives in what you haven't shown yet.

→ Tilt — vertical version of the pan
Tilt up on a hero. They look powerful immediately.

→ Tracking shot — camera travels with the subject
Energy. Forward motion. You feel like you're there.

→ Arc / orbit — circles the subject
Hero moments. Product showcases. Keep it under 30 degrees.

→ Crane / jib — sweeps vertically on a boom
Grandeur. Scale. The "god-view" of cinematography.

→ Zoom — focal length changes, camera doesn't move
Flatter look than a dolly. Fast zoom = music video energy.

→ Dolly zoom — camera goes one way, lens goes the other
Background warps. Subject stays still. Pure psychological dread.

→ Whip pan / crash zoom — extreme speed for transitions
Shock. Comedy. Stops the scroll every time.

→ Handheld — natural shake, no stabilisation
Add "subtle" or the model goes full earthquake.

→ Static + angles — low, high, Dutch, bird's-eye, worm's-eye
Low angle = power.
Dutch angle = unease.
Bird's-eye = scale.

The mistake everyone makes: stacking multiple moves into one prompt. One move. One clip. Always.

And add "slow" to almost everything. Slow moves hide what AI can't render cleanly. Fast moves expose every flaw.

[ImPaul @impaulxyz]

Esto parece una escena de película real

"Frozen Time" brutal en plena explosión, cámara orbitando el caos y reanudación épica. Calidad de cine con Seedance 2.0

Te dejo el prompt completo abajo 👇

https://t.co/tRmVcMlNYI

[ai.gezgini @ai_gezgini]

Seedance 2.0 ile bungee jumping sahnesi 🪢🔥

Kadın koşarak platformun ucuna geliyor ve hiç durmadan kendini boşluğa bırakıyor.

İlk saniyede kamera kadının üst vücuduna çok yakın.
Kadın kameranın yanından hızla geçiyor, atlıyor ve kamera kesintisiz şekilde arkasından düşüşe kilitleniyor.

Sonra gerçek düşüş başlıyor:

→ kamera kadına yetişmeye çalışır gibi arkasından dalıyor
→ düşüş tamamen aşağı doğru, direkt suya
→ yön değiştirme yok, süzülme yok
→ sadece hız, rüzgâr ve uçurum hissi
→ su hızla yaklaşırken tansiyon yükseliyor

Tam suya çarpacak gibi olduğu anda slow motion başlıyor.
Zaman durmuş gibi… sesler boğuluyor, rüzgâr uzuyor, kalp atışı hissi geliyor.

Kamera kadının yüzüne doğru orbit yapıyor.
Kadın bize bakıp gülümsüyor ve eliyle kamerayı işaret ediyor.

Ve tam o anda slow motion bitiyor.

Sırtına bağlı bungee ipi geriliyor ve kadını suya değmeden şiddetle yukarı çekiyor.
Kamera hâlâ çok yakın.
Saç, harness, ip ve vücut aynı anda yukarı savruluyor.

Kesinti yok.
Geçiş yok.
Sadece düşüş, zamanın durduğu bir an ve patlayan adrenalin. 🪢💨🔥

Prompt:
👇